Last week Amazon added a music streaming component to their Prime membership program. For those who already subscribe to a service like Spotify or Rdio or Beats, Prime Music is nothing impressive, given it contains about 5-10% of the number of tracks offered by those services. But for those like me who already have an Amazon Prime membership but don't subscribe to one of the established services, it's a nice add-on that you're not paying extra for.
But what makes it a little tough to use is that there's no real good way to find out which artists/albums/songs it carries without checking them individually to see if they can be added to your Prime library. So in that spirit, and to help out those who have Prime and are power pop fans, I've compiled a list of power pop that I've found available for streaming on the service. By no means is this list exhaustive, and there are some quirks in that sometimes full albums are available but in other instances only certain songs from an album is available. Anywhere, here's what I have so far in the realm of contemporary power pop with some other notables included. If you know of some others, please mention them in the comments.
Apples in Stereo - most of their catalog prior to their two most recent releases. Includes the #1 Hits Explosion comp.
Army Navy - S/T and The Last Place
BC Camplight - most of Hide, Run Away
Ben Folds/Ben Folds Five - Rockin' the Suburbs, Whatever and Ever Amen, The Sound of the Life of the Mind, Live, most of the Best Imitation comp.
Big Star - Third/Sister Lovers
Bill Lloyd - Boy King of Tokyo the only full album, but lots of tracks from others
Bleu - A Watched Pot + several from Besides
Brendan Benson - You Were Right, What Kind of Love
Butch Walker - Butch Walker & The Black Widows
Cheap Trick - Greatest Hits, Dream Police, In Color, Heaven Tonight, The Latest
Cliff Hillis - Better Living Through Compression
Cotton Mather - The Big Picture, several tracks from Kon Tiki
Curtains for You - several tracks from two most recent albums
David Mead - Dudes, Almost and Always, Live at Schuba's (2006)
Electric Soft Parade - The Human Body EP, several from Holes in the Wall and The American Adventure
Everybody Else - S/T debut and Wanderlust
The Exploding Hearts - Guitar Romantic, Shattered
The Format - Interventions & Lullabies
Fountains of Wayne - Sky Full of Holes
fun. - Some Nights, Aim & Ignite
Future Clouds and Radar - S/T
Geoff Smith - Gravity
Gigolo Aunts - several tracks
Household Names - Picture in My Head, several other tracks
Jack's Mannequin - Everything in Transit
Jason Karaban - most of Shift
Jeff Larson - Room for Summer
Jeff Lynne - Armchair Theatre
Jeremy Messersmith - The Reluctant Graveyard, The Silver City
Jet - Get Born
Jim Boggia - Fidelity is the Enemy
Josh Fix - This Town is Starting to Make Me Angry, most of Free at Last
Ken Stringfellow - Touched
Kyle Vincent - most of Where You Are
L.E.O. - most of Alpacas Orgling
Locksley - S/T
The Meadows - assorted tracks
Mike Ruekberg - Acrimony & Cheese
Mike Viola - Electro de Perfecto, Acoustic de Perfecto
The Raconteurs - Broken Boy Soldiers
The Red Button - She's About to Cross My Mind, As Far as Yesterday Goes
Rick Altizer - various tracks
Seth Swirsky - Watercolor Day
The Silver Seas - Chateau Revenge, Alaska, High Society
Sloan - Navy Blues, One Chord to Another, Twice Removed, various other tracks
Smash Palace - Fast Long Loud, most of Do it Again, others
The Spongetones - Number Nine, many others including most of Always Carry On comp
Steven Wright-Mark - My Plastic World, Pop Motel, Sideshow Freak
Title Tracks - In Blank, It Was Easy
Todd Herfindal - Right Here Now, most of Collective, others
Wanderlust - Record Time
Wiretree - Bouldin, Get Up
Mike Barnett-Everybody Gets to Dream. Mike Barnett has been entertaining us for the last several years with his brand of George Harrison/Traveling Wilburys-style pop/rock, and on his latest he finds a kindred spirit in producer Salim Nourallah, whose Hit Parade was my favorite album of 2012 and was itself a Beatlesque tour de force. Nourallah applies his sonic flourishes to Barnett's heretofore low-fi sound and the result is Barnett's best album to date. Opener "Who Loves You Blue?" is a nod to Harrison himself, both in the title and with Barnett's use of slide guitar, "I Could Fall" and "Late at Night" benefit from the Nourallah production with some jaunty keyboard use, while the title track is one of Barnett's most contemplative and sublime tracks. There isn't a bad track here, and the lovely piece of chamber pop "To You" closes things out with a smile on your face. Don't miss out on this one.
Marble Party-Plush Up. Marble Party is a San Francisco band with a power pop sound that's both modern and retro. The driving lid-lifter "Afterglow" aligns them with the Weezers of the world, "About Her" channels Squeeze and the extraordinary "Song from the Coast" with its tinges of psychedelia recalls The Beatles by way of The Red Button. Never afraid to genre-hop, they turn to country rock to fine results on "Stuck in the Middle", complete with steel guitar, and close things out with the piano-based Jellyfish-esque "Prove Me Wrong". Showing a clever mastery of various power pop styles, Marble Party is one of my favorite finds of 2014 to date.
