New playlist (and new look).

First of all, I have a new Spotify playlist over on the right. It's about half stuff I've reviewed here lately and half stuff I haven't, so of note from the latter are fine new singles from Reno Bo and Shake Some Action! as well as tracks from Kyf Brewer, Pop Cult, Matt Joe Gow and Kevin Devine, whose full-length albums I would recommend checking out.

And more obviously, I changed the template on the blog. Nothing fancy (one of Blogger's generic options), but I grew tired of the old look (as I'm sure you have), and now it looks a little less 2006 and a little more 2009 at least.

Mid-November Roundup.

The Nines-Alejandro's Visions And now for something completely different. OK maybe not completely different, but Steve Eggers & Co. (with help from The Foreign Films' Bill Majoros) have returned in the space of a year with the "soundtrack" to Alejandro's Visions, a fictional 50s/early 60s movie that has allowed them to branch into 50s rock-and-roll, doo-wop, early Beach Boys, and other sounds that were the rage among the cool kids of that era. Additionally, many of the songs open with radio jingles or dialogue from the "movie" to add to the mise-en-scène. So from the pre-rock era "I Have Found You" and "My Sweet Marie" to the Beach Boys-ish "Escape from a Small Town" to the Phil Spector-influenced "Operator (Coming Home to You)" the album is a tour-de-force of early rock era pop styles. Throw in a couple of classic Eggers ballads in "And Suddenly" and "When Our Love Was in Bloom" and you have one of 2016's most interesting, if not best, releases.

iTunes



Denny Smith-An Overnight Low. The frontman of The Great Affairs and fORMER finally put his own name on the cover with his solo debut. Unlike the harder-edged pop of fORMER, his solo excursion is more a piece with his other band; in other words, classic mid-tempo pop/rock that's radio-ready (90s radio that is). "Silver Lining" opens the album in fine fashion with just the right dose of melancholy to go along with a winning melody, while the more uptempo "Hard Stop" finds the golden mean between Butch Walker and The Gin Blossoms. "All in the Livin'" is an upbeat, acoustic number that's quite ingratiating, and the power ballad "Missing You" is another delight. Smith isn't going to reinvent the wheel, but that doesn't mean the ride isn't still smooth.

iTunes



Preston Cochran-Sunshine EP. Preston Cochran's Sunshine is one of the best EPs of 2016, but I have to dock him points for not releasing this until the fall, so what could have been the soundtrack of the summer will instead have to brighten your day as the leaves fall and the temperatures drop. As its name implies, the title track is a jangly delight of 12-string guitars, a pretty melody and a catchy chorus, while the buoyant "Superstars" does nothing to kill the buzz of its predecessor track. Elsewhere "Ocean Drifting" boasts a Beatlesque sheen and the carefree "Sunday Poetry" captures the sunny, pastoral vibe of the album cover.

iTunes

Late October Roundup.

The Legal Matters-Conrad. Power pop's Michigan mafia (Andy Reed, Chris Richards, Keith Klingensmith) reunite as The Legal Matters with Conrad, the followup to their excellent 2014 debut. There is a bit of a shift here to a softer pop (as opposed to the classic power pop seen on their individual releases, especially Richards) but it's all very well done. The mid-tempo "Anything" opens the album with aplomb and is featured on a promotional EP the band released on NoiseTrade last month. It's fitting that that EP contained an unreleased cover of a Teenage Fanclub tune since that's the operative sound on this track. "I'm Sorry Love" follows, a slice of baroque pop out of the Jon Brion playbook. Elsewhere, pop gems "Minor Key" and "Short Term Memory" provide a Beatlesque vibe and the plaintive "More Birds Less Bees" recalls Jellyfish when they dialed things back a few notches. Between this album and recent strong releases from Nick Piunti and Ryan Allen, I may have to establish "Michigan" and "non-Michigan" categories for the year-end best-of list.

iTunes



John Macom-Unforeseen Circumstances. John Macom has been around the music biz for a while now, having been in the band Binge, which contributed tunes to TV shows such as Dawson’s Creek, Party of Five and Felicity. Here, the New Yorker goes solo for the first time, and his experience shines through in an auspicious debut that's as pure and smooth as pop gets. Working off the basic Lennon-McCartney guitar pop template, Macom churns out one catchy tune after another - "Hi and Goodbye" reminds me of Cliff Hillis at his best, the languid "Think About You" find him crooning "youuuuu" to hooky effect, and "It's All Coming Back to Me Now" is great Crowded House-styled mid-tempo (but with momentum) pop. And I defy anyone to get the chorus of "Nadia" out of their head. This might be the best debut album I've heard in 2016, and I've embedded the YouTube playlist of the album below so you can confirm for yourself.

iTunes



Goodo-Better Than Millions. With their Big Star-influenced sound, Sweden's Goodo obviously takes its name from "The Ballad of El Goodo", but I'm guessing they couldn't use the "El" because that name was already taken. This is 70s-styled power pop with shades of Cheap Trick and Matthew Sweet as well, from the rocking opener "Her Love is a River" to the Raspberries-ish "Jenny" (not the one at 867-5309) to "Line of Fire", which would have fit in snugly on #1 Record. You probably know by now without listening to it if it's up your alley, but if you're still not sure, listen below.

iTunes

It's singles time!

Normally I don't write about singles, as often they're just teasers for albums I'll review later or just because I'd rather spend my time on an artist who puts out a full album rather than merely a single. But recently several artists I've featured here before have new singles out, so it's time to round them up in one post in case many of you have missed one or more of them.

David Myhr-Spellbound. While we're still waiting on the full-length followup to 2012's great Soundshine, the ex-Merrymaker regales us with this brilliant ELO-and-70s-pop-inspired single from the soundtrack of Flykten till Framtiden, a Swedish time travel movie likely not coming to a theater near you. If only Myhr himself could master time travel, he could have released this in 1974 and knocked "Hooked on a Feeling" off the top of the charts.

iTunes



The Tories-We Still Shine. Yes, you read that right - it's The Tories, reunited for their first new music in 15 years. While Steve Bertrand and James Guffee have given us some fine solo albums over this time, it's great to see them back together and hopefully this single is the forerunner of a new full-length album. The new song captures the pop style that allowed them to break out of the "power pop ghetto" around the turn of the century and is worth your time.

iTunes



Michael Carpenter and Allan Caswell-Back When I Was Older. For someone who was supposedly retired when he announced that last year's The Big Radio would be his final solo album, Michael Carpenter sure has been busy in 2016. First, he released a new album with The Cuban Heels and now he's teamed with Australian country music legend Allan Caswell for this fine single. The song shares a theme with Dylan's "My Back Pages" ("I was so much older then/I'm younger than that now") and is an enjoyable, catchy country rock tune that's of a piece with Carpenter's Cuban Heels work.

iTunes



Mark Bacino-Not That Guy. NYC popster Mark Bacino re-emerges for the first time since 2010's Queens English with a wonderful new single that finds him at his melodic best. It's a jaunty, McCartney-esque track that reminds us of how much we've missed new music from him.

iTunes



John Faye-Miss America. Ex-Ike guitarist John Faye comes to us just in time for this contentious election season with a track that isn't about a beauty queen but about the state of nation as he small-m miss(es) America. Although the lyrics are social commentary, they're not particularly preachy, and the sound itself is classic Faye - crunchy, loud guitars and a hooky melody. In other words, classic power pop.

iTunes

Late September Roundup.

Bubble Gum Orchestra-Sticky Love Songs Vol. 1 and 2. If it's the classic ELO sound you desire, you had to have been excited last fall when Jeff Lynne released a new album as "Jeff Lynne's ELO". It turned out to be fine, but it sounded more like a latter-day Jeff Lynne solo album than ELO in its heyday. This of course meant your next option was to wait for Michael Hildebrandt to release another Bubble Gum Orchestra album. That wait is over, as not only is there a new BGO album, but there's the equivalent of 2 new albums as Hildebrandt has gone Out of the Blue here with the 20-track Sticky Love Songs Volume 1 and 2. With 20 tracks to play with, Hildebrandt spreads out a bit here. Of course you get the vintage ELO sound in tunes like "You Called to Tell Me" and "My World Blue" (a Jeff Lynne title if there ever was one), but you get the straight-up Beatlesque "Peppermint Smile", the more rocking "You Gave Up on Love" (with guest vocals from Lannie Flowers), and even some acoustic guitar on the acid love song "You're Not the One That Got Away". Closing it all is the self-referential "BGO Motel", a track as catchy as it is clever. You won't find this at the usual sites, so click on the link below to listen and purchase.

Sample and buy here

Greg Pope-Guiding Star. The man I named the Pope of Power Pop is back with his sixth full-length solo release (not counting the Pete EP and his best-of compilation) and once again he's delivered another fine collection of southern-fried power pop. Featuring a Stranger Things-inspired cover, Guiding Star demonstrates why Pope is the one of the more consistent artists in the genre. Opener "Innocent Breakdown", with its nervous, insistent beat shows Pope (a one-man band who can drum with the best) isn't content to sit on his laurels, while "Four Leaf Clover" lashes at the singer's dudebro ex in service of a catchy chorus. Elsewhere, "Sun is Gonna Rise" rocks with gusto, the acoustic guitar-based shuffle "I Think Not" is classic Pope, and "If You Want Answers" may or may not have them, but it's a great listen and could have been a hit in another era. No longer the "company man" he was back in his Edmund's Crown days, Pope is now older and wiser and Guiding Star is as humanistic as power pop gets.

Bandcamp



Ryan Allen & His Extra Arms-Basement Punk. Every time I turned around there's another great new release from the Michigan power pop scene. Last time out it was the latest from Nick Piunti and today it's Ryan Allen and His Extra Arms. (Next time it may be The Legal Matters, who have a new one out in a few weeks). Basement Punk is Allen's third album and builds off the promise of last year's Heart String Soul. "Watch Me Explode" is the kind of frenetic rocker that's perfectly situated as the album opener, and "Chasing a Song" is a brilliant bit of pop in the vein of Big Star. "Mal n' Ange" is another winner, sounding like an early-70s English classic rock track complete with guitar solo between the second and third verses, while "Gimmie Some More" is a fun "In the Street"-style rocker. Between the Greg Pope album above and this one, it's a great time for one-man bands.

iTunes

Early September Roundup.

Nick Piunti-Trust Your Instincts. One of 2016's more anticipated releases in the power pop community is finally out, as Nick Piunti stays on his new album every 18 months schedule with Trust Your Instincts. Piunti, whose last two releases finished #2 and #6 in my year-end lists, bids for the top 10 again with another insanely catchy collection of power pop tunes. There aren't really any ballads here, but the one difference between this one and the last two is that the tempos have slowed just the slightest. The opening title track is a typical Piunti barnburner, and "One Hit Wonder" rocks as well (someone let Piunti have a big hit so he can be the subject of this song), while "Blame in Vain" and "Dumb it Down" are wonderful midtempo tunes. Elsewhere, "Ready for Whatever" and "This Ain't the Movies" would have been spun by Casey Kasem in a Top 40 Countdown in 1978, and the Gin Blossoms-esque "Stay Where You Are" closes the album with some acoustic guitar prominent in the mix. As usual, Piunti is backed by fellow Michiganders Andy Reed and Ryan Allen (who has a new album of his own out in a few weeks) to fine effect. So trust your instincts on this one, and pick up a copy starting tomorrow.

Bandcamp | iTunes



Val Emmich-Whatever's Chasing You. New Jersey's Val Emmich is probably better known to you as an actor, even if you don't know him by name. He was Alex on HBO's Vinyl, Liz Lemon's coffee-boy fling on 30 Rock, and was in four episodes of Ugly Betty. He's also a fine musician with several albums under his belt and it's his latest here that grabbed my attention. With a sound that recalls Pete Yorn, Ben Kweller and even Tom Petty, Emmich's tunes are radio-friendly. While "I Want to Hang Out" and "Nobody Makes it on Their Own" are a fine 1-2 opening punch, it's "Slow Connection" that won me over with country/roots-influenced chorus that reminds me a bit of Chris Isaak. Other standouts include the Americana-tinged ballad "Almost Lost You" and the spare pop of "I Shouldn't Bother". You can check this one out while I dig into his back catalog.

iTunes

Mid-August Roundup.

Seth Swirsky-Circles and Squares. Seth Swirsky is back with his first collection of new music since 2011's Red Button album, and it might just be his best since the first Red Button album from 2007, my #1 album of that particular year. Between his solo and Red Button work, Swirsky has established himself as one of the premier Beatlesque artists, but one who evokes their sound (primarily on the McCartney end) without slavish imitation. And it's not just the Beatles - Swirsky incorporates flourishes that recall Brian Wilson and Burt Bacharach as well and that's apparent on the dreamy opener "Shine". The playful title track follows with some McCartneyesque melodies before its calmer ending, and the midtempo "Old Letter" is as comfortable as an old pair of shoes and features a killer countermelody. Elsewhere, the stately piano ballad "Far Away" would have topped the charts in 1970, "Trying to Keep it Simple" is a gem that includes the line "I don't have to be a Beatle", "Belong" is guitar pop of the first order and "Table" breaks out the Rickenbackers for some top-notch jangle pop. Finally, while "I Don't Have Anything (If I Don't Have You)" treads the familiar ground of songs that state material goods mean nothing without love, here Swirsky gives his status as one of the country's top baseball memorabilia collectors a shout-out. Clocking in at a generous 16 tracks, Circles and Squares pretty much is guaranteed a slot in 2016's top 10, the question being just how high.

iTunes



Gillwire-Silver Streak. Gillwire is Arizonan J.G. Thwaits, and he's crafted an impressive debut album that mixes power pop, classic rock and indie pop with the common thread being his sense of melody (He calls it "retro-alternative pop", which is a good a description as any). The title track (and opener) is a clever tune that's equal parts Beck, Cake and Dean Friedman, the gentle, lilting "Find Me a Movie" finds itself in McCartney/Neil Finn territory, "Big Win" boasts a beats-based melody, and "Sand in My Pockets" is the most power-popping track of the lot. While this is a debut album, Thwaits sounds as though he's been around the melodic block a few times before.

iTunes



The Villas-Long Player. The Villas hail from Austin, TX and have been around since 2011 and I'm wondering how it was just now with this release I'm hearing of them. Better late than never as Long Player - their appropriately-titled full-length debut after some singles and EPs - is a fine example of Britpop-flavored (or should that be "flavoured"?) sound. The opening title track and "Never Had a Morning" go by in a Blur (pun intended), while the languid "Julie" just sounds cool, and "Natural Selection" and "Eva" rock with melodic abandon. A catchy-as-hell summer album if there ever was one for 2016.

iTunes

Early August Roundup.

Today's post features a common theme: Known artists with new releases under a different name.

Look Park-Look Park. Look Park marks the solo debut of sorts for Fountains of Wayne's Chris Collingwood, who teams up here with famed producer Mitchell Froom for a collection that isn't quite a FoW album by another name. So instead of the power pop of "Stacy's Mom" or "Radiation Vibe", Collingwood and Froom employ more of a laid-back, contemplative sound. This doesn't mean the catchy melodies are gone - single "Aeroplane" and the wonderful (and appropriately-titled) "Breezy" display the songcraft we've become familiar with over the years. But where FoW had the guitars front and center, Look Park's signature instruments are the keyboards, primarily piano. In fact, tracks such as "I'm Gonna Haunt This Place" and "Minor is the Lonely Key" bring the bedroom pop of another Froom collaborator - Neil Finn - to mind. So as long as your expectations aren't that this is that latest FoW album, you should have no problem enjoying it on its own pop-friendly terms.

iTunes



Happiless-Happiless. Regular readers will known Mike Benign of the Mike Benign Compulsion, and here he teams up with Allen Keller as Happiless. Benign hails from Milwaukee and Keller Los Angeles, so they collaborated long-distance through email and other electronic means to create the album, and the result is a mix of top-notch power pop and mildly baroque pop. The advance single "Sleepyhead" has a Michael Penn feel to it, "Hopscotch Town" is as bouncy as its title would imply, and "We Let Our Story Tell Itself" and "Stranger to Yourself" sound like classic Mike Benign. So let your goals be life, liberty and the pursuit of Happiless.

iTunes



Biltmore-Revolutions and Romantics. Another familiar name with an unfamiliar new band name is Phil Ayoub, who put out a couple of fine solo albums in 2006 and 2010 and here re-emerges as Biltmore. Those who enjoyed those albums will want to pick this one up as it continues Ayoub's bright, radio-friendly pop/rock stylings. The top examples of such are driving opener "Never Let You Go", the swirling melody of "Neon", the heartland rock of "Las Vegas Blue" and "Going Out" (which sound like lost hits from the heyday of late 90s alt-pop), and the anthemic Brit-pop sounding "Stars in the Attic". A welcome return.

iTunes

Late July Roundup.

King Mixer-Hang On. King Mixer is Chicago's Eric Howell, whom some of you may remember from his Greatest Hitch, Vol. 1 debut in 2008 (which itself was a culmination of a 15-year career in singing/songwriting). This time around, King Mixer may be an appropriate moniker as Howell provides us a mix of pop, rock, power pop and Americana with the common denominator being quality melodies. Standout tracks include "Let it Go", Cheap Trick-styled power pop you'd find on a 45 on your record player in the days gone by; the Beatlesque staccato guitars of the catchy "Back to You"; the 70s-influenced midtempo piano number "Somethin' Else", and the pure pop of "One Too Many". Also seek out the single "45" which can be found at his Bandcamp page.

iTunes



Ryan Krga-A Testament EP. One of 2016's more promising debuts is this 3-song EP (maxi-single?) from another Chicagoan, Ryan Krga. All three songs are top-notch here: "What Makes Me Blue" is fine guitar pop that has a bit of a Guided by Voices feel; the moody "She Gets Results" channels Michael Penn; and the title track wouldn't be out of place on a Teenage Fanclub record. Can't wait to hear more from Mr. Krga.

Bandcamp



Wesley Fuller-Melvista EP. This young Aussie brings the glam and power pop on a rocking 5-track EP. "Change Your Mind" borrows the underlying beat from Gary Glitter's infamous "Rock and Roll Part 2", the title track is unadulterated sunshine pop, "Shock Me" is both guitar pop and dance pop at the same time, and "The Dancer" would sound right at home between "Ballroom Blitz" and "Little Willy" on a Sweet mixtape.

iTunes

Early July Roundup.

Justin Levinson-Yes Man. 10 years. That's how long Absolute Powerpop has been around, and that's also how long it's been since Justin Levinson debuted on the power pop scene with 1175 Boylston. The debut was Ben Folds-styled piano pop and since then he's veered into alt-country and most recently a bit of light soul-inflected singer-songwriter pop with 2012's This Side of Me, This Side of You. Now with Yes Man, Levinson has come full circle with his most straight-up pop album since his debut. Opener "Together Forever" is a bouncy confection that's well-timed for summer; the title track is a Beatlesque romp, and the waltz-time baroque pop of "Safety in the Rain" recalls Jellyfish. Elsewhere, "Broken Heart Running" is the type of piano-based pop found on the debut, and closer "Colleen Compassion" evokes a lost Ben Folds track in both sound and title. In all this is one of 2016's best so far as even the tracks not noted here are worthy of note. The tenth anniversary truly can be the sweetest.

Sample and buy at Amazon

Ken Sharp-New Mourning. Speaking of 10-year anniversaries, it's almost been that long since Ken Sharp's last album, 2007's Sonic Crayons, which at that time was his first album in seven years and which came in at #13 on my best-of-2007 list. So it's a bit of an understatement to say this album was long-awaited, and it doesn't disappoint. Of course Sharp has an excuse for the delays between albums - when he's not recording, he's writing and writing prolifically about music with 18 published books to his credit including a series titled "Play On! Power Pop Heroes" which chronicles the leading lights and forerunners of the genre. And if Sharp's going to keep putting out albums (however infrequently) like New Mourning, he's going to be worthy of a chapter of his own as his latest is his best and most consistent. From the classic power pop of "Dynamite & Kerosene" and "Let's Be Friends" to the Motown-influenced "Solid Ground" through the 70s MOR balladry of "L.A. Can Be Such a Lonely Town" and the string-laden closing power ballad "Loser", New Mourning is 14 tracks of solid gold and also a clear contender for Best of 2016.

iTunes



The Loved-The Loved EP. The Loved are a three-piece band from Portland, Oregon who push all the right retro buttons on their debut EP, right up to the album artwork. Dense guitars and a languid melody make for a great combination on the first single "How Do You Fall in Love", while the midtempo "Sun Moon Stars" features a hypnotic vibe and "Lost at Sea" rocks with "three chords and the truth", as the band described itself in their Facebook bio. Give it a listen below, and it'll be Loved by you as well.

iTunes

Late June Roundup.

Cupid's Carnival-Everything is Love. This London band appears to have sprung up out of nowhere - I can't find a website, Facebook page or anything else for them. Given how Beatlesque they sound, perhaps the Fabs have resurfaced in the lowest-key way possible (remember those Klaatu rumors from the late 70s?). OK I know that's ridiculous but whoever they are, they've dropped the best Beatles-influenced album of 2016 to date on us with Everything is Love. It opens with the McCartney-esque "Girl" complete with Harrison-like slide guitar, "Working Girl" has a driving melody, and "I Was the Boy" drifts into psych-pop territory. There's even a cover of "A Whiter Shade of Pale" here. But the real fun comes at the end with the title track, a Lennon-styled ballad that sounds like a Beatles outtake, and "Sunny Days", the latest variation on "Mr. Blue Sky". Whoever these guys are, they should take a bow.

EDIT: As helpful commenter Rick notes below, some of these tracks were released in 2008 under the band name Cherrystone (which in fact I reviewed on these pages). So before you buy, check the recesses of your mp3 collections - you may have some of these songs already.

iTunes



The Well Wishers-Comes and Goes. I believe this is Jeff Shelton's eight full-length album as The Well Wishers (plus an EP), and they've all been so consistently good that I've just about run out of things to say about them. So in other words this is less a review and more of a notification that there's a new Well Wishers album out there you need to pick up. The differences between this one and the others is slight; it's a bit more consistently rocking than 2014's A Shattering Sky. "Impossible to Blame" opens the album and from the first few notes you know you're listening to The Well Wishers, while "It's On" has a classic AOR sound to it. Only "In Love With" and "Nobody's Dancing Alone" slow things down a bit from the norm, and the closer "Nature's Son" belies its pastoral name with some of the hardest rock Shelton's undertaken. But as I said, it's a new Well Wishers album - you really don't need me to describe it.

Bandcamp



Bill Lloyd-Lloyd-ering. Nashville's Bill Lloyd is essentially one of power pop's elder statesmen, a songwriter's songwriter who's written for some big names over the years, been one-half of the great 80s duo Foster & Lloyd, did a one-off album with The Spongetones' Jamie Hoover, was part of the power pop supergroup Swag and released several outstanding solo albums this century. Many of my readers probably know this already, but somehow this is the first time I've featured one of his releases here so I'll pay him his proper respects. Another thing Lloyd is known for is his penchant for covers, and it seems as if there hasn't been a tribute album in the power pop community that he hasn't contributed a song to. Lloyd-ering is an attempt to collect these scattered covers (many of which are out-of-print) in one collection and even though it misses a few, this is an excellent 12-song sampler. He leads off with the Bobby Fuller Four classic "Let Her Dance" (also memorably covered by Marshall Crenshaw), captures the spirit of the Byrds with "The World Turns All Around Her" and gives John Lennon a run for his money with his version of "Across the Universe", among others. My only quibble is that "When Time Stood Still" from the Jeff Lynne tribute Lynne Me Your Ears was omitted, but maybe that'll be on the Lloyd-ering box set someday.

iTunes

Early June Roundup.

Michael Carpenter & The Cuban Heels-Ain't Nothing Left to Say. When we last left Michael Carpenter the previous autumn he had released our album of the year, The Big Radio, which was billed as probably his last solo record. But that doesn't mean we've heard the last of him, and a scant seven months later he's returned with The Cuban Heels, his rotating band of fellow Aussie pop/rockers including Russell Crawford, whom we've featured here in his own right. The difference between a Cuban Heels album and a proper MC solo joint is that he turns to a more alt-country/Australiana sound but his gift for melody and the catchy tune isn't diminished by addition of some twang or pedal steel. In fact, the title track with its "na na, na na na na" backing would fit right at home on one of his pop albums, and "Photo" is more power pop than country. Still you do get some twang here (which in my book is welcome) with "I Should Have Told You" and "Wasted Years, Wasted Time". I could go on, but this is new Michael Carpenter music. I don't need to tell you it's worth a listen.

Bandcamp



The Person & The People-Dark & Low. This Minneapolis band has been kicking around the better part of a decade and Dark & Low is their fourth release in that time so it's long past time I mentioned them on these pages. Their sound is highly melodic indie rock, and although they mention Ryan Adams and Weezer as RIYL artists on their album page, I hear more Teenage Fanclub as covered by Superdrag. Anyway, it's an interesting brew and this album features such gems as the almost-jangly "Hot Summer Nights", the 2:08 burst of "Sleep All Day" and the crisp rock of "Until the Morning". And after you get into this one feel free to dive into their back catalog, which is quite good as well.

iTunes



David Brookings & The Average Lookings-David Brookings & The Average Lookings. Also back on our pages again is David Brookings, who this time bills himself with his backup band The Average Lookings. This is his seventh album and another great collection of his jangly, breezy west coast pop. Crediting the backup band here is appropriate as Brookings has a fuller sound here, heard on tracks such as "Time to Go", "The Optimist" and "You're Right, it Went So Wrong", which are Grade-A power pop. Also of note is the alt-countryish "I'm in Love With Your Wife", which considers the famous George Harrison/Patti Harrison/Eric Clapton love triangle, and the shiny pop of "Place We Can Go", perhaps the quintessential David Brookings track. They may consider themselves "average looking" but this is some pretty handsome pop.

iTunes

Late May Roundup.

Bryan Estepa & The Tempe Two-Every Little Thing. A new Bryan Estepa record is invariably one of the highlights of the music year and with his new release 2016 is no exception to that rule. This time around Estepa is backed by "Tempe Two" but Every Little Thing is of a piece with his previous records: fine melodic pop/rock that owes as much to power pop as it does to Brian Wilson-styled California pop and roots rock/Americana (Australiana?). So whether it's the catchy first single "Object of My Disaffection" or the mid-tempo opening track "Think of You" or the lovely ballad "Sooner of Later", Estepa's ear for melody is always there. Speaking of Wilson, "Don't Hurry Baby" owes its title to a play on words of one of Wilson's most famous songs but is also an enjoyable pop song in its own right. Easily one of the year's best (again).

iTunes



Fallon Cush-Bee in Your Bonnet. Fallon Cush has been on my year-end lists three times since 2011, but somehow I never managed to write a single word about them. That ends today with the latest full-length from Australian Steve Smith, who uses the Fallon Cush moniker. For those unfamiliar with his previous release, Smith's sound here is Teenage Fanclub meets the Gary Louris-led Jayhawks. Leadoff track "There's a Dark Side to That Moon" is a wonderful example of this, roots rock with a pop sensibility. "Less Your Near" and the rocking "Kings Ransom" are standouts, as is "Dorothy", a moody mid-tempo rocker that would sound at home on the new Jayhawks record. While I'd recommend you seek out the previous Fallon Cush releases, this one is clearly Smith's best and the place to start.

iTunes



Joe Giddings-Better from Here. Now that you've heard today's Australian roots pop/rockers, it's time for some good old-fashioned American-style power pop and California's Joe Giddings is here to provide it for you. Giddings has been around for the better part of a couple of decades now, originally with Star Collector and with an early-2000s Not Lame album as The JTG Explosion under his belt, and lately he's been recording covers galore for the Theme Music group on Facebook. It was his covers on some recent tribute albums that caught my attention, and when I recognized his name in the new releases on Bandcamp, I jumped all over this straight-ahead power pop collection of original tunes. There's something cheeky about having your leadoff track be a rocker titled "Rock 'n' Roll" and the cheek continues with "Irrelevant", capturing the state of the independent musician trying to get by in an unfashionable genre in 2016 ("Cause 15 likes on Facebook can't be wrong") to a great melody. The title track, "Born Apart" and "Brand New Day" are also tracks that deserve rotation in whatever playlist you're currently working up. Power pop at its most pure.

Bandcamp

Early May Roundup.

Cliff Hillis-Love Not War EP. If there's one word I associate with Cliff Hillis, it's "songcraft". Few artists today have the ability to write pure, perfect-sounding pop songs on a consistent basis, and Hillis always delivers the goods. His latest is an EP of seven pop gems, and the title track and first single might be the third or fourth best track on the EP even thought it could have been a Rupert Holmes-style hit in 1979. But the straight-up power pop of "A Boy Downtown" and "Suicide Doors" shines even brighter, and "Mayor of Midnight" is the kind of mid-tempo track with a smooth, effortless melody that recalls other recent Hillis favorites like "Keep the Blue Skies" and "Elevator". It's going to take something very, very special to keep Love Not War from being my #1 EP of 2016 come year's end.

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Radio Days-Back in the Day. My favorite Italian power pop band is back with their fourth full-length and first since 2013's Get Some Action as Dario Persi & the boys continue to bring us power pop in the vein of the Paul Collins Beat, The Rubinoos (with whom they released a split EP in 2014) and The Knack. Opener "Why Don't You Love Me Anymore" has that late-60s, Nuggets-era feel to it and "Rock'n'Roll Night" sounds just like you think it does while "Your Words" sounds like The Beatles meet The Kinks. And the closer "Betta (Are You Feeling Better)" might even be the best thing here, capturing their 60s influences and perhaps surpassing them for a moment.

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Labradors-The Great Maybe. If Radio Days is my favorite Italian band, these guys just might be my second-favorite. Following up on the promise of last year's Hate Summer EP, The Great Maybe is a fine collection of harder-rocking power pop in the vein of Superdrag, as evidenced by the one-two punch of the title track and "Jasmine". They have a facility with the less-rocking tunes as well, with the lovely opening ballad "I Won't Let Anyone Hurt You" and the midtempo "Terrible Friend" of particular note. And for a band that seems named after a dog breed, they give us an ode to cats on "Paws". Pet sounds, indeed.

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Mid-April Roundup.

Conrad Korsch-On the Threshold. Conrad Korsch, the bassist in Rod Stewart's touring band for the last 10+ years, steps out on his own with a top-notch collection of power pop. Opener "1+1+U" recalls Matthew Sweet circa 100% Fun, "Earthlings" sounds like a lost hit from the 80s, and "We Write Our Own Eulogies" has more hooks than a tackle box. If your taste in power pop runs in the glossier-sounding side of things, this one's for you. Plus it's Rod-endorsed:

Fantastic musicianship from my bass player Conrad Korsch on his new album On The Threshold. Highly recommend! x Rod https://t.co/3e6f4Qg8xU

— Rod Stewart (@rodstewart) March 31, 2016

CD Baby (for samples)

Swedish Polarbears-The Great Northern. Swedish Polarbears are back! You can be forgiven for not being excited as me, but these guys had an EP of sorts back in 2007 that I wrote about here, and were never really heard from again until recently when they released a couple of singles in advance of their long-awaited (by me at least) full-length debut. To say these guys (who are in fact Swedish) are influenced by Teenage Fanclub might be an understatement as one of those 2007 tracks was titled "Norman Blake", and they also tip their sonic hat to countrymen The Tangerines and The Merrymakers. So you get melodic gems like "Sleeping/Dancing", the jangly "Sun of a Gun" and "Rewinder". And "Stay Young" does indeed sound like a lost Teenage Fanclub track. How Swede it is.

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Mark Roebuck-The World and All Within. Virginia's Mark Roebuck has been kicking around the power pop scene since the 1980s, in bands such as The Deal and Big Cirle, and releasing some solo albums. (He also recorded an acoustic folk-rock album with fellow-at-the-time bartender Dave Matthews in 1989 as Tribe of Heaven) His latest finally brings him to my pages, and it's a wonderful collection of Byrds/Big Star/Badfinger-styled pop. "One More Fall" opens the album in fine fashion with some Byrdsian flair, and "Billboard Blue" follows in the same vein. Other tracks of note include "King William County's the Place" which has a British-sounding rustic-era Kinks feel, the lovely ballad "Holden", and the rocking "God is a Gun". So if you haven't caught up with Mark Roebuck in his many musical incarnations over the years, this is as good a time as any.

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Late March Roundup.

Broken Promise Keeper-Broken Promise Keeper. Georgia's Rob Stuart is back for the first time in six years as Broken Promise Keeper, and BPK doesn't break the promise of prime power pop this time around with Stuart's best effort to date. The sound here is similar to fellow southern power poppers The dBs and Scott's Garage, with the standout tracks being the effervescent "She's So Cool", the Merseyside-influenced "Sasquatch Love" and the jangly "Get My Message". Don't miss out on the bouncy "Play Ball" either.

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Latvian Radio-Until Tomorrow Gets in the Way. One of my favorites, this New York Band which I've compared in the past to Brendan-Benson-meets-The-Shins is back with another collection of bubbly pop tunes. The indefatigable "Power Lines and Bedroom Blinds" is an instant favorite, while "From the Top of a Building" and "Weight of the World" are shining exemplars of their signature frenetic pop sound. They even use the Bo Diddley beat on "Letter to the National Enquirer", and close out the album with the lovely, reflective title tune. Don't let tomorrow get in the way of adding this one to your collection, get it today.

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Dropkick-Balance the Light. Speaking of bands that release consistently excellent albums, perhaps none are more consistent than the Scottish roots-poppers Dropkick, who with Balance the Light release their 12th or 13th (I've lost count and am just guessing) full-length album. This one's another fine addition to their canon and if you've liked their Teenage Fanclub-style pop in the past, you'll love this one. Tracks to go on your Dropkick best-of: the breezy "Slow Down", the pensive opener "Save Myself", and the brilliant "Out of Love Again", which perfectly distills their sound.

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Mid-March Roundup

VA-If it Feels Good Do It-A Sloan Tribute. Keith Klingensmith & co at Futureman Records have put together one of the best power pop tribute albums I've heard, and given how long Sloan's been out there I'm kind of surprised it took until 2016 to get one. What makes Sloan such a great band for this kind of compilation is that they're the rare band that has four legitimate singer-songwriters. Specifically, you have the 70s AM radio pop of Jay Ferguson, the traditional Shoes-style power pop of Chris Murphy, Patrick Pentland's classic/hard rock-influenced tunes, and the Pink Floyd-esque art-pop of Andrew Scott. So that gives the contributors some extremely fertile ground to draw from, and the results here are pretty great. I'm personally partial to Ferguson's tunes, and here Stereo Tiger and Klingensmith open and close the comp with fine covers of "C'mon, C'mon (Let's Get it Started)" and "I Wanna Thank You" respectively (both from Sloan's career-great Navy Blues album). Another Ferguson track that finds the perfect match of artist and material is The Well Wishers' version of "The Lines You Amend", which sounds like one of Jeff Shelton's creations to begin with. Nick Piunti rescues "Right or Wrong" off Sloan's somewhat forgettable Action Pact and also makes it his own, while other standouts include The Anderson Council's take on Pentland's great rocker "Iggy & Angus" and Andy Reed's fine reading of Murphy's "I Love a Long Goodbye" from the underrated Pretty Together. The only misstep here is an odd version of Ferguson's "Don't You Believe a Word" which Hidden Pictures chose to cover with processed, synthesized vocals (I'm hoping there's a version of that track where they sang it straight as they looked a good match on paper for the tune). The only omission that disappointed me here is that nobody covered Murphy's brilliant and complex "Fading into Obscurity" from the song-medley album Never Hear the End of It. I make rare exceptions for compilations on my year-end lists (like 2013's #1 Drink a Toast to Innocence), but I just might be doing so again in 2016.

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Cheap Star-Songs for the Farrelly Brothers. The French band with my favorite power pop legend-based hybrid name is back with their first full-length since 2009's Speaking Like an Elephant, and it's an excellent return. They're kind of an auxiliary Posies, as they've toured with them and Jon Auer and Ken Stringfellow play on all their records (including this one) and have produced them as well. So yes, there's an obvious Posies influence here, as well as bands like Nada Surf and Teenage Fanclub. Just about all the tracks here as equally as good, with the moody, driving "Memories", the very Posies-like "Separated from You" and the rocking "What's the Point" more equal than others. (NOTE: I was too lazy to reach out to them to see if these were tracks actually written for a Farrelly Brothers movie, but if not it's a helluva random title).

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Propeller-Fall Off the World. First of all, let's talk about that cover. It's an homage to the classic K-Tel album covers from the mid-70s, specifically Music Express, which I once owned and you can see here, so they grabbed my attention there. And the San Francisco band has backed it up with ten seriously power-poppin' tunes, any of which would have proudly found their way onto one of those K-Tel albums. Their sound is kind of a more rocking Teenage Fanclub or a poppier Replacements, and tracks like "Can You Hear Us Now" and "Mismatched Shoes" will have your head bobbing and toes tapping right along, while "Wish I Had Your Picture" channels The Raspberries to great effect. No gooey ballads here, just one kick-ass track after another that can serve as the soundtrack to summer 2016. And it's "name your price" at Bandcamp.

Bandcamp

Mid-February Roundup.

Today's a bit different as we feature one brand new album, one from last year, and a gem from six years ago that I just recently discovered.

Scott Warren-Good Love. Between his stellar work with Signal Hill Transmission and his solo output to date, Scott Warren has gone down in my book as an underrated pop genius. Good Love is his first album since 2012's brilliant Dyed in the Wool (my #3 album that year) and a bit of a throwback to his Signal Hill Transmission days in that's more of a straight-ahead rock album. "Good Love" and "Cold Feet" offer a melodic 1-2 punch that puts the "power" in "power pop", "Why Won't You Come Around?" finds Warren more reflective, and "I Love You, I Love You" has a rollicking, vaguely honky-tonk feel to it. Elsewhere, the lovely country-tinged ballad "Fall in Line", and the gentle McCartney-esque "Life" are standouts, and Warren closes with a nice cover of Lindsey Buckingham's "Trouble". While there's nothing here as mind-blowing as "A Sinking Feeling" and "Tongue-Tied" from his last album, Good Love is a great collection of pop/rock tunes and an early best-of-2016 contender.

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Eugene Benjamin-Life. Eugene Benjamin's Photograph was of 2014's nice surprises for me, and late last year he followed that up with Life, another fine collection of roots-influenced rock in the style of Tom Petty, George Harrison and John Hiatt. Tracks like "His Town", "She Got Soul" and "Reunion" go down smooth and easy as well as the louder rockers like "Baby Grace". You can slot this in somewhere around the middle of my 2015 year-end list had I heard it in time.

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Ray Pearen-Everything is Spinning. I don't normally seek out albums from six years ago, but I stumbled across this album after a track from 2007's The Holy Fields EP came up on shuffle and got me to wondering if they'd released anything since. Typically, bands I don't hear from in many years have broken up, so I'll Google the frontman and see if he's released anything under his own name or with a new band. This led me to finding out The Holy Fields' Mike Gennaro played on this 2010 release from Ray Pearen, a Canadian musician who happens to based out of my home area in Tampa. So I gave it a listen and it's one of the best power pop-meets-Americana albums I've heard in recent years and easily would have made my top 10 of that year. The opening track "Drive" has fast become my new favorite song, one of the best songs Tom Petty never wrote, while the title track rocks in the same vein and "Waiting" has a kind of timeless pop pedigree in which I hear traces of Buddy Holly and The Beatles. "Run Away With Me" is another dazzling rocker, and while the album closes with three ballads, they're all of top quality. It's a shame this got overlooked in 2010.

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