Lala embeds added.

Thanks to their becoming available on Lala subsequent to my original reviews, you can now listen to Valley Lodge's Semester at Sea and J.P. Cregan's Man Overboard in their entirety by scrolling down to the respective reviews below. A great way to spend the next hour and fifteen minutes or so.

Another freebie (and some drama) from Shake Some Action!

The day of freebies continues....

As mentioned earlier, Shake Some Action! is unveiling their new album as it's recorded, and track #3 (Fire and Ice) is now available at their blog.

But apparently frontman James Hall and Gary Miller have decided to go their separate ways from this point forward, as Hall explains:

It’s fair to say that the last song, Fire and Ice, triggered some fundamental changes in this project.

Firstly, Gary and I came to the realization our musical ideas weren’t as compatible as they once were, so SSA has reverted to a solo project again, as it was for the first record.

Secondly, it occurred to me that my contributions so far had a recurring theme of elements - Touch the Sky, Fire and Ice - that I wanted to explore further as some sort of theme throughout the record. What came to mind was exploring the idea of people’s apparent indifference to climate change - that maybe by the time everyone’s satisfied it’s actually happening it’ll be too late to do anything about it.

Maybe human civilization has come and gone many times before and on some deeper level we know that if climate change wipes us out, human life will always re-emerge through evolution. Or maybe we’re all just narcissists . . . .

How do I take those ideas and make power-pop songs out of them?

Stay tuned.

New Static in Verona EP (yours free!)

Freebie morning at Absolute Powerpop rolls on:

Last year's Static in Verona release, a side project from Ash Avenue frontman Robert Merz, was a favorite around these parts, so I'm happy to announce that he has offered up a new SiV EP for free download. Titled Life-Size Replica, it's inspired by his impending fatherhood, and can be downloaded from the band's official site.

Who said Mondays were depressing?

New Grand Atlantic single for download.

The Aussie band Grand Atlantic is back, set to release the followup to their excellent 2007 debut disc This is Grand Atlantic in June on Laughing Outlaw Records, but you can get the first single right now. Titled "She's a Dreamer", it's of a piece with their sound on the debut, a hybrid of Oasis (when they didn't suck) and Sloan.

Get it here:

Download "She's a Dreamer"

And as a curiosity, here's the band covering Beyonce's "Single Ladies" in concert:

Friday roundup.

Chris Swinney-Try This at Home. UK singer-songwriter Chris Swinney has released three previous albums but it wasn't until #4, Try This at Home, that he managed to catch my ear. Thanks to how good the new one is, I'll definitely be looking into the first three. Swinney offers up a singer/songwriter album, power pop style, in the vein of Richard X. Heyman or Bill Lloyd with a British sensibility. "Not Going Down" is pure melodic bliss, and the chiming guitars and catchy hooks of "Makes Me Feel Good" have burrowed their way into my head on a semi-permanent basis. Other highlights include the midtempo "Pull it Down" and the ballad "It Always Ends This Way". Contrary to the admonition of the album title, do try this one at home. Or in the car. Or at the office.

CD Baby | MySpace | iTunes

The Humbugs-On the Up Side. Another act that has a few releases under their belt that have gotten by me are the Minneapolis band The Humbugs. They're overlooked no more thanks to their wonderful new release On The Up Side. With male/female lead vocals and a smart pop sensibility, they draw inevitable comparisons to bands like The New Pornographers and AbPow fave The Cheeksters, but their sound is more straightforward pop. There's quality here from top to bottom, with "One More Day", "Employee of the Month", and the propulsive "Calico Eyes". Looks like I have another back catalog to sift through!

CD Baby | MySpace | iTunes

Brian Dilts-After the Dawn EP. Philly piano popper Brian Dilts' new EP After the Dawn has made my short list for 2009 EP of the year. Dilts has a more tasteful piano pop sound than the Ben Foldses of the world, and "Shadow Ball" and "Five Minutes Away" are perfect examples of his way with a melody, while "Free" does resemble Folds in sound if not sensibility.

CD Baby | MySpace | iTunes

Expectations: Valley Lodge-Semester at Sea & Bob Evans-Goodnight, Bull Creek!

I've often thought about how expectations and preconceptions influence music (and other forms of art) reviews. There's no doubt they have an impact, as an artist's first album is judged on its own merits and in relation to the general sea of music in that genre, while the second album is inevitably compared to the first. In the case of an artist putting out a disc that is one of the best of its year, decade (or even all-time), the bar is set almost impossibly high and even a very good followup disc can come out looking relatively off by comparison.

Which brings me to two discs I've eagerly been awaiting. The first is Valley Lodge's Semester at Sea, the followup to their brilliant 2005 self-titled debut, which I recently declared the fifth best power pop album of all time*. So try topping that, guys! As it turns out, they really didn't try topping the first disc; instead, they created a somewhat different sound. Instead of a more traditional power pop sound with sugary and crunchy melodies (i.e., making Valley Lodge II), they've opted to go in a harder, faster, glam-rock direction. Although off-putting at first (hey, what happened to Dave Hill randomly going falsetto?), letting the album wash (or steamroll, to be more accurate) over me has quelled my original disappointment. There's plenty to love here: Opener "Break Your Heart" (which namechecks "Every Little Thing", the first disc opener), "The Door" (the best song Gary Glitter or Sweet never wrote), "When the Rain Comes", possibly the disc's best track with its big guitar riffs and lyrics of decadence ("been kissed/been pissed/got freaky at a brist"), "Baby It's a Shame" (probably the closest cousin to the debut), the gloriously catchy "My Baby" and the rifftastic "Comin' Around". An interesting choice here is the (apparently) unironic cover of "Sentimental Lady"; it's a bit out of place but well-executed nonetheless. So while they didn't manage the near-impossible task of topping themselves, Valley Lodge has nevertheless topped about 90% of what's out there in the power pop genre right now, and will be up there at year's end.

CD Baby | MySpace

Bob Evans' 2006 release Suburban Songbook may not have been the all-timer that Valley Lodge was, but it was still my #1 disc of that year. Unlike Valley Lodge, Evans has charted the same course with his new release, Goodnight, Bull Creek!. Once again, he's enlisted genius producer Brad Jones and the overall sound is quite similar to Suburban Songbook. Which means you'll get tuneful tracks in the manner of Neil Finn, Josh Rouse (before he went to Spain) and David Mead (before he got all show-tuney) with a twinge of Americana (Australiana?). "Someone So Much" is the kind of folky ballad that Evans is a master at; "Pasha Bulker" is an uptempo treat that reminds me of Rouse's "Winter in the Hamptons", and "Hand Me Downs" is as good as anything on Songbook, with a backing piano riff and harmonica that gives the chorus a Stevie Wonder/"Don't You Worry Bout a Thing" feel. Elsewhere, "Your Love" is a bright, sunny track; "We're a Mess" rocks with a busy background, and "Power of Speech" is a lovely ballad with a bossa nova sound. Evans has done it again, and while there may not be a "Friend" or "Comin' Around" here, like Valley Lodge he's going to be high on the year-end list. (Like Suburban Songbook, this disc isn't being released domestically in the USA initially; expect it to show up at some point, though, at least through iTunes).

MySpace | Listen at official site

*Astute observers will note that despite considering Valley Lodge the fifth-best power pop album of all-time, it only placed #11 on my 2005 year-end list. A couple of caveats: it came out very late in the year (around Thanksgiving), and while Derby's This is the New You was my favorite album during 2005, VL is obviously now my favorite album of 2005.

CD of the Day, 4/17/09: The Campbell Stokes Sunshine Recorder-Makes Your Ears Smile

If you're a hardcore power pop fan, you've probably found yourself asking "Whatever happened to Bronco Bullfrog?" If you're not, you might be asking "Who the heck is Bronco Bullfrog?" Either way, it's news that Bronco Bullfrog's Andy Morten is back, this time with his new project The Campbell Stokes Sunshine Recorder. The band's name comes from an actual 19th century device that was used to measure sunlight, and the name of the album comes from the feeling you'll get after listening to this disc.

Picking up where Bronco Bullfrog left off, Morten & Co. offer a brand of winning British-influenced paisley power pop. The highly meta "Track One" finds Morten lamenting (or celebrating) that he's "too poppy for rock'n'roll" and giving a tongue-in-cheek rundown of his music set to a classic power pop beat. "She Looks Good in the Sun" sounds good on the disc, keeping the promise Morten makes in "Track One" about being true to his pop self, and "Tony Hazzard" is a tuneful Kinksian character sketch about a wannabe pop star complete with kazoo. Elsewhere, "Bye Bye Mrs. Bumble" is a mid-period McCartney Beatles-style track by way of The Monkees, and speaking of McCartney, "Everybody Loves the Good Times" is an "Uncle Albert/Admiral Halsey"-style pastiche that sounds like several song fragments rolled into one.

On the back end of the disc, "Olivia's Plaything" is a jangly midtempo featuring some "woo hoos", "TV Jingle Man" sounds about how you'd expect, uptempo and catchy, and closer "No Name #7" is a largely acoustic cap on the proceedings that serves as a fitting bookend to "Track One". All in all, if you want a melodically bright and extremely catchy disc that isn't afraid to poke fun at itself, Andy Morten's The Campbell Stokes Sunshine Records will, in fact, make your ears smile.

CD Baby | MySpace

CD of the Day, 4/15/09: J.P. Cregan-Man Overboard

As those who subscribe to my Twitter feed might know, I'm big into fantasy sports as well as power pop. But never the twain shall meet - or so I thought until I ran into the debut release of LA's J.P. Cregan. For those into fantasy basketball (I'm a baseball and football guy myself), you may know him as ESPN's John Cregan, who writes a column on the topic at espn.com. But to those in the power pop community, you'll be knowing him as J.P. and you'll be enjoying his debut release Man Overboard as one of the top singer/songwriter discs of 2009.

Cregan isn't a musical novice - he's played in several bands and is currently in Parklane Twin, a "Popicana" band who put out a fine 2007 disc. But on his solo debut he emphasizes the pure pop (for now people) and it's all catchy as hell. Although opener "Carolyn (The Pledge Drive)", with its Nick Lowe/Brian Jay Cline-style country/roots vibe, might be lumped in with his band work, it's a springboard to the power pop stylings of "Count to Three" and "Barbara is Strange", perhaps the album's best track - pure ear candy with Beatlesque backing vocals, tambourines, fine Telecaster work, and a great melody.

That opening three might be worth the price of admission alone, but the hits just keep on coming. "Jeni", with its "Misery"-style tumbling piano chords, a Costello/Lowe melody and chiming British Invasion guitars, is another standout. "Out of Our Minds", with its Spectorish opening, is a treat, "Miss Highland Park" lays on the handclaps as it recalls Marshall Crenshaw, "Shouldn't Take it (So Hard)" rocks a la Matthew Sweet, and "Winter of '85" both namedrops and serves as an answer song to Bryan Adams' "Summer of '69". The disc ends on a high note with "The Underdog", another outstanding Elvis Costello-inspired track. In the vernacular of fantasy sports, Man Overboard is a no-brainer first-round pick, a power pop equivalent of Albert Pujols, Adrian Peterson or LeBron James.

CD Baby | MySpace

New Seldon Plan on the way.

Baltimore's indie pop/rockers The Seldon Plan, a favorite on these pages, are getting ready to release their third disc next month. Titled Lost and Found and Lost, its title track is now available as a free download from their official site, and they also have a great deal ($5) on the new CD for a limited time.

Get it here.

Monday roundup.

Mike Gent-Mike Gent. The Figgs' singer/guitarist goes solo and the results are promising. While in band mode Gent & Co. can be rocking and raucous, here he goes for a more laid-back rootsier sound. "(Romantic Needs Led To) False Alarms" recalls Salim Nourallah in its spare but tuneful production, while "Paper Knives" brings Dylan and Elvis Costello to mind. But the real highlight is "Haste & Wrath", which builds on its simple "Picture Book"-style guitar riff to hypnotically catchy effect. An old-school disc which Gent compares to Rod Stewart's Never a Dull Moment and Pete Townshend & Ronnie Lane's "Rough Mix", it certainly captures the spirit of those two classics.

CD Baby | iTunes

The Milk & Honey Band-Dog Eared Moonlight. Released on Andy Partridge's Ape House Label, the Milk & Honey Band's second album will appeal to XTC fans, provided they go more for "Chalkhills and Children" rather than "The Ballad of Peter Pumpkinhead". In other words, the more (to use a word invoked in virtually every other review of this disc) "pastoral" sound of XTC. This is great rainy day music, from the spare opener "Just You" to the pedal steel-drenched "No World at All" to the quintessentially British "Maryfaith Autumn". While not quite as immediate as their debut The Secret Life Of..., it's still a grower worthy of your time.

MySpace | iTunes

Clockwise-Faders on Stun. This Toronto band matches the cartoony flair of their album cover with a cartoony flair to their power pop, which recalls Sloan (opener "Opposites Attract"), Elvis Costello & the Attractions ("Boomtown"), and The Odds ("Upside Down"). Other standouts include the hypercatchy "You Really Got Me Goin'" and "If You Don't Want Love (I Must Be Wrong)". They even get environmentally conscious on "Water on the Moon". Good stuff.

CD Baby | MySpace | iTunes

New Maple Mars Video.

Maple Mars has a new album on the way (yay!) and here's a video for a new song, "Transcendental Guidance". Quality tune.

Midweek 3-pack.

Terry Anderson & The Olympic Ass-Kickin' Team-National Champions. Lock the doors. Hide the children. Terry Anderson and his Olympic Ass-Kickin' Team are back and ready to wreak havoc on the power pop landscape once more. Anderson's been deeply involved in southern power pop and rock'n'roll for a couple of decades now, and this is his second go-round with the OAK Team (not counting their live disc). 2005's self-titled debut was a roots-pop masterpiece, and the followup ain't half bad either. This time around Terry takes to task Barry Bonds ("Willie Mays"), empty-headed jingoism ("Pow'ful 'Merka"), and women who won't shut up ("Indy 500"), all in his southern-fried Rockpile/NRBQ style. And where else but a Terry Anderson album are you going to find a track titled "You Had Me at Get Lost"? I defy you to listen to National Champions without cracking a smile.

CD Baby | MySpace

The Test Dream-The Test Dream. These Long Island lads take their name from the title of a Sopranos episode and their sound from a variety of pop sources. Sounding both classic and contemporary, they have a way with effortless-sounding melodies on their debut EP like the leadoff track "Open Wide" (think a less precious Shins) and "Directing Traffic" (reminiscent of Justin Kline's AbPow top EP of last year). Elsewhere, "Look for the Boy" has a Brill Building feel and "Shadows in the Dark" somehow manages to combine the Beatles, Motown and handclaps in one song. A promising debut, and an early EP of the year contender.

CD Baby | MySpace | iTunes

Dipsomaniacs-Social Crutch. Kool Kat and Not Lame have gotten lots of deserved praise for being top-notch power pop labels, but not to be overlooked is New Jersey's FDR Records, who quietly have been releasing a stream of fine releases from bands like The Successful Failures and Blank Pages. In fact, you could say there's an "FDR Sound": no-nonsense, straight-up, rock-oriented, garage-style powerpop that draws on bands like The Replacements and The Who. And nobody is more emblematic of that sound than the Dipsomaniacs, back with their sixth release here. On Social Crutch, the Dipsos hit quite a few high notes: the opening track "Together We Can Rule the World", which merges the sound of fellow Jersyians Fountains of Wayne and The Smithereens; the revved-up and highly catchy "Oh Jose", and the first song I've heard about army brats, "Kids on Base". Rock on!

CD Baby | MySpace | iTunes

CD of the Day, 4/6/09: The Alice Rose-All Haunt's Sound

It's become apparent I've been doing this a while when I'm doing more and more reviews of second discs of bands I've discovered since starting this blog. The latest example is Austin's The Alice Rose, whose wonderful 2006 debut Phonographic Memory has been followed up by their equally wonderful sophomore release All Haunt's Sound.

The Alice Rose has a lush sound that falls between indie pop and power pop, but whatever the categorization, the common denominator is their highly melodic songcraft. The disc opens brightly with "She Did Command", which has a Jon Brion/Michael Penn feel to it, while the jittery beat of "Waste Away" sounds a bit like how Spoon would sound if they were guitar-based instead of piano-based. "Maybe a Ride" would be the obvious choice for the "single" from the disc if singles were a viable format these days, with its bright melody and uptempo sound. The Beatlesque "Slumberella" is another winner, and the joyous "It's All Allowed" will set your toes to a-tappin'. If you like your pop with a little bit of a sophisticated edge, The Alice Rose is perfect for you.

CD Baby | MySpace | iTunes

Wednesday 3-pack.

The Library-The Life and Times of Rosa Lee. Back around the turn of the century, North Carolina's Mayflies USA were one of the top quality power pop acts going. They broke up several years ago, and now their members are gradually re-assimilating into the music world. We found Adam Price in Hundred Air, and now here's ex-Mayfly Matt Long hooking up with Jason Caperton to form The Library. Their debut EP The Life and Times of Rosa Lee is a real treat, with a sound that draws on Elliott Smith (especially on the title track), Jon Brion and Joe Pernice as well as the Mayflies. Opener "Wish I Knew" is a gem, featuring Long's angelic vocals and a little bit of lap steel. Other standouts include "Club Amnesia" and "Nothing to Lose", which reminds me of the Sofa City Sweetheart EP from late last year.

CD Baby | MySpace | iTunes

Matt Miller-EP and EP II. LA rocker Matt Miller may have a nondescript name, but his music is anything but. He's put out two EPs over the last couple of years and taken together they make a fine album equivalent. EP #1 was produced by the legendary Jack Douglas (who produced John & Yoko's Double Fantasy, Aerosmith's classic 70s discs and discovered Cheap Trick for starters) and it has a radio-ready sheen. Reminiscent of AbPow favorite Josh Fields as well as mainstream acts like Fastball and Semisonic, Miller starts off strong with the instantly catchy "Anytime at All", and "Nowhere, Somewhere, Anywhere" is a midtempo delight.

EP II is a more intimate extension of the first, opening with the very catchy acoustic-based "You're There Somewhere", featuring the Ryan Adamseque "The Question Still Remains" and closing with the anthemic "The Whole Night Through". Miller has now formed a band called Graydon, and I'll be looking forward to their first release.

CD Baby (EP I) | CD Baby (EP II) | MySpace | iTunes (both EPs)

Monday 3-pack.

I was getting tired of using "roundup" for multi-disc posts, so I made the switch.

Chris Richards & The Subtractions-Sad Sounds of the Summer. Talk about patience paying off. The power pop community has been waiting a good five years for the followup to Chris Richards' Mystery Spot, a power pop disc so well-received that it even managed a 7.3 from Pitchfork. Well, our long national nightmare is over. The Detroit popper has added a backing band and released Sad Sounds of the Summer, and it's just what the doctor ordered - even if the sounds aren't sad and it's springtime. Some tracks jangle more than others (opener "I Can't Quit Her"), some rock harder ("I, Miss July"), and some do both ("Oh Canada"), but all are quite fine. Meanwhile, Richards' backing band really helps him focus his sound here, a clear case of addition by Subtractions. A must-have for classic power poppers.

CD Baby | MySpace | iTunes

Cheap Star-Speaking Like an Elephant. This French band takes its name from two of the long-time titans in our genre but sounds less like either of them and more like Teenage Fanclub and The Posies, which isn't a bad thing at all. Of course, sounding like The Posies isn't a shock here as half of the disc was produced by Ken Stringfellow and the other half by Jon Auer, in what could be considered the production equivalent of their Private Sides EP. Of course it's one thing to sound like a band and another to sound like a band and have great songs of your own. Thankfully, Cheap Star falls into the latter category with gems such as "For Saving Grace", "Sugar & Candy", "Shell" and the all-too-brief "Free to Believe".

CD Baby | MySpace

Additional Moog-Endless Air. This UK band's pop/Americana masterpiece Thirty Three & a Third made my top 10 in 2007, and they're back with the followup. While not as immediate or upbeat as its predecessor, it's still a quality laid-back listen in the vein of Autumn Defense or Hotel Lights. The title of the opening track, "Quietly Through the Canyon", is a good indicator of where they're going here, and other standouts include "Harmonica Fuel", "I'm Not Safe in This World" and "Signs on Fifty-Four".

CD Baby | MySpace

Roundup time.

Danny Echo-Danny Echo. First things first. Danny Echo is the name of the band, not a person; although the frontman is named Danny with no last name given. Whether man, band or beast, though, Danny Echo is a rocking act from Vancouver with a big sound and big hooks. They have some Oasis swagger and some Cheap Trick bravado that makes for a promising sound. Standout tracks include the Noel Gallagher-like ballad "Tomorrow Today", opener "Out of Style" which for some reason reminds me of "Remember (Walking in the Sand)", and the Brendan Bensonesque "Help Yourself".

CD Baby | MySpace | iTunes

The Antennas-The Antennas. Nashville strikes again, as yet another power pop act to emerge from the home of country music demands our attention. These guys put a rocking spin on power pop, not unlike Superdrag, The Figgs and Sloan, whose "Money City Maniacs" is the apparent inspiration for opening track "A Call to Arms", which like the Sloan track opens with a siren and some crunchy guitar riffs. Other highlights include "Here We Go (Record Store)", which manages to get some ba-ba-bas going in the chorus among all the riffage; the catchy and more midtempo "Stop Running their Mouths"; the synth-heavy and Cars-influenced "I Found Out", and the driving "Do, Don't Say". These guys rawk, and this might be a better Superdrag disc than the actual new Superdrag disc.

CD Baby | MySpace | iTunes

Brett Kull-The Last of the Curlews. And now for something a little different from the riff rockers above. Normally an album with some prog influence and a 7-minute opening track would scream "run away" to me, but this Philly singer-songwriter has managed to a craft an ambitious and dense disc that has enough pop hooks to keep me coming back. The aforementioned opening track, "Acadia Gulls", is Exhibit A as despite its length it keeps coming back to its haunting and melodic piano-based chorus in a manner reminiscent of The Electric Soft Parade's "Silent to the Dark". "If She Could Be Who She Wanted" is another gem, with its shimmering melody, "Hey Horizon" is a wonderful acoustic-based number that recalls a cross between Peter Gabriel and Neil Finn, while "Become a Ghost" and "Autumn Endings" are the kind of British-styled pop/rock that was done so well on the Pale Hollow disc. An unexpected pleasant surprise.

CD Baby | MySpace | iTunes

Freebie of the Day II.

The indefatigable James Hall, already with two power pop classics to his name in the space of three years as Shake Some Action!, is busy at work on his third album and he's opening up the sausage-making to us all on his new blog.

The plan is for Hall (along with bassist and power pop renaissance man Gary Miller) to set out in detail the recording of their new disc, song-by-song, as they work in the (virtual) studio. They have one finished product to their credit now, and it's an auspicious beginning: "Touch the Sky", a tune as good as anything on the first two albums.

Touch the Sky mp3

You can go in for the full details or just listen to the finished product, but either way it's a fascinating fly-on-the-wall look into the recording process.

Freebie of the Day.

Back in 2004, a Canadian band called AKA The Hots got some notice in the power pop community with their EP Touchy. They kind of disappeared after that, but frontman Shane Thurling Quinn has re-emerged with a fine new track titled "The Up and Comers", and it's available as a free download from iLike. It's a fine power-poppin' tune and you can't beat the price.

Download "The Up and Comers"

Looking forward to more.

CD of the Day, 3/24/09: Straw Dogs-Love and then Hope

Often I've written here about artists that straddle the line between (power) pop and alt-country/Americana, and one of the acts that consistently crosses that line back and forth is Seattle's Straw Dogs. Back with their fifth album and first in four years, tunesmiths David von Beck and Darren Smith have crafted yet another laid-back and melodic marvel that pop fans will enjoy.

Love and then Hope opens with the languid "Lie Awake", displaying the Dogs' signature sound. "Could You" is more upbeat, featuring von Beck & Smith's stellar harmonies with an ending that's reminiscent of The Everly Brothers. The rootsy "Down My Hall" is another winner, as well as the radio-friendly "Serious Love". "Here In My Garden", meanwhile, is as good as anything on The Jayhawks' Hollywood Town Hall, and "Fallow" is a great Eagles-style midtempo rocker. Von Beck and Smith are such musical pros that there's a uniform quality to the proceedings - not a bad track to be found. If you're in the mood for some great "Popicana", you won't do any better than the Straw Dogs.

CD Baby | Myspace | iTunes

Although not from the new album, here's a great track off their previous release, 2005's Tell the Rising Sun, sung from the point of view of Fred Noonan, Amelia Earhart's navigator:

Amelia - Straw Dogs

CD of the Day, 3/19/09: International Pop Overthrow Volume 11

A yearly rite of passage in the power pop community, the International Pop Overthrow 3-CD compilation is a tribute to the state of independent power pop, the artists themselves, and the man behind the curtain, David Bash. Every year, the IPO comp features great tracks from established artists and tracks off upcoming albums, but the real treat is making new discoveries of some of the lesser-known artists.

First of all, any compilation featuring tracks from arists that have been featured on this site like Roger Joseph Manning Jr., Private Jets, The Backroom, Leave, Wiretree, The Respectables, Peter Baldrachi, Kai Reiner, Steve Caraway, The Afternoons, Chris Brown, and The Tomorrows is worth it for that alone. And then you have the new tracks yet to be released. Plasticsoul's "Throwaway" is one of the best songs here, and has me salivating for his followup to 2005's brilliant Pictures from the Long Ago. Throw in great new tracks from The Vandalays and The Ringles as well, and it gets even better.

But it's the new discoveries that always make the IPO comps so much fun, and here are a few that are featured (you may find others that stand out for you):

Service Group. "I'm in Love" shows off their Knack-influenced, vaguely new-wavy (with a dose of Superdrag thrown in) style of power pop. It's off their 2007 release Principals of Electronic Circuitry, which you can check out at CD Baby, or on MySpace

The Generous Days. These Norwegian poppers offer up "Smile", a Beatlesque treat complete with the stacatto, "Getting Better"-like chords and recall fellow Scandinavian poppers Private Jets. MySpace

Pleasure Trip. Their "Without You" is a new track to IPO, but it's of a piece with their self-titled 2007 debut, a fine blend of power pop, Americana, and 60-styled roots pop.

Twenty Cent Crush. "Summer (You Know My Name)", the leadoff track of Disc 2, is a great confection of sunshiney 60s pop from a band comprised of advertising professionals. They've been around for quite a while, but haven't released much material, so this is your best place to get this fine track. MySpace

As always, the comp is on the Not Lame label, and you can get it from the source here.