Showing posts with label Ken Sharp. Show all posts
Showing posts with label Ken Sharp. Show all posts

Thursday, September 27, 2018

Checkpoint Charley and Ken Sharp.

Checkpoint Charley-Pomp, Twaddle & Bombast: Songs 13-24. Back in May I was excited to see the return of Checkpoint Charley after a 10+ year absence when they gave us a Star Wars-themed EP which featured a contrarian take on Jar Jar Binks. At the time they promised the proper followup to 2005's Songs One Through Twelve and the bombastically-titled Pomp, Twaddle & Bombast: Songs 13-24 is now here. Like their previous releases, Songs 13-24 is vintage power pop, chock full of hooks and melodies with influences ranging from Jellyfish to Badfinger. "Acting My Age" obliquely addresses their absence and their middle age in tuneful fashion, "Facing the Music" is top-rate power balladry, "Out of the Blue" has something approximating a dance beat, and the baroque "Adam and Eve" and "Young and Naive" are where they really channel Falkner, Manning & Co. And those guys are getting back together anytime soon, so the return of Checkpoint Charley is as close are you're gonna get. I don't have samples to share unfortunately, but if you listen to their older stuff you'll get the idea. Kool Kat is offering the CD along with the Jedi EP as a package deal or you can download directly at their official site.

Kool Kat | Official site

Ken Sharp-Beauty in the Backseat. Ken Sharp remains one of the most interesting guys in the power pop scene, equally adept as an author as he is a musician, with his most recent tome being Volume 4 of his "Play On! Power Pop Heroes" series. Ken's now out with his latest musical opus, and it's a slight departure from the classic power pop he's usually known for. On Beauty in the Backseat he adds a Philly soul element to the mix and it's a welcome progression. Fernando Perdomo proudces and Sharp's gotten some of those pop heroes he writes about to help him out - if you're making a Philly Soul-influenced album there's no one better to get than John Oates and he contributes backing vocals to the wonderful "Philly Kind of Night", and Ace Frehley of KISS (the subject of one of Sharp's books) throws in a guitar solo on the opener "Rock Show", the best song of its kind since Paul McCartney's on Venus and Mars. Other standouts include the delightfully smooth "Lemons to Lemonade" and "The Hardest Part" while fans of Sharp's more traditional power pop sound won't be disappointed either - "24 Hours a Day" and "Pull the Strings" (speaking of Jellyfish-influenced) fill the bill on that score. This is pop at its purest, so you'll want to look Sharp with this album in your collection.

iTunes


Friday, July 08, 2016

Early July Roundup.

Justin Levinson-Yes Man. 10 years. That's how long Absolute Powerpop has been around, and that's also how long it's been since Justin Levinson debuted on the power pop scene with 1175 Boylston. The debut was Ben Folds-styled piano pop and since then he's veered into alt-country and most recently a bit of light soul-inflected singer-songwriter pop with 2012's This Side of Me, This Side of You. Now with Yes Man, Levinson has come full circle with his most straight-up pop album since his debut. Opener "Together Forever" is a bouncy confection that's well-timed for summer; the title track is a Beatlesque romp, and the waltz-time baroque pop of "Safety in the Rain" recalls Jellyfish. Elsewhere, "Broken Heart Running" is the type of piano-based pop found on the debut, and closer "Colleen Compassion" evokes a lost Ben Folds track in both sound and title. In all this is one of 2016's best so far as even the tracks not noted here are worthy of note. The tenth anniversary truly can be the sweetest.

Sample and buy at Amazon

Ken Sharp-New Mourning. Speaking of 10-year anniversaries, it's almost been that long since Ken Sharp's last album, 2007's Sonic Crayons, which at that time was his first album in seven years and which came in at #13 on my best-of-2007 list. So it's a bit of an understatement to say this album was long-awaited, and it doesn't disappoint. Of course Sharp has an excuse for the delays between albums - when he's not recording, he's writing and writing prolifically about music with 18 published books to his credit including a series titled "Play On! Power Pop Heroes" which chronicles the leading lights and forerunners of the genre. And if Sharp's going to keep putting out albums (however infrequently) like New Mourning, he's going to be worthy of a chapter of his own as his latest is his best and most consistent. From the classic power pop of "Dynamite & Kerosene" and "Let's Be Friends" to the Motown-influenced "Solid Ground" through the 70s MOR balladry of "L.A. Can Be Such a Lonely Town" and the string-laden closing power ballad "Loser", New Mourning is 14 tracks of solid gold and also a clear contender for Best of 2016.

iTunes



The Loved-The Loved EP. The Loved are a three-piece band from Portland, Oregon who push all the right retro buttons on their debut EP, right up to the album artwork. Dense guitars and a languid melody make for a great combination on the first single "How Do You Fall in Love", while the midtempo "Sun Moon Stars" features a hypnotic vibe and "Lost at Sea" rocks with "three chords and the truth", as the band described itself in their Facebook bio. Give it a listen below, and it'll be Loved by you as well.

iTunes

Friday, August 24, 2007

CD of the Day, 8/24/07: Ken Sharp-Sonic Crayons

Ken Sharp has been something of a power pop renaissance man, having started out as a music writer (having authored or co-authored 10 books), and then actually releasing his own albums (1301 Highland Avenue and Happy Accidents) to great acclaim on Not Lame's label. It's been seven years since Happy Accidents, and now Ken is back with Sonic Crayons. The wait has been worth it, as he's given us a strong contender for Top 10 of 2007 honors.

While his previous two discs were outstanding in a lighter, sugary manner, Sonic Crayons has a meatier, crunchier sound and features help from Enuff Z'Nuff's Chip Z’Nuff and Donnie Vie. On discs this good, it almost seems unfair to pick out individual songs lest others be slighted. Nevertheless, those more equal than others include "Better Every Day", "Melody Hill" (a contender for Top 20 tracks of 2007 honors), the rocking "New Attitude", the languid and Beatlesque "So Simple Radio", the catchy as-all-get-out "Get Yourself Together" and the beautiful ballad "Why Girls Cry".

It's available through the usual suspects, but your best bet is ordering it directly from Ken at his myspace page where you can also listen to four of the tracks including three highlighted above. Joe Jackson might have admonished us once to "look sharp"; now I'm advising you to get Sharp.