Two for Thursday, 8/18/11

Wiretree-Make Up. The career of Kevin Peroni (a/k/a Wiretree) has coincided with the existence of this site; his debut EP was one of the first reviewed here. So it's been interesting to follow him these past 5-6 years and see how his sound has evolved. He's gone from the Tom Petty/Wilburys sound of the debut and Bouldin to more of an indie rock sound with Luck, and has completed the transition here with Make Up. The one constant has been the songwriting, and whatever the subgenre, Peroni has consistently given us fine tunes. This time around, it's the ringing guitar chords of "Make Up", the catchy heartland rock of "Broken Foot" and the rollicking "The Shore", which is reminiscent of Green Day's "Holiday". The disc even closes with the Jayhawks-like country ballad "Josephine". But there are a few remnants of the classic Wiretree sound here with "Tinyhearts" and "Tonight". Overall, it's nice to see him branch out without sacrificing the quality of the tunes, and I look forward to what comes next.

CD Baby | iTunes

Third of Never, Kurt Reil & CJ Grogan-Life Saver (Three Fifths of a Third EP). Grip Weeds alert! Fans of that longtime power pop band will want to grab this split EP, which features lead singer Kurt Reil's Third of Never side project, two tracks from Reil himself, and two others from CJ Grogan (also in Third of Never). Third of Never's title track is excellent (and leads us to hope a followup to 2007's Moodring is the offing), Reil's catchy "Gonna Find My Way" is another standout, as well as his psych-rocking "Wake Up Time". Grogan's "Tracer" is an energetic rocker, but his piano ballad closer "Margaret" meanders a bit. Still, 4 out of 5 ain't bad.

CD Baby | iTunes

New Well Wishers on the way.

Jeff Shelton's at it again. Perennial site favorite The Well Wishers are due for another new album. It's called Dreaming of the West Coast (where else?), and should be out by year's end.

As a sneak peek, here's "Escape the Light", which I'm sure you'll agree is vintage Well Wishers:

Two for Thursday, 8/11/11

Tony Cox-On the Way. After a successful and well-received debut in the power pop community with 2009's Unpublished, Tony Cox is back with On the Way, and he's topped himself in the process. As with Unpublished, Tony enlists pop utilityman Nigel Clark (who can be heard with Dodgy, The Offbeat, and his own solo disc) on vocals, and the combination is another winner. Opener "We'll Get High" is a perfect pop confection, a slice of 60s-pop with a hint of soulfulness. "Hold Me Angeline" is reminiscent of Clark's work in The Offbeat, while "The Way" evokes The Association with a Nuggets-styled sheen. And "Curse of Love" could pass for a lost Zombies classic. This could the album of the year for those who love 60s-styled sunshine pop.

CD Baby | MySpace | iTunes


Rollo Time-Victims of the Crown. It's Rollo Time again, as this Chicago-area band returns with the followup to their 2007 self-titled debut. Once again, they show a great facility for melding classic rock and power pop, and that's apparent right off the bat with "You Can Talk" and "Sick and Tired", a pair of tracks that will appeal to fans of bands like The Shazam and Superdrag. "Eyman Prison" tells the story of a frustrated prisoner (of a real Arizona prison) to a power pop beat, while the midtempo janglers "Madeline Says" and "I Can't Believe This Day" are also standouts.

CD Baby | Facebook | iTunes

Two for Thursday, 8/4/11

Vegas With Randolph-Above the Blue. This Washington, DC band lets no moss grow under their feet - after they released their self-titled debut in 2009, they've issued a series of singles, and here they're collected on Above the Blue. If you missed them the first time around, the singles are really good: "The Better Part" is a punchy pop-rocker, the title track is Secret Powers-styled power pop, and "Some Time to Love" is very reminiscent of Fountains of Wayne. What they add to the singles collection is another of their "song suites", this time called "Double Play". Going from horn-based rave-up to acoustic interlude to straight-up power pop, Vegas With Randolph remain masters of the medley, and the Abbey Road-style album experience is not to be dismissed in the era of the iPod.

CD Baby | MySpace | iTunes

The Quags-Priceless Grains of Sand. It's great to have this Oregon band back for the first time since 2005's Devil's Music. The Quags are on the Paisley Pop label and for those unfamiliar it means classic rock-infused power pop, in this case reminiscent of bands like The Kinks and The Figgs. The opening 1-2 of "Human Thing" and "Favorite Parasite" drive this comparison home, and the laidback "Beautifully Insane" is another treat. Elsewhere, "It Takes Heart" is a Rockpile-styled delight, "Going Through the Convulsions" rocks out, and "Do Yourself a Mischief" closes things on a wonderfully jangly note with a hint of The Who. Here's hoping we won't have to wait six years for the next one.

CD Baby | MySpace | iTunes

Two for Thursday, 7/28/11

Honeywagen-Atomic Cafe. This Kansas City band is back from a near decade-long hibernation with Atomic Cafe, and it's a jangly delight of Midwestern power pop. "Throw it All Away" is a gem of an opener, kind of like Ray Davies fronting the Plimsouls, while "Go Someplace" sounds like a lost Byrds classic. "Lust" brings the Rutles' classic "I Must Be in Love" to mind, and "My Virginia" wouldn't be out of place of on a Gin Blossoms record. It's great to have these guys back, so janglers of the world, unite - you have nothing to lose but $14 or so. And Kool Kat is offering up a kool bonus disc - frontman Mike Penner covering A Hard Day's Night (the album) in its entirety.

Kool Kat | Official Site

Brian Hoffer-Into the Boulevard. I was pleasantly surprised to have stumbled upon this Milwaukee singer-songwriter's debut album, which has traces of Brendan Benson, AC Newman and Fountains of Wayne running through it. The upbeat, catchy "Good Day Now" is a near-perfect opener, and the clever "Psychoanalysis" reminds me of Dan Bryk and Lamar Holley. Other highlights include the raved-up "Keep Each Other Cold", the piano-and-guitar-based melody of "Superman Somehow" and the sardonic "When They Drop the Bomb". Hoffer really has a songwriter's ear for lyrics and melody here, and a nice sampling of the disc is below for your listening pleasure.

iTunes

Catcing up with some more old friends.

Here's another round of artists previously featured here who have new material out:

Artist: The Great Affairs
Last Seen on AbPow: November 2010 with Ricky Took the Wheels.
New release: Happy Ender EP.
A few words: fORMER's Denny Smith is back with the third Great Affairs release in about 18 months time, and this EP is more of their laid-back, tuneful best. Happy Ender was recorded over two days in the studio and it has a loose-limbed feel, with the peppy "Bird on a Wire" the highlight. Smith also advises there's a new fORMER album in the works, always welcome news.
Links: CD Baby | iTunes | ReverbNation

Artist: Michael Gross & The Statuettes
Last Seen on AbPow: August 2010 with Telepath.
New release: Imaginary Signs EP.
A few words: Gross & Co. have been quite busy these days, and the new EP is a continuation of their heartland rock sound. The one departure here is "A Revelation", which reminds me of Bends-era Radiohead.
Links: Bandcamp | iTunes



Artist: The Brigadier
Last Seen on AbPow: November 2010 with The Secret of No Success.
New release: Holiday Special EP.
A few words: Matt Williams returns again with a seasonally-themed EP, this one summer-related. The standout here is the leadoff track "When the Sun Comes Out", which captures summer's optimistic, carefree nature while being a damn catchy tune.
Links: CD Baby | Bandcamp | iTunes



Artist: Radio Days
Last Seen on AbPow: October 2008 with Midnight Cemetery Rendezvous.
New release: C'est La Vie.
A few words: This Italian band is back with another disc of their Paul Collins Beat (with whom they shared a 7" release)-styled power pop. The followup to their debut EP is an excellent one, from the Beatlesque "Sleep it Off" to the Teenage Fanclub-influenced "Enemies for Friends" to the jangle pop of "Sweetest Lullaby".
Links: Bandcamp (two tracks) | iTunes

Stream the new Matthew Sweet!

Here it is, in all its glory. Haven't had a chance to listen yet myself, but note how meta Track 7 appears to be.

Two for Thursday, 7/14/11

Brandon Wilde-Hearts in Stereo. I first came upon this Brooklyn singer-songwriter thanks to his fine 2006 debut Songs From the Deep Sleep, but it didn't prepare me for how brilliant his new followup is. Wilde will appeal to fans of Paul McCartney, David Grahame and a host of other melodic popsters. The moody and haunting "Dayglow" opens in the vein of post-Crowded House Neil Finn, while the frantic "Time Bomb" sounds as if it came from a Brendan Benson album. The jangly "Candy Apples" channels Grahame and Emitt Rhodes, and it's all prelude to the album's best track "Ooh La", which takes all these influences to another level, sounding not unlike Elliott Smith if he were actually a happy person. This is first-rate pop, and another that will be ranked highly upon year's end.

CD Baby | iTunes



Richie Reinholdt-Night and Day. Here's some excellent roots pop straight outta Missoula, Montana (also home to AbPow favorites Secret Powers) that will catnip to those who like Marshall Crenshaw, Walter Clevenger, Bobby Sutliff and the like. "Lucky Stars" is an absolute gem, and "Home Now" has a bit of Dylan in it. Elsewhere, "Soft Hearts" is the Everly Brothers gone rockabilly, "Opium" is a hard-edged rocker that adds some depth to the proceedings, and "Dream Noir" lives up to its title. Reinholdt's sound might be retro, but quality roots pop like this never goes out of style.

CD Baby | Bandcamp | iTunes

CD of the Day, 7/8/11: The Red Button-As Far as Yesterday Goes

In 2007 Seth Swirsky & Mike Ruekberg, established power poppers in their own right, teamed up as The Red Button to give us one of the top power pop albums of the decade with She's About to Cross My Mind. It was our #1 album of that year and came the closest to capturing both the sound - and more importantly, the spirit - of an early-to-mid period Beatles album. It wasn't a Rutles-style pastiche but rather a collection of a dozen or so extremely strong tunes that evoked the era without aping it. And what propelled it to the next level is that you had two distinct singer-songwriters bringing their songs to the table, with Ruekberg playing Lennon to Swirsky's McCartney. So needless to say, expectations are high for the followup, and for the most part the expectations are met. There's a little bit less Beatles here, with an element of 70s-styled singer-songwriter sound in its place, but the end result is bound to please anyone who loved the first album. Things start strongly in the vein of the first album with Ruekberg's excellent and insanely catchy "Caught in the Middle", right out of the Help!-era playbook with Rickenbacker and harmonica galore. (His "I Can't Forget", which appears later in the album, is another great Beatles '65 homage.) Following is the sophisticated pop of Swirsky's title track, a moody midtempo number that compares favorably to some of the debut's standout tracks like "It's No Secret" and "Floating By". Speaking of "Floating By", the piano-based "Picture" is this album's closest cousin with its Bacharachian feel. The passionate Ruekberg rocker "Girl, Don't" ups the jangle factor, while his lovely "Easier" evokes "Something". Swirsky meanwhile pines for a pair of ladies named "Genevieve" and "Sandreen", with the former the subject of a string-laden pop confection, and the latter a very 70s-sounding tune that's just as much breezy Stevie Wonder as breezy McCartney. Elsewhere "On a Summer Day" lives up to its title with its carefree melody and some great vocal interplay between our two principals, and the vaguely funky "You Do Something to Me" draws its inspiration from Paul Simon's early solo career. And like the debut with "It's No Secret", the album closes in strong fashion with "Running Away", a piano and guitar number that shifts the focus from the girls-of-their-dreams to an inward look that casts all that came before it in a different light, a well-played turn that grounds the album nicely. Part of what made the debut a power pop phenomenon was that it came as a revelation; followups by definition in these cases always come without this advantage. But if it were possible to "unhear" the debut, As Far as Yesterday Goes would be just as much a jaw-dropper. and coming up with 12 near-perfect pop songs is never as easy as it sounds. For that, this album will rightfully earn its spot at or near the top of my 2011 list, and should earn an immediate spot on your music player of choice. CD Baby | iTunes | sample at Official Site

Two for Tuesday, 6/28/11

The Big Sweet-Ultraviolet Rain. It was almost a year to the date we looked at this Ohio band's debut album, Shot of Bliss, and they haven't wasted any time with the followup. Once again, these (now) 17-year-olds have produced a confident, assured mix of power pop and indie rock that belies their age. Whereas last time they covered Big Star's "September Gurls", here they assimilate their sound in "Laces" (while the skittish "In and Out of Style" recalls solo Alex Chilton). Also of note are the pop/rocker "N-O", which doesn't quite go where you expect it to, and the jangle of both "As You Wake" and "Ancient Psych". With enough winding turns and crooked alleys, Ultraviolet Rain isn't cookie-cutter power pop - but in this case, the journey is a much fun as the destination.

CD Baby | MySpace | iTunes

Justin Nault-It's Just Me. This Nashville piano popper has styled an impressive debut that should appeal to fans of Josh Fix and Ben Folds. "I Would" and "Addicted" are a killer one-two punch of upbeat melodic piano pop, and the kinetic title track ain't no slouch either. "Smile" is another standout, with its anthemic chorus, and the piano pyrotechnics of "Puppet" recalls Folds' debut as the Ben Folds Five. Have a listen for yourself:



CD Baby | iTunes

Two for Tuesday, 6/21/11

Dropkick-Time Cuts the Ties. I've been listening to this prolific (9 full-lengths plus a handful of EPs in the last 10 years) Scottish band for several years now, had their records in my top 100 lists, but until now had not featured them on this site. I'm remedying this oversight with their latest, Time Cuts the Ties, as it's emblematic of their body of work and a damn good listen. Dropkick specialize in the melodic pop of bands like Teenage Fanclub and Daniel Wylie-era Cosmic Rough Riders with a touch of alt-country, suffused with Pernice Brothers-like harmonies. The standouts here are "Bad Line", an uptempo number augmented by piano that wouldn't have been out of place on the Pernices' Overcome by Happiness album, the stately power balladry of "Home", and the lovely, waltzing title track. Have a listen below, but set aside some time - once you introduce yourself to them, you're going to want to delve into that deep back catalog.

Official site (with lots of downloads) | iTunes



The Janglemen-5 by The Janglemen. Hey, sometimes the reviews write themselves. In this case, the band name and the title do a great job of summing things up. If you like this NYC band's full-length debut in 2007 or just like jangly power pop, this EP is for you. "Missin' Kissin' Kristen" is worth the price of admission alone, all Rickenbackers and catchy melodies. Also of note is the merseybeat of "XO XO", and the almost Knack-like "Weather Girl". Jangle on!

CD Baby | MySpace | iTunes

New Wiretree on the way!

Kevin Peroni a/k/a Wiretree has been an AbPow favorite over the years, with 2 full-lengths and an EP placing highly on our year-end lists. So I'm glad to report that Wiretree's latest full-length, Makeup, is due to be released August 1. And as a preview, here's the leadoff track "The Shore", a tight pop song in the Wiretree style:

Monday Roundup.

Let's start the work week off with a couple of old friends here at AbPow.

The Riffbrokers-Every Pilot's Blinded by the Sun. Seattle's Riffbrokers are back with their fifth full-length, and it's more of the same no-nonsense power pop/classic rock that they have become masters at. Their sound is equal parts Tom Petty and The Replacements with a dash of Exile-era Stones thrown in, and the rocking "Better Angels" is the definitive proof of this amalgam. Nick Millward has just the right voice for this style of rock, and his bandmates provide a killer rhythm section. No bad tracks here, but more equal than others are the rocker "Mindset", the soulful "Calling All The Charlatans" and the catchy album closer "Thank You". No, thank you, Riffbrokers, for keeping the rock flame burning.

CD Baby | Bandcamp (free download) | iTunes



The Rationales-The Distance in Between. We last heard from this Boston band a few years ago with their fine EP The Going and the Gone, and here's their equally impressive full-length debut. Once again David Mirabella & Co. straddle the line between power pop and Americana, and if you like bands such as, say, I don't know...The Riffbrokers? you'll love this one. Opener "Real Life" builds from its rootsy verses to an anthemic ending, "Braedon" packs more punch in its sub-2:00 running time than most songs do in 4, and the rocker "Jaded" recalls Being There-era Wilco. And don't miss the chiming, jangly "Tongue Tied", the latest and greatest entry into the fellowship of "summer is over" songs. You won't have to rationalize picking this one up.

CD Baby | Bandcamp | iTunes

Bandcamping it.

More and more artists are using Bandcamp, which allows for full streaming of tracks, downloads (many free or name your price), etc. Here are a few that caught my eye recently:

A free download of Plasticsoul & Brandon Schott covering Big Star? You don't have to drag me screaming to that.



Chris Richards with another vault-clearing collection? Always good stuff if you recall his previous Pathetic History.



Daniel Person is a UK artist whose sound falls somewhere between Elliott Smith, Ryan Adams and Jesse Malin, and he's offering up "Wishing Well", the first single from his new album as a free download. It's a quality tune.



Nick Piunti of The Respectables brought Ryan Allen & His Extra Arms to my attention and I'm certainly glad he did. Some of you may know Allen from his work as frontman of The Friendly Foes, and this is crunchy power pop par excellence. Best part is that most of the songs clock in around 2:15, and the slower ones sound like Paul Westerberg:



Oh, and it's not on Bandcamp, but here's a free download of the new single from Fountains of Wayne, Richie and Ruben.

Two for Thursday, 6/2/11

Phil Angotti-People and Places. In my power pop travels over the last several years, I've seen Phil Angotti's name show up here and there but I never got around to hearing his music. If his newly-released People and Places is indicative of his larger body of work, I've really been missing out. Trading in Beatlesque pop (especially the McCartney strain), Angotti has crafted a pop delight here that will appeal to fans of David Grahame and similar artists and serve as a nice complement to the recently-released Smith & Hayes album. There's quite a lot to like here, from the shuffling opener "My Ol' Records" to the jangly "You Were Right (Probably)" to the exuberant pop of "I'm Yer Man". But what sets this album apart from the typical Beatle pastiche is Angotti's facility with the slower numbers, some of the album's best: "I Guess" is one McCartney probably wishes he wrote, and "Me and Donnie Vee" is a lovely midtempo number in which Angotti reminisces about playing with his longtime friend Donnie Vie from Enuff Z'Nuff. A real treasure, and if you go to the CD Baby link below you can get his thoughts on each of the tracks.

CD Baby | MySpace | iTunes

Draz-Blaring in the Stillness. This New York band manages the feat of being indie enough to impress your hipster friends and melodic enough to appeal to power poppers. I was drawn in my opening track "When the City Burns", which seemed to find the middle ground between The Shins and Squeeze, and was happy to stick around for the rest with the standouts being 90s college radio-styled midtempo rocker "Heaven Sent", the Smiths-inspired "One of the Boys", and the fab "Love Letters". These guys know their way around a pop hook (see also the infectious "Astor Place"), and they should find their way into your mp3 or CD player.

CD Baby | Reverb Nation | iTunes

CD of the Day, 5/25/11: Shout With Grass-Will of Man

If you're a big fan of Sloan you know that the Canadian band has four singer/songwriters of nearly equal ability, a key to their greatness. I've always thought they should each release solo albums (maybe simultaneously a la KISS), and among the four my favorite has been keyboardist Jay Ferguson, who seems to write the purest pop songs of the bunch. But until that day comes, the closest thing we're going to get to a Jay Ferguson solo album is the full-length debut of countryman Max Sensini, who records as Shout With Grass.

Will of Man builds on the promise of his 2009 EP And Then Again and is a pop delight. Like Ferguson (whom Sensini also resembles vocally), his songs are piano-based but not overly showy as many other piano-based poppers tend to be. "Hey Bird" opens things in a low-key Lennonesque fashion, reminiscent of "Imagine" or his solo piano version of "Free as a Bird", while "With the Queen" is a bouncy slice of pop that swings to the McCartney side. The lightly orchestrated "Think of Me" is another standout, as is "Walk the Tightrope" a carryover from the EP that earns its encore on the full-length.

The best thing I can say about this disc, though, is the uniformity of quality among its 10 tracks, and it closes as strongly as it finishes with the catchy "Woman", the dreamy "Hole in the Sky" and the majestic title track. Sensini has emerged as a real pop talent here, and if I leave this one off this year's top 20 feel free to shoot me an email reminding me to listen to it again.

CD Baby | MySpace | eMusic | iTunes

Three for Thursday, 5/19/11

Since posting has been light lately, we're going with three for Thursday today instead of the usual two.

John Amadon-Seven Stars. At long last, here is the Elliott Smith album you've all been waiting for and thought you'd never get. Hailing from Smith's hometown of Portland, Oregon, Amadon channels that late singer-songwriter's XO/Figure 8 period, which means things lean to the Beatlesque side of Smith's sound than his earlier, folkier releases. And that's a good thing around here. The standout tracks here are "Let's Talk Without Talking", the soft/heavy dynamic of "All Patched Up" and the lovely "Bitter Tears". A real treat.

CD Baby | Bandcamp

Tim Culling-Goodbye Western Sun. It's hard to pigeonhole singer-songwriter Tim Culling's sound without resorting to generic categories like "adult alternative pop/rock" as he offers up a little bit of pop, a little bit of rock, a little bit of soul and a little bit of alt-country in his sound. It all adds up to a winning mixture on this 7-track EP, led by the outstanding title track, which has an insistent piano hook that will bury itself in your subconscious, "So With That Aside", its bookend, is another brilliant number with an upbeat melody, and in between the Wilco-esque "This Much I Can See" and the bluesy "I Got a Friend" are the highlights. Possibly 2011's top EP to date.

CD Baby | MySpace | eMusic

Khalid Quesada-On the Verge of Context. New Jersey's Khalid Quesada is a singer-songwriter sound who has a way with a pop hook, and he demonstrates that clearly on his debut EP. Coming in somewhere between the aforementioned Elliott Smith and Rivers Cuomo, Quesada is equally at home with both the power pop ("Radio Silence", "Proverbial Knives") and more introspective numbers ("Angel in the Dark", "World Without"). It's all melodic, and has me looking forward to his full-length debut promised for later this year.

CD Baby | MySpace

CD of the Day, 5/12/11: Smith & Hayes-Volume II

Clay Smith and Bill Hayes burst upon the power pop scene in 2007 with Changed by a Song, a classic steeped in the sounds of The Beatles and Jeff Lynne that has to be on the short list of top power pop albums of the previous decade. Four years later, the followup is ready. And while Changed by a Song is a tough act follow, Volume II is a solid, worthy successor.

The main difference this time around is that they go for a more direct Beatlesque sound rather than the Beatles-via-Lynne style on the debut. This becomes apparent right off the bat with "Learning How to Love", which owes a debt to "Instant Karma", but doesn't slavishly imitate that track, offering a wondefully melodic chorus that's all their own. After the ballad "All the Love in the World" comes the midtempo McCartneyesque "All Your Life", which mines Macca's late 60s/early 70s sound. Also a treat is the breezy "Wake Up to Now", which fills the George Harrison change-of-pace role.

The album's standout is the uber-catchy "Turn it Up", a direct Beatle homage that starts off with the line "It was 40 years ago today", and name drops Murray The K and refers to various points in Beatle history. Other highlights include the lovely ballad "Save the Day", the Eastern sounds of "The Road to Bodhicitta", the "Honey Pie"-like "Fab", and the rocker "For a Chance" which draws on "I've Got a Feeling". And in case you were still wondering about the extent of Beatle influence, they throw in a slowed-down cover of "You Won't See Me". Once again, the sheer joy of their love for Beatlesque music shines through, making this a must-have for anyone who loved the first album.

CD Baby | Samples at official site | iTunes

Friday Roundup.

Bryan Estepa-Vessels. Our favorite Aussie this side of Michael Carpenter is back with his third solo album, and Vessels is another mark of excellence for Bryan Estepa. Like his buddy and countryman Carpenter (who helped mix), Estepa has the knack of making pop songs sound easy, and he infuses them with a bit of a country-rock style. The beguiling, laid-back "Won't Let You Down" opens things nicely, and "Hard Habits" draws on The Band. But Estepa is not afraid to tackle purer pop as the bouncy beats and handclaps of "Tongue Tied" and "Alone" will attest. And the soulful ballad "Pull Ourselves Together" might be the prettiest song I've heard this year. Another first-rate effort.

CD Baby | MySpace | iTunes

Frozen Relics-Uncovered. A nice EP debut from this Minnesota duo, who feature a straight-ahead power pop sound that's heavy on the hooks. Leadoff track "Beautiful Girl" mines the classic power pop subject matter with a Fountains of Wayne/Weezer flourish, while the peppy pop of "No Second Chances" has almost a Motown-like feel to it. The anthemic "Burnin'" tackles environmental concerns without being too preachy and while giving a nod to short-term concerns. "One Step Closer" is more pleasing power pop, and "Hymn for Our Children" is a quality instrumental number and is backed by their promise to donate $1 from each full album purchase to the Children’s Miracle Network – Gillette Children’s Hospital.

CD Baby | iTunes

CD of the Day, 4/27/11: Supraluxe-The Super Sounds of Supraluxe

Things always get a little sentimental at Absolute Powerpop when Supraluxe is concerned, since they were the first band reviewed on the site and had an impact on the the creation of the site as well, all of which is well-chronicled here if you want to check out the archives. More pertinent to you the reader is the fact they've released their third disc, The Super Sounds of Supraluxe. While their first album was a pop masterpiece, they made their AOR move with the followup, Wake Leave Home Sleep, which had its moments but didn't sound very much like the debut. The message here for those who loved the first album is "come on in, the water's fine" as Super Sounds marks a return to the Elliott Smith meets Brendan Benson sound we've known them for.

Things start off strongly with the gentle "Every Little Piece", which namechecks Fleetwood Mac and has a feel of solo Lindsay Buckingham, and the catchy mid-tempo rocker "Setting Sun". But they really hit their stride with "Lester Bangs", not quite a paean to the legendary rock critic but a celebration of the love of playing music that hews to his spirit. The song may be a bit meta, but it's a gem and captures that "Supraluxe sound" we all came to appreciate on the debut.

There are plenty of other quality tracks here as well: "Go Nowhere" has a loose-limbed vaguely-country vibe that makes it sound like came off Wilco's Summerteeth; "Sunday's Not So Bad", a leftover from the sessions for the debut, has that E.Smith feel, and "New York City's Not Alright" finds them in rock-noir mode. And not to be overlooked are the 70s SoCal-sound homage "Back to the Land" and the strange but lovely "Nail Biter" which runs with its title metaphor and some spry synths. All in all, a welcome return to form for this Minneapolis band and a must for those who fell for the debut.

CD Baby | Bandcamp | iTunes | eMusic