The Absolute Powerpop Top 100 of 2012, #1-50.

And here's what you've been waiting for, the top half of the top 100. A few words on my #1 pick follow the list:

1. Salim Nourallah-Hit Parade
2. Shoes-Ignition
3. Scott Warren-Dyed in the Wool
4. Cliff Hillis-Dream Good
5. Kevin Martin-Throwback Pop
6. David Myhr-Soundshine
7. Jay Gonzalez-Mess of Happiness
8. Lannie Flowers-New Songs Old Tories
9. The Honeymoon Stallions-Moonlighting
10. Ruby Free-Introducing Ruby Free
11. Oberon Rose-Wunjo
12. Sitcom Neighbor-Charm
13. Bill Lloyd-Boy King of Tokyo
14. Gavin Guss-On High
15. Paul Rocha-Crayons
16. Tim Husty-A Step Back
17. Holmes-Complication Simplified
18. Throwback Suburbia-Shot Glass Souvenir
19. Chris Richards & The Subtractions-Get Yer La La's Out
20. Redd Kross-Researching the Blues
21. Secret Powers-More Songs About Her
22. JP Cregan-Elba
23. Jeff Litman-Outside
24. Jackdaw4-Dissecticide
25. The Blood Rush Hour-Shrink
26. Smash Palace-Do it Again
27. The Stars Explode-Between the Lines
28. Aimee Mann-Charmer
29. Wanderlust-Record Time
30. Didn't Planet-We're Going Nowhere
31. AC Newman-Shut Down the Streets
32. Steven wright-Mark-My Plastic World
33. The Breakups-Running Jumping Falling Shouting
34. The World Record-Freeway Special
35. Dave Birk-Speed Queen Mystery Date
36. Stay-The Fourth Dimension
37. Rob Bonfiglio-Mea Culpa
38. Slink-Desert Gem
39. Hidden Pictures-Rainbow Records
40. Jared Lekites-Star Map
41. Latvian Radio-Kill the Static
42. Minky Starshine-Womanity
43. Trapper Schoepp & The Shades-Run, Engine, Run
44. Mike O'Neill-Wild Lines
45. Dan Miraldi-Sugar & Adrenaline
46. Frank Bango-Touchy Feely
47. Eliot Bronson & Yonder Orphans-Milwaukee
48. The Roseline-Vast as Sky
49. The CRY!-The CRY!
50. Electrolic-Live on Land

I went with Salim Nourallah's Hit Parade at #1 for several reasons - it was the album I enjoyed the most, the one that grew on me the most with repeated listens, and most of all it felt to me like a contemporary Beatles album with Nourallah playing all four parts. The wonderful "38 Rue de Sevigne" opens the album with a slow build into full-fledged McCartney-esque goodness, while the title track and "God Damn Life" (which are both thematic cousins of "Working Class Hero") bear a profound John Lennon influence. Meanwhile, the ringing guitars and lyrics that speak of disappointment yet hope in someone else of "The Quitter" feel like George Harrison, while the faux-disco "Travolta" mixes humor and pathos in much the same way Ringo's Beatle tunes did. In the past I've always enjoyed Nourallah's songcraft even though it felt cold and distant at times, but here he takes a warm and wistful look back at life from middle age (life's "hit parade" as it were) and the result is the best album of his career.