Late March Roundup.

Broken Promise Keeper-Broken Promise Keeper. Georgia's Rob Stuart is back for the first time in six years as Broken Promise Keeper, and BPK doesn't break the promise of prime power pop this time around with Stuart's best effort to date. The sound here is similar to fellow southern power poppers The dBs and Scott's Garage, with the standout tracks being the effervescent "She's So Cool", the Merseyside-influenced "Sasquatch Love" and the jangly "Get My Message". Don't miss out on the bouncy "Play Ball" either.

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Latvian Radio-Until Tomorrow Gets in the Way. One of my favorites, this New York Band which I've compared in the past to Brendan-Benson-meets-The-Shins is back with another collection of bubbly pop tunes. The indefatigable "Power Lines and Bedroom Blinds" is an instant favorite, while "From the Top of a Building" and "Weight of the World" are shining exemplars of their signature frenetic pop sound. They even use the Bo Diddley beat on "Letter to the National Enquirer", and close out the album with the lovely, reflective title tune. Don't let tomorrow get in the way of adding this one to your collection, get it today.

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Dropkick-Balance the Light. Speaking of bands that release consistently excellent albums, perhaps none are more consistent than the Scottish roots-poppers Dropkick, who with Balance the Light release their 12th or 13th (I've lost count and am just guessing) full-length album. This one's another fine addition to their canon and if you've liked their Teenage Fanclub-style pop in the past, you'll love this one. Tracks to go on your Dropkick best-of: the breezy "Slow Down", the pensive opener "Save Myself", and the brilliant "Out of Love Again", which perfectly distills their sound.

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Short takes.

Some quick thoughts on some quality music playing on my iPod/iPhone these days:

Tom Fuller Band-Maristar. I described Tom Fuller's sound as "Tom Petty meets Oasis" a couple of years back on his last album, and Maristar is more of the same goodness. McCartney guitarist and erstwhile power popper Brian Ray helps out here, and the standout tracks here are the trippy rocker "Anthem Man", "Merci Beaucoup", and the string-laden power ballad "Sacred Chamber". For those who like a little classic rock in their power pop, don't brush off Fuller. (UK-only CD release but available digitally in the USA)

MySpace | iTunes | eMusic

Quakers on Probation-Every Living Thing. Great band name here (I guess Amish Gone Wild was taken) for the threesome of Daniel Craig (when he's not playing James Bond), Graig Markel (the only Graig I've seen spell his name that way aside from Nettles), and Daniel Craig (the first Daniel Craig's son). Now that I've exhausted my monthly supply of parenthetical remarks, I'll get down to the business of telling you they play what they like to call "twangle-pop". I hear bits of everyone from the Wilburys to Brian Wilson to the Jayhawks to more obscure artists like Wilder Embry here, and just when you think they're a bunch of laid-back twangle-poppers they throw in a "Happy Birthday Fucker" in the middle of the opening track to make sure you're paying attention. Plus there's a cool cover of "Chevy Van", which just might be the original twangle-pop hit.

CD Baby | MySpace | iTunes | eMusic

Eric Miller-Half of Purple. First of all, I have no idea what "half of purple" means. Is it the "pur", the "ple" or some other color? Inscrutable album title aside, Miller serves up twelve tracks of classic singer-songwriter power pop, from the earnest yet catchy "Tears of Victoria" to the shuffling "Talking to Myself" to the exuberant rock of "Better Days" to the breezy pop of "Miranda Jane". It's really of a piece with the recent Edward O'Connell album I raved about a few weeks back, with that "mature" power pop sound.

CD Baby | MySpace (full album stream) | iTunes | eMusic

Broken Promise Keeper-Poptimized. With the best "pop"-pun title since Allen Devine's Poportunity, Broken Promise Keeper (a/k/a Atlanta's Rob Stuart) cranks out his annual slab of 80s-influenced power pop with the usual fine results. "Scarred for Life" opens things strongly, 2:20 of no-nonsense, no-let-up dB-styled pop, and "Hyperdriven" pretty much lives up to its title. The playful piano pop of "We Pray for Rain" is another standout, as is the jangly "Bittersweet". My only quibble is how can Stuart call himself Broken Promise Keeper when he's proved so reliable? I guess you can consider it an ironic appellation.

CD Baby | MySpace | iTunes | eMusic

Three for Thursday, 8/13/09

Grand Atlantic-How We Survive. The Aussies with the big pop/rock sound are back with the followup to 2007's This is Grand Atlantic, and they've managed another disc that will lodge its tunes in your head and give your speakers a workout. Oasis, Sloan and Cheap Trick are the bands that come to mind when describing their sound, and there are plenty of great tracks to choose from on this sophomore effort. You could start at the beginning with "Coast is Clear" with its dense guitar sounds and insinuating melody, or with the synths and handclaps of the catchy FoW-esque "Tripwires", or with the Oasis-styled "She's a Dreamer". Then go from there to the classicist power pop of "Freeway", the languid title track, or the raucous "Holding Pattern". No duds here, and most certainly no sophomore jinx.

CD Baby | MySpace | iTunes

Michael Gross & The Statuettes-Dust and Daylight EP. First Lamar Holley and now Michael Gross - it's a veritable flood of Utah poppers. Formerly with The Brobecks, Gross caught my ear with his solo disc Tales from a Country Home last year, and now has formed a new band to release Dust and Daylight. Gross & Co. fit into the pop/rock/Americana mix, with a hint of the Wallflowers about them. "I've Been Wrong Before" rocks with a distinct Western feel; "Stone Face" recalls the Old 97's, while "Novocaine" does the straight-ahead rock thing quite well. The Year of the Quality EP rolls along.

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Broken Promise Keeper-Ice Cold Pop. Broken Promise Keeper is the Atlanta-area's Rob Stuart, who keeps cranking out the power pop each year with now his third release. He kind of has a retro-80s power pop sound, bringing to mind Shoes, Let's Active, R.E.M. and adds a level of wit and whimsy to the proceedings. Tracks you'll want to check out below: "I Blame James" (in which a series of famous James are blamed for our narrator's shortfalls), the exuberant "Kristine", and the Beatlesque "Worship from Afar". Good pop that goes down smooth.

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