CD of the Day, 11/22/11: David Mead-Dudes

Longtime readers of this site know that I'm a big David Mead fan, but his last release, 2009's Almost and Always, left me a little cold. It was an admirable effort as Mead's songwriting skills continued to shine, but musically it was a bit too subdued (no pun intended). So I was excited to hear that he enlisted the help of Fountains of Wayne's Adam Schlesinger (who produced his 2001 release Mine and Yours) for this record, hoping he'd return to a more upbeat - dare I say - power pop sound. And for the most part my hopes have been fulfilled, as Dudes may be Mead's most consistently engaging album since his audacious 1998 debut The Luxury of Time.

When he's at his best, Mead can seamlessly transition from a power pop gem to a brilliant ballad that sounds like a standard to what almost seems a showtune and back again. "I Can't Wait" opens the disc, and it's a fine midtempo number with a rolling melody that's reminiscent of the style found on his 2004 album Indiana. "King of the Crosswords" follows, and it's a rousing pop tune (complete with sax) about a crossword puzzle prodigy. Another standout is "Guy on Guy", which finds Mead at his lyrical best about a man who finds himself attracted to other men and features an old-time melody and a playful trombone. "Bocce Ball" is a quick 2-minute ditty with a Latin lilt that's insanely catchy (try getting its "bocce, bocce, bocce ball" chorus out of you head). The title track is another highlight; although the word "dude" begs not to be taken seriously, the song itself is a mature, melodic track and one of Mead's best.

The second half of the disc starts off in power pop mode with "Happy Birthday, Marty Ryan", probably Mead's most electric guitar-centric song in years, and also features "No One Roxx This Town No More", a R&B-inflected, ultra-catchy pop number that's of a piece with "Chatterbox" off 2006's Tangerine. And the holiday-themed "The Smile of Rachael Ray" is the kind of "instant classic"-sounding tune that seems to come second nature to him. The album closes with another winner: "Knee Jerk Reaction", a Paul Simon-like number reminiscent of "Me & Julio Down by the Schoolyard". Dudes is a welcome return to form for Mead, and without a doubt one of 2011's best.

iTunes

Also, it's highly worth your while (especially if you're relatively new to David Mead) to pick up this free 25-song sampler from Noisetrade, which features many of his classic tracks, some fine unreleased material, and the title track and "I Can't Wait" from Dudes.

Two for Tuesday, 11/15/11

Greg Pope-Monster Suit (Original Soundtrack). The pope of power pop (or should we just call him the "power pope"?) is back with another collection of top-drawer tracks, but this time with a twist. Not only has he taken the world of independent power pop by storm, but now his creative energies have been turned towards independent film as he's on the verge of releasing "Giant Monster Playset", a short film he wrote and directed. Monster Suit is the soundtrack to the short film, but it's not a collection of incidental music with a few songs scattered among it. Instead, it's a full-length disc that stands on its own and fits right in with his previous releases. There's a lot to like here, from the heavy, cascading guitar rock of "Modern Plaything" to the melodic pop of "Soulless Heart" to the anthemic "Hero". The acoustically-strummed "The Chance You Don't Take" harkens back to Pope's Edmund's Crown days, and "Place on the Hill" sounds like a lost classic rock gem. Pope's been on quite the creative run the last few years, and we're all enjoying the ride.

CD Baby | iTunes



The Liarbirds-Allegedly. This Greek band caught my attention in 2008 with their debut EP Second Quartet, and three years later they've emerged with an impressive full-length followup. They have an easy, melodic sound that brings Teenage Fanclub, The Byrds and Cosmic Rough Riders to mind, and opener "Chewing Gum" is an impressive statement to this end, as it merges laid-back verses with an intense power pop chorus. "Running Mind" is another breezy wonder, and "Fortune Tells May Tell You" will have you thinking you're listening to Daniel Wylie's latest. "Soul Keeper" has a retro-60s vibe, while "Disarray" finds them in good form on a slower number. An impressive record, and it's nice to see good news out of Greece for a change these days.

CD Baby | MySpace | iTunes

New music Friday.

Michael Oliver & The Sacred Band-Yin & Yanxiety. Boston's (by way of Buffalo) Michael Oliver has an interesting resume that includes time in a 90s power pop band (Buffalo's Go, Dog, Go!) and a graduate degree from Harvard. So it's no surprise that his latest effort with The Sacred Band, Yin & Yanxiety, boasts both a clever title and intelligent lyrics. But what makes it potentially one of 2011's best are the great tunes and consummate popcraft that he displays here. Oliver displays a variety of pop sounds here - the Matthew Sweet meets Tom Petty opener "Complicated", the Brian Wilson-inspired "Neverlast", and the twee indie pop of "Tell Me What You're Dreaming". But where Oliver finds his most consistent mark is when he goes with straight-up, melodic mid-tempo pop in the vein of Michael Penn, Cliff Hillis and David Grahame with tracks like "Love While it Lasted", "Little Miss Oblivious" and "Stranger from Another Planet". And the best part of all is that there isn't one clunker among the 13 tracks here. I'll close by saying that you should be yanxious to get this one added to your collection.

CD Baby | iTunes

Sam Hawksley-Somewhere in My Mind. Aussie Sam Hawksley has been a consistent purevyor of catchy folk/pop/rock for several years now, but his fifth and latest album might be his best. This may be the result of much of the album being recorded in Nashville, and at times it's reminiscent of another Aussie-gone-Nashville, Bob Evans. The bright, engaging "Thinking About You" is an excellent opener that fits Hawksley's strengths, and "Flying High in the USA" has a bit of a Jayhawks feel to it. Meanwhile, "She's Out Breakin' Hearts" is a fine Tom Petty-style rocker, "Save My Life" boasts a great guitar hook in the chorus, and "Stranger to You Now" and "I Wish" feature some excellent harmonies from Kim Richey and Hillary Lindsey. If you haven't been familiar with Hawksley's fine catalog until now, this is an excellent place to start.

CD Baby | iTunes

Friday Roundup.

The Farewells-Litterbug EP. The Farewells are a Massachusetts husband/wife duo who produce some wonderful folk-infused indie pop a la The Pernice Brothers and The Autumn Defense, and they're back for the first time in nine years with the Litterbug EP. The gentle "Beehive" kicks things off with some "Because"-like harmonies, and the title track is a slow burner that will stick in your brain. But the real highlight here is "Nightlight", a buoyant pop tune that builds to an swelling chorus and has turned out to be one of my favorite tracks of 2011.

iTunes | Bandcamp



Vie-Noises from the Cat Room. Vie (not to be confused with Donnie Vie) is a California pop-rocker with a sophisticated pop sound not unlike artists such as Linus of Hollywood, Ken Sharp and Neil Traynor. "Oh Carly" is a power pop nugget with some fine guitar work, and the acoustic guitar-heavy based "Oh Christine" is another winner (he even throws in a cover of Cheap Trick's "Oh Caroline" to complete the "Oh-girl's-name-that-starts-with-C" trilogy). The Beatlesque piano ballad "My Love" shows his facility with the slower stuff, and the strings and harmony vocals give "Anyway" a melodic urgency. Vie says he's been writing these songs for 14 years, and it was worth the wait as just about every track has something to recommend it. It's overlooked gems like these that keep me looking.

CD Baby | Stream at Official Site | iTunes

Mike and Miles.

Mike Viola-Electro de Perfecto. Mike Viola needs little introduction for readers of this site. From his power pop band Candy Butchers to his work with Bleu (in LEO & The Major Labels) to a budding solo career, the one constant has been great pop songs. On his latest solo effort, Viola steps back a bit to create his most assured, mature recording to date while continuing to deliver the tunes. You might not realize this from the opener, the frenetic "Columbus Day Parade", but "Get You Back" (with Semisonic's Dan Wilson on harmony and FoW's Adam Schelsinger on bass) is magical midtempo pop, and "Soundtrack of My Summer" will be the soundtrack of your autumn with its clever, easygoing melody. Elsewhere, "Inside Out" is catchy as hell, and the closer "When the Stars Against You" is a wonderfully moody take on dealing with life's adversities. You probably don't need me to tell you to buy a Mike Viola album, but if you had the slightest hesitation my advice is to just do it.

iTunes

Miles Zuniga-These Ghosts Have Bones. It's hard to believe that this is Miles Zuniga's first proper solo album (although he did release a record in 2006 with his side project The Small Stars), but at long last the guy responsible for my most of my favorite Fastball tracks ("Fire Escape", "Airstream", "Mono to Stereo") gets the stage to himself. And These Ghosts Have Bones is worth the wait as Zuniga's pure popcraft is on full display. The Lennonesque opener "Marfa Moonlight" is wonderful, one of 2011's most unforgettable tracks and its lyrics are the source of the album title. "Rock Paper Scissors" is an excellent rocker that would have easily fit in on a Fastball record, while "Feel it in Your Kiss" displays a faint 70s R&B influence. Elsewhere, "Working on a Love Song" is a catchy number filled with irony (the writer of the song finishes it just in time to find its subject left him), and "Junkie Hands" finds Zuniga in a late-period Beatles state of mind. A great solo debut from one of my favorite pop songwriters, and a strong candidate for 2011's top 10.

iTunes

Midweek Roundup.

An American Underdog-Always on the Run. While you may not recognize the band name, you should recognize the man behind the band - in this case, Michigan's Andy Reed, who has followed up his excellent 2008 release Fast Forward with a backing band this time around. So while the circumstances may be different, the general sound isn't as Reed & Co. continue to mine the Jon Brion/David Grahame/Emmit Rhodes/Elliott Smith pop territory. The bright power pop of "Your Reign is Over" channels Brendan Benson, "Portland" makes nice use of keyboards in a poppy Elvis Costello-meets-Jason Falkner track, and the whimsical title track is a tour de force, sprinkling bits of McCartney, Jellyfish and Jon Brion into a pure pop confection. Reed keeps getting better with each release, and might be ready to take his place among the David Grahames and Michael Carpenters of the genre. This one's a must for my regular readers.

CD Baby | SoundCloud | iTunes

Buttonjaw-Things You Should Know. It was a pleasant surprise stumbling upon this Portland band, who have given us a fine debut disc that brings to mind The Posies and The Gin Blossoms. "Polly Nearly" is nearly a perfect album opener, a catchy, guitar-driven number with hooks to spare, "One-Track Mind" has a twisting melody and some great guitar work, and the midtempo "Breakdown" sounds like it just came off a rock-radio station from the 90s. These guys know their way around a tune, and the best part is that the proceeds from the album are going to help build a safe house in Ghana for trafficking victims. Good music and a good cause, can't argue with that.

CD Baby | iTunes



Mike Barnett-Bigger Than This. Have no fear - your FDA-required minimum daily supplement of jangle is about to be filled once again by Missouri's Mike Barnett, who's back to the solo path after his excellent 2009 album with Dennis Gurley. In case you're not familiar, the touchstone for Barnett's sound is Wilbury-era George Harrison, and opener "The Love I Have for You" is a catchy, jangly gem. "Motorcycle" treads somehwere between the 60s and 70s and recalls Bobby Sutliff, and "Life's Better" sounds like a lost Roy Orbison classic. Jangleheads, this one's for you.

CD Baby | iTunes

Monday Roundup.

Making up for my recent absence with 3 reviews today:

The Ditchflowers-Bird's Eye. Brian Merrill (ex-Barely Pink) and Ed Woltil are back with the followup to 2007's excellent Carried Away, and Bird's Eye is another triumphant collection of sophisticated adult pop. "Sunshine Lifetime" blasts out of the speakers with some horns and Stones-style swagger, "You Could Hurt Someone" is alternately bouncy and brooding, and the ballad "Rainout" is a melodic winner with background vocals from fellow Tampa Bay rocker Steve Robinson. Also of note is the frenetic power pop of "Pictures of You", and the shuffling "Love, The Conqueror" which features ex-Wilco drummer Ken Coomer. A magnificent record.

CD Baby | Listen at Official Site | iTunes



Mozley-S/T. My Google skills have really been put to the test by the mysterious Mozley. As best as I can tell, he's from Arkansas and that may or may not be D.B. Cooper on the album cover. Nevertheless, you don't need his life story to enjoy his self-titled debut, and fans of The Replacements and Big Star will want to check this one out. The shambolic rocker "Never Meant to Be" has a Westerbergian edge to it, "Earthquakes" has a brooding yet melodic feel, and "Leave Tonight" recalls Ryan Adams when he's serious about classic rock while "Wake Up" is a jangly mid-tempo rocker with a Tom Petty vibe. A nice slice of Mid-South rock from out of nowhere.

CD Baby | MySpace | iTunes

The Phantom Six-Plastic Rain. The Phantom Six is a West Virginia garage rock band led by singer-guitarist Mark Poole, and along with his bandmates (who include AbPow favorite Clint Sutton) has crafted a fun, energetic collection of late 60s-styled rock nuggets. "Corianna", full of reverb and stop-start guitars, and "ahhhhh" harmonies sets the tone, and "Inspiration" doesn't suffer from a lack of it. The piledriving "About Love" and the title track recall Dinosaur Jr., while "Lose Control" comes across as Foo Fighters with more gravitas. With one kick-ass rocker after another (even the jangly "Shades of Sunday"), Plastic Rain will appeal to fans of melodic rock, including those of us who loved the Clint Sutton disc even if his contributions here are as a sideman.

CD Baby | Listen | iTunes

CD of the Day, 9/20/11: Meyerman-Who Do You Think You Are?

It's easy for me to become complacent about all the power pop (as broadly as I definite it on the site) I listen to, to the point where it can kind of fade into the background. Don't get me wrong - just about all the music I listen to and review on this site is music I really like, or even love, and is worthy of your listening time (and dollars). But a few times a year I get shaken out of my complacency when I get to hear a record that makes me say to myself "this is why I listen to power pop". Who Do You Think You Are?, the debut album from New Jersey's Meyerman, is one of those records.

This is classic Power Pop with 2 capital P's. It's also very "meta" - a power pop album which is mostly about being in a power pop band and a band's relationship with its audience. So while it has the sound of a number of power pop bands running through it like Cheap Trick, The Raspberries, Butch Walker, The Shazam, it has the looking-at-it-from-the-inside sensibility of The Replacements or Local H. Opener "Intro Tonight" basically thanks you for listening, and rewards the favor with an infectious, melodic tune that all but invites you to handclap along. They continue this "opt-in" request with "Permission to Rock You", another throat-clearer that still rocks, and finally get down to business proper with "Get to You", one killer hook and riff after another that you'll swear you heard before but sounds fresh and new.

Elsewhere, "Seconds" is a tough rocker that's wistful yet crunchy, and if "Immaculate Mansions" gives you a 60s/70s classic rock vibe, it's probably because the album was mixed by The Grip Weeds' Kurt Reil, another feather in its cap. "Tour of Japan" continues the self-referential theme with an ode to how our kind of music is more appreciated overseas than in the USA while its "teenage symphonies" line is a nod to Brian Wilson (and by extension, Velvet Crush). Meanwhile, "New Direction" is a footstomping number that explores the tension that occurs when a band offers a new sound which risks alienating its fans while trying keep from sounding stale, and "Indecision & Inertia" honors its title by being a halting, midtempo number, yet still works.

If anything, Who Do You Think You Are? could be considered the "Community" of power pop albums. Like the TV show, it's very much about itself while still delivering the goods, ironic but not sardonic. On the one hand, it rewards you for being in on the joke while on the other it's still an excellent representative of its genre if you'd rather not think too hard about it.

CD Baby | iTunes

CD Single of the Day: Peter Baldrachi-In the Dead of Night

Boston's Peter Baldrachi is back with his first new material since 2007's Solid Ground, and it's a teaser 2-track single download-only release in advance of his forthcoming full-length Tomorrow Never Knows (that title sounds familiar, eh?). Normally I don't review singles, but these two tracks are so good I've made an exception. "In the Dead of the Night" is Grade-A power pop, all loud guitars, hooks and harmonies. And the non-album B-side "Picture on My Wall" is so good that it makes me wonder how there could be 9-10 better tracks that beat it out to make the upcoming album. Get these on your iPod or music player of choice right away, you won't regret it.

CD Baby | iTunes

Two for Thursday, 9/8/11

Baby Scream-Secret Place. Juan Pablo Mozzolla & Co. are back again with their third full-length in three years, and Secret Place finds Baby Scream branching out from the (mostly) mellow Lennonesque pop they've become known for. There's a reggae track ("Cold Weather Reggae"), some neo-soul ("Patiently") and a T. Rex cover ("20th Century Baby") to spice things up, and the opening track "The Last Call" has a rootsy, Band-like feel. But those who come for the languid, melodic pop of the previous releases won't be disappointed either - "Hit and Run" and "London Sun" are standouts in this regard. Mozzolla continues to refine his craft, and we're the better for it.

iTunes | MySpace

Former-The Kids Deserve Cable. Since the release of 2008's And Nothing But the Truth, Former's Denny Smith has been busy with The Great Affairs, releasing 2 full-lengths and an EP. But here Smith puts his alter ego aside for another turn of hard power pop that has more in common with Butch Walker and Cheap Trick than the mellow roots pop of his other band. The frenetic "Head Light" lets you know where you stand right off the bat with a driving hard pop beat that recalls the Foo Fighters. "How Does it Feel?" steps off the accelerator a bit but still rocks out in a Steve Bertrand/Rob Bonfiglio fashion, while "Sister" has that Walker's kind of swagger. And "Lie to Me" is a flat-out classic (see video below). For those who want to emphasize the "power" in "power pop", this is your disc.

CD Baby | MySpace | iTunes

Friday Roundup.

JoDee Purkeypile-October House. If the name sounds familiar to you, it's because JDP was the frontman of The Alice Rose, a Texas band who put out a pair of outstanding Jon-Brion-meets-Squeeze indie pop albums in the last 5 years. The obvious parallel here is Greg Pope; like Pope, Purkeypile plays all the instruments here, and in the same manner as when Pope left Edmund's Crown, the solo flight has allowed Purkeypile to distill the essence of the sound he first forged in the band setting. So this is more Jon Brion than Squeeze, and that's a good thing here as "Disappear from Here" is among the best songs he's written, a swirling pop gem in a minor key. "Your Days Ends as Mine Begins" is first-rate guitar pop, and the rollicking "Company Man" has a Jellyfish by way of Michael Penn vibe. Elsewhere, "Summer Sunday" is a lovely slice of mellow indie pop, and the propulsive "Autumn Mind" channels Neil Finn. I could see this one ending up in 2011's top 20.

CD Baby | MySpace | iTunes

Marshall Holland-Statistically I Should Say. San Francisco's Marshall Holland put out an overlooked gem in 2004 titled Don't Jettison the Memories, an album of first-rate power pop in the style of Brendan Benson and The Posies. He re-released it last year, and has followed that up with Statistically I Should Say, an EP of new material. Don't miss him this around, as this might be the best power pop EP of 2011. From the urgent opener "Your Lies" to the perfect power pop of "I'm OK (for Now)" - the album's best track - to the buoyant, synth-happy "Meet Me by the Blue Balloon", Holland give us a welcome return. So after you've digested this confection, make sure you go back and get Don't Jettison the Memories.

iTunes | MySpace

Two for Thursday, 8/18/11

Wiretree-Make Up. The career of Kevin Peroni (a/k/a Wiretree) has coincided with the existence of this site; his debut EP was one of the first reviewed here. So it's been interesting to follow him these past 5-6 years and see how his sound has evolved. He's gone from the Tom Petty/Wilburys sound of the debut and Bouldin to more of an indie rock sound with Luck, and has completed the transition here with Make Up. The one constant has been the songwriting, and whatever the subgenre, Peroni has consistently given us fine tunes. This time around, it's the ringing guitar chords of "Make Up", the catchy heartland rock of "Broken Foot" and the rollicking "The Shore", which is reminiscent of Green Day's "Holiday". The disc even closes with the Jayhawks-like country ballad "Josephine". But there are a few remnants of the classic Wiretree sound here with "Tinyhearts" and "Tonight". Overall, it's nice to see him branch out without sacrificing the quality of the tunes, and I look forward to what comes next.

CD Baby | iTunes

Third of Never, Kurt Reil & CJ Grogan-Life Saver (Three Fifths of a Third EP). Grip Weeds alert! Fans of that longtime power pop band will want to grab this split EP, which features lead singer Kurt Reil's Third of Never side project, two tracks from Reil himself, and two others from CJ Grogan (also in Third of Never). Third of Never's title track is excellent (and leads us to hope a followup to 2007's Moodring is the offing), Reil's catchy "Gonna Find My Way" is another standout, as well as his psych-rocking "Wake Up Time". Grogan's "Tracer" is an energetic rocker, but his piano ballad closer "Margaret" meanders a bit. Still, 4 out of 5 ain't bad.

CD Baby | iTunes

New Well Wishers on the way.

Jeff Shelton's at it again. Perennial site favorite The Well Wishers are due for another new album. It's called Dreaming of the West Coast (where else?), and should be out by year's end.

As a sneak peek, here's "Escape the Light", which I'm sure you'll agree is vintage Well Wishers:

Two for Thursday, 8/11/11

Tony Cox-On the Way. After a successful and well-received debut in the power pop community with 2009's Unpublished, Tony Cox is back with On the Way, and he's topped himself in the process. As with Unpublished, Tony enlists pop utilityman Nigel Clark (who can be heard with Dodgy, The Offbeat, and his own solo disc) on vocals, and the combination is another winner. Opener "We'll Get High" is a perfect pop confection, a slice of 60s-pop with a hint of soulfulness. "Hold Me Angeline" is reminiscent of Clark's work in The Offbeat, while "The Way" evokes The Association with a Nuggets-styled sheen. And "Curse of Love" could pass for a lost Zombies classic. This could the album of the year for those who love 60s-styled sunshine pop.

CD Baby | MySpace | iTunes


Rollo Time-Victims of the Crown. It's Rollo Time again, as this Chicago-area band returns with the followup to their 2007 self-titled debut. Once again, they show a great facility for melding classic rock and power pop, and that's apparent right off the bat with "You Can Talk" and "Sick and Tired", a pair of tracks that will appeal to fans of bands like The Shazam and Superdrag. "Eyman Prison" tells the story of a frustrated prisoner (of a real Arizona prison) to a power pop beat, while the midtempo janglers "Madeline Says" and "I Can't Believe This Day" are also standouts.

CD Baby | Facebook | iTunes

Two for Thursday, 8/4/11

Vegas With Randolph-Above the Blue. This Washington, DC band lets no moss grow under their feet - after they released their self-titled debut in 2009, they've issued a series of singles, and here they're collected on Above the Blue. If you missed them the first time around, the singles are really good: "The Better Part" is a punchy pop-rocker, the title track is Secret Powers-styled power pop, and "Some Time to Love" is very reminiscent of Fountains of Wayne. What they add to the singles collection is another of their "song suites", this time called "Double Play". Going from horn-based rave-up to acoustic interlude to straight-up power pop, Vegas With Randolph remain masters of the medley, and the Abbey Road-style album experience is not to be dismissed in the era of the iPod.

CD Baby | MySpace | iTunes

The Quags-Priceless Grains of Sand. It's great to have this Oregon band back for the first time since 2005's Devil's Music. The Quags are on the Paisley Pop label and for those unfamiliar it means classic rock-infused power pop, in this case reminiscent of bands like The Kinks and The Figgs. The opening 1-2 of "Human Thing" and "Favorite Parasite" drive this comparison home, and the laidback "Beautifully Insane" is another treat. Elsewhere, "It Takes Heart" is a Rockpile-styled delight, "Going Through the Convulsions" rocks out, and "Do Yourself a Mischief" closes things on a wonderfully jangly note with a hint of The Who. Here's hoping we won't have to wait six years for the next one.

CD Baby | MySpace | iTunes

Two for Thursday, 7/28/11

Honeywagen-Atomic Cafe. This Kansas City band is back from a near decade-long hibernation with Atomic Cafe, and it's a jangly delight of Midwestern power pop. "Throw it All Away" is a gem of an opener, kind of like Ray Davies fronting the Plimsouls, while "Go Someplace" sounds like a lost Byrds classic. "Lust" brings the Rutles' classic "I Must Be in Love" to mind, and "My Virginia" wouldn't be out of place of on a Gin Blossoms record. It's great to have these guys back, so janglers of the world, unite - you have nothing to lose but $14 or so. And Kool Kat is offering up a kool bonus disc - frontman Mike Penner covering A Hard Day's Night (the album) in its entirety.

Kool Kat | Official Site

Brian Hoffer-Into the Boulevard. I was pleasantly surprised to have stumbled upon this Milwaukee singer-songwriter's debut album, which has traces of Brendan Benson, AC Newman and Fountains of Wayne running through it. The upbeat, catchy "Good Day Now" is a near-perfect opener, and the clever "Psychoanalysis" reminds me of Dan Bryk and Lamar Holley. Other highlights include the raved-up "Keep Each Other Cold", the piano-and-guitar-based melody of "Superman Somehow" and the sardonic "When They Drop the Bomb". Hoffer really has a songwriter's ear for lyrics and melody here, and a nice sampling of the disc is below for your listening pleasure.

iTunes

Catcing up with some more old friends.

Here's another round of artists previously featured here who have new material out:

Artist: The Great Affairs
Last Seen on AbPow: November 2010 with Ricky Took the Wheels.
New release: Happy Ender EP.
A few words: fORMER's Denny Smith is back with the third Great Affairs release in about 18 months time, and this EP is more of their laid-back, tuneful best. Happy Ender was recorded over two days in the studio and it has a loose-limbed feel, with the peppy "Bird on a Wire" the highlight. Smith also advises there's a new fORMER album in the works, always welcome news.
Links: CD Baby | iTunes | ReverbNation

Artist: Michael Gross & The Statuettes
Last Seen on AbPow: August 2010 with Telepath.
New release: Imaginary Signs EP.
A few words: Gross & Co. have been quite busy these days, and the new EP is a continuation of their heartland rock sound. The one departure here is "A Revelation", which reminds me of Bends-era Radiohead.
Links: Bandcamp | iTunes



Artist: The Brigadier
Last Seen on AbPow: November 2010 with The Secret of No Success.
New release: Holiday Special EP.
A few words: Matt Williams returns again with a seasonally-themed EP, this one summer-related. The standout here is the leadoff track "When the Sun Comes Out", which captures summer's optimistic, carefree nature while being a damn catchy tune.
Links: CD Baby | Bandcamp | iTunes



Artist: Radio Days
Last Seen on AbPow: October 2008 with Midnight Cemetery Rendezvous.
New release: C'est La Vie.
A few words: This Italian band is back with another disc of their Paul Collins Beat (with whom they shared a 7" release)-styled power pop. The followup to their debut EP is an excellent one, from the Beatlesque "Sleep it Off" to the Teenage Fanclub-influenced "Enemies for Friends" to the jangle pop of "Sweetest Lullaby".
Links: Bandcamp (two tracks) | iTunes

Stream the new Matthew Sweet!

Here it is, in all its glory. Haven't had a chance to listen yet myself, but note how meta Track 7 appears to be.

Two for Thursday, 7/14/11

Brandon Wilde-Hearts in Stereo. I first came upon this Brooklyn singer-songwriter thanks to his fine 2006 debut Songs From the Deep Sleep, but it didn't prepare me for how brilliant his new followup is. Wilde will appeal to fans of Paul McCartney, David Grahame and a host of other melodic popsters. The moody and haunting "Dayglow" opens in the vein of post-Crowded House Neil Finn, while the frantic "Time Bomb" sounds as if it came from a Brendan Benson album. The jangly "Candy Apples" channels Grahame and Emitt Rhodes, and it's all prelude to the album's best track "Ooh La", which takes all these influences to another level, sounding not unlike Elliott Smith if he were actually a happy person. This is first-rate pop, and another that will be ranked highly upon year's end.

CD Baby | iTunes



Richie Reinholdt-Night and Day. Here's some excellent roots pop straight outta Missoula, Montana (also home to AbPow favorites Secret Powers) that will catnip to those who like Marshall Crenshaw, Walter Clevenger, Bobby Sutliff and the like. "Lucky Stars" is an absolute gem, and "Home Now" has a bit of Dylan in it. Elsewhere, "Soft Hearts" is the Everly Brothers gone rockabilly, "Opium" is a hard-edged rocker that adds some depth to the proceedings, and "Dream Noir" lives up to its title. Reinholdt's sound might be retro, but quality roots pop like this never goes out of style.

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CD of the Day, 7/8/11: The Red Button-As Far as Yesterday Goes

In 2007 Seth Swirsky & Mike Ruekberg, established power poppers in their own right, teamed up as The Red Button to give us one of the top power pop albums of the decade with She's About to Cross My Mind. It was our #1 album of that year and came the closest to capturing both the sound - and more importantly, the spirit - of an early-to-mid period Beatles album. It wasn't a Rutles-style pastiche but rather a collection of a dozen or so extremely strong tunes that evoked the era without aping it. And what propelled it to the next level is that you had two distinct singer-songwriters bringing their songs to the table, with Ruekberg playing Lennon to Swirsky's McCartney. So needless to say, expectations are high for the followup, and for the most part the expectations are met. There's a little bit less Beatles here, with an element of 70s-styled singer-songwriter sound in its place, but the end result is bound to please anyone who loved the first album. Things start strongly in the vein of the first album with Ruekberg's excellent and insanely catchy "Caught in the Middle", right out of the Help!-era playbook with Rickenbacker and harmonica galore. (His "I Can't Forget", which appears later in the album, is another great Beatles '65 homage.) Following is the sophisticated pop of Swirsky's title track, a moody midtempo number that compares favorably to some of the debut's standout tracks like "It's No Secret" and "Floating By". Speaking of "Floating By", the piano-based "Picture" is this album's closest cousin with its Bacharachian feel. The passionate Ruekberg rocker "Girl, Don't" ups the jangle factor, while his lovely "Easier" evokes "Something". Swirsky meanwhile pines for a pair of ladies named "Genevieve" and "Sandreen", with the former the subject of a string-laden pop confection, and the latter a very 70s-sounding tune that's just as much breezy Stevie Wonder as breezy McCartney. Elsewhere "On a Summer Day" lives up to its title with its carefree melody and some great vocal interplay between our two principals, and the vaguely funky "You Do Something to Me" draws its inspiration from Paul Simon's early solo career. And like the debut with "It's No Secret", the album closes in strong fashion with "Running Away", a piano and guitar number that shifts the focus from the girls-of-their-dreams to an inward look that casts all that came before it in a different light, a well-played turn that grounds the album nicely. Part of what made the debut a power pop phenomenon was that it came as a revelation; followups by definition in these cases always come without this advantage. But if it were possible to "unhear" the debut, As Far as Yesterday Goes would be just as much a jaw-dropper. and coming up with 12 near-perfect pop songs is never as easy as it sounds. For that, this album will rightfully earn its spot at or near the top of my 2011 list, and should earn an immediate spot on your music player of choice. CD Baby | iTunes | sample at Official Site