Mid-October Roundup.

Jordan Jones-Jordan Jones. Apparently LA's Jordan Jones released this self-titled debut on cassette last year, but it wasn't until Sweden's Beluga Records picked it up for wide release earlier this year that it was noticed in the power pop scene. I start off with this bit of housekeeping because it's going to end up pretty high on my 2019 list despite its origin. This is the kind of debut that keeps obsessives like myself forever on the prowl for new music, poring over release lists and CD Baby or Bandcamp new releases, and Jones has come through with quite a set of tunes here. Jones' high-register voice comes in somewhere between Ken Sharp and Jeff Whalen, and so does his high-register power pop. Opener "Wrote You a Song for Me" is a clever, catchy number which makes you weep for those who won't get to hear it, "Understood" is a high-tempo rocker that's pop-punk-adjacent, "No Makeup" is a song as pretty as the girlfriend the lyrics are directed to, and naming a new song "Be My Baby" would normally be presumptuous but Phil Spector would probably enjoy Jones' namesake. There isn't a weak track here, and it's great to see a young artist keeping the power pop flame alive.

iTunes



The Mike Benign Compulsion-Bygones. Mike Benign & friends return with another quality collection of thinking man's power pop. His albums always sound like the answer to question "What if Elvis Costello was an American indie popster in the 21st century" and the leadoff track "Beauty & Pedigree & Bank" has just the right mix of cynicism and melody to be a winner, while "Bonafide Americans" is an Elvis C-like takedown of our addled president. "Let it Be or Let it Rain" uses the two classic rock tracks in its title to take on the boomer generation, while other standouts include "These Heroes" (which doesn't spare Generation X) and the Lennon-esque "Olivia Rainmaker". What a concept: power pop with lyrics worth listening to as well as the music.

iTunes



Dan Israel-Social Media Anxiety Disorder. Minneapolis singer/songwriter Dan Israel has been one of the more reliable roots pop/rockers out there over the last couple of decade and his latest (complete with an album cover that's an homage to K-Tel) is another sturdy collection. "Be My Girl" blasts out of your speakers with its horn section and Rockpile-like sound, "125" is groovy psych-pop that recalls Steve Earle's "Transcendental Blues", and "Just Can't Take It" pays tribute to 80s snyth-pop (and is catchy as hell). And those are just the first three tracks. Also worth a listen: the folk/rock of "Might as Well Be Me", "Another Day" which also channels Elvis C, and the rollicking "Alright".

iTunes

Late May Roundup.

A quick look at some quality new releases:

Ruby Free-Shades. Maple Mars' Rick Hromdaka teams up again with Lisa Cavaliere (his wife) as Ruby Free, and the result is another wonderful laid-back album of 70s-inspired husband & wife pop. Highlights here are the guitar pop of "Take a Ride", the psychedelic shuffle of "Walking Along", the Paul-and-Linda inspired "Say Goodnight" and a note-perfect cover of The Carpenters' "Superstar". An album with great melodies - and charm. One of 2017's best.

iTunes | Kool Kat



The Mike Benign Compulsion-Kid. Our favorite Milwaukee power poppers are back again with a concept album of sorts about childhood and growing up, complete with the Let it Be-styled cover with photos of the band as youngsters. It's another collection of top-notch Squeeze-meets-Elvis Costello pop with standout tracks "Gadfly", "Kid" (with its memorable hook), and the rocking "The Best Years of Our Lives". And keep listening through - the 10th track, "Generations", might be the best here, sounding like a lost early-80s hit.

iTunes



Pasadena 68/Dakota Shakedown-Good Night Air. Ex-High on Stress frontman Nick Leet's Pasadena 68 has once again teamed up with friend and former 90's bandmate Mike Hjelden's Dakota Shakedown for another split album. DS gets the first five tracks, and P68 the last five and despite being a split LP the bands' similar Replacements-rock sensibilities make for a seamless experience. DS' "Hurry Up and Wait", with its Westerbergian mix of yearning and fire, is their standout here, while P68's rootsy, laid-back "Peace Garden State" is a gem as well.

iTunes





Party Battleship-Cake + Flames. The New Pornographers have a new album out, and as always it's worth picking up. However, if you want an American version of them there's another male/female-fronted supergroup of sorts which collects some of the best power poppers of Charlotte, NC. Shalini Morris (Kissyfish, Vinyl Devotion, Mitch Easter), Donnie Merritt (Lodestar, Mark Crozer and the Rels), John Morris (Tyre Fyre, Electrolux, Snagglepuss) and Adam Roth (Bellglide, The Catch Fire, Laburnum) join forces here for a rocking collection of driving pop tunes. The ones here to catch are their opening "Theme Song", "Almost Overton", and the Marshall Crenshaw-esque "The Fifth Season", but they're all pretty good. Party on!

iTunes

Early August Roundup.

Today's post features a common theme: Known artists with new releases under a different name.

Look Park-Look Park. Look Park marks the solo debut of sorts for Fountains of Wayne's Chris Collingwood, who teams up here with famed producer Mitchell Froom for a collection that isn't quite a FoW album by another name. So instead of the power pop of "Stacy's Mom" or "Radiation Vibe", Collingwood and Froom employ more of a laid-back, contemplative sound. This doesn't mean the catchy melodies are gone - single "Aeroplane" and the wonderful (and appropriately-titled) "Breezy" display the songcraft we've become familiar with over the years. But where FoW had the guitars front and center, Look Park's signature instruments are the keyboards, primarily piano. In fact, tracks such as "I'm Gonna Haunt This Place" and "Minor is the Lonely Key" bring the bedroom pop of another Froom collaborator - Neil Finn - to mind. So as long as your expectations aren't that this is that latest FoW album, you should have no problem enjoying it on its own pop-friendly terms.

iTunes



Happiless-Happiless. Regular readers will known Mike Benign of the Mike Benign Compulsion, and here he teams up with Allen Keller as Happiless. Benign hails from Milwaukee and Keller Los Angeles, so they collaborated long-distance through email and other electronic means to create the album, and the result is a mix of top-notch power pop and mildly baroque pop. The advance single "Sleepyhead" has a Michael Penn feel to it, "Hopscotch Town" is as bouncy as its title would imply, and "We Let Our Story Tell Itself" and "Stranger to Yourself" sound like classic Mike Benign. So let your goals be life, liberty and the pursuit of Happiless.

iTunes



Biltmore-Revolutions and Romantics. Another familiar name with an unfamiliar new band name is Phil Ayoub, who put out a couple of fine solo albums in 2006 and 2010 and here re-emerges as Biltmore. Those who enjoyed those albums will want to pick this one up as it continues Ayoub's bright, radio-friendly pop/rock stylings. The top examples of such are driving opener "Never Let You Go", the swirling melody of "Neon", the heartland rock of "Las Vegas Blue" and "Going Out" (which sound like lost hits from the heyday of late 90s alt-pop), and the anthemic Brit-pop sounding "Stars in the Attic". A welcome return.

iTunes

Weekend Roundup.

The Mike Benign Compulsion-Here's How it Works. Our favorite Milwaukee power-poppers are back with their third - and best - album to date. Benign & Co. perfect their Squeeze/Elvis Costello-styled pop with tracks like "Mrs. Kean" (which has a bit of Ray Davies to it), the stomping "Haley Daley" and the minor chords of "No Dumb Luck". Plus, to make the Elvis C comparison complete Benign throws in a track called "Imperial Bedroom" which would make the man himself proud. You won't find this one on CD (unless you burn one yourself), it's digital download and vinyl-only. That's just how it works.

CD Baby | iTunes | Bandcamp



Ed Woltil-Paper Boats. Ed Woltil has been a mainstay of Tampa Bay area power pop scene, most recently as one-half of The Ditchflowers, who turned in a couple of top-notch albums over the last 5-6 years. This time around Woltil goes for a bit more intimate, laid-back sound on his solo excursion, not unlike label mate Steve Robinson. So while you may not dance to these tunes, their craft is impeccable from the beguiling opener "Algebra" and its catchy chorus to the lovely "In Plain Sight" to the lightly bluesy "Someone Else's Life". This is grown-up pop for fans of artists like David Mead, Josh Rouse and Neil Finn, but how many teens are reading this anyway?

CD Baby | iTunes



Gen Pop-Waiting for Disaster. Guess it's Wisconsin day at Absolute Powerpop, since in additional to Mike Benign these pop/rockers hail from the Cheese State as well. Their debut disc is warm and catchy with a hint of The Lemonheads and The Gin Blossoms' style of 90s power pop. Opener "Warm Sun" will draw you in while the quirky "You Scare Me" will bring Weezer to mind. Meanwhile the standout here is "Top of the World", a midtempo number that sounds like it could have been a hit for somebody about 20 years ago. A promising debut that you can name your price for on Bandcamp.

CD Baby } Bandcamp | iTunes

Midweek Roundup

The Mike Benign Compulsion-Martha. These Milwaukee power poppers are back with the followup to 2010's excellent Rollicking Musical, and the results are once again...compelling. In fact, this time around legendary dB Chris Stamey is on hand to mix, and he lends the proceedings a timeless sheen that places the sound of this disc comfortably in any recent decade. Whether it's the stomping opener "Chemicals to Candy" or the Shoes-like pop of "My Michelle" or the jangly "Valentines and Honeybees", the MBC delivers the pop goods here. And they really hit their stride on "I Won't Let You Down", which wouldn't have sounded out of place on one of Stamey's releases. Album closers "Feed the Family" and "Tattoos of Bruises" find the subject matter getting serious, but without a loss of melodic focus. There's something for every power pop fan here.

CD Baby | iTunes

Your Gracious Host-1UP 2DOWN. Tom Curless has become a regular in these parts, and his fourth album might be his best since his self-titled 2008 double-disc debut. What makes the new one a step in the right direction is Curless' decision to crank up the guitars, a decision that's almost always good in my book (for example, I defiantly cling to Monster as my favorite 90's REM disc). You don't have to wait long to hear for yourself, as "Made to Suffer" rocks harder than anything on his previous two discs, and "Wheels are Turning" marries his trademark melodic sound to a Petty-esque rocker. But the highlight here is "Merry Go Round", perhaps the most Beatles-influenced track Curless has produced to date. It's nice to see an artist shake up the formula a bit, and here it really pays off.

CD Baby | iTunes

Two for Tuesday, 6/1/10

The Figgs-The Man Who Fights Himself. The Figgs reign as power pop royalty, having been around for 23 years and 10 discs as well as serving as Graham Parker's backing band. Disc #10 may very well be one of their best, as The Man Who Fights Himself finds Mike Gent & Co. in top form. "Gone Spent" might not be as rip-roaring as some other Figgs disc openers, but it's a mature, assured midtempo tune that lets you know the grownups are in charge. The moody, jangly "Stuck on Leather Seats" is reminiscent of Gent's fine solo disc from last year, and "Ravena" is classic Figgs rock. "She Can't Say No" is another standout, and you shouldn't say no to these power pop legends at the top of their game.

CD Baby | MySpace

The Mike Benign Compulsion-Rollicking Musical. Milwaukee brings us The Mike Benign Compulsion, purveyors of Midwestern power pop not unlike The Shoes or The Bradburys, and Rollicking Musical is just that, a rollicking set of tunes both catchy and clever. "Legendary Heroes" and "The Soothing Sounds of Seals & Crofts" comply on both counts, with the former hitting just the right nerd-rock vibe and the latter follows its title with "make me want to put a bullet in my brain". "All The Married People" features an irresistible guitar hook, and "She Believes It" sounds like Crowded House if Neil Finn grew up in Milwaukee and had a smartass streak. Other highlights include the garage sound of "What a Way to Go" and "Hotel Bar", the best song about a bar since "Here Comes a Regular". Give these tracks a listen, and your compulsion will be to pick up a copy.

CD Baby | MySpace | iTunes