Showing posts with label Slumberjet. Show all posts
Showing posts with label Slumberjet. Show all posts

Wednesday, December 04, 2019

December Mega-Roundup.

Making up for lost time with a mega-roundup with twice the albums!

Latvian Radio-Give in to the Night. Patrick Westoo & friends continue to deliver the goods on their seventh album, and it's more of the upbeat, buoyant pop they're known for. Combining new wave and power pop, the standouts here are the breezy "21st Century Shakedown" (complete with horns), the danceable title track, and the almost jangly "She's Back to Kill Again".

iTunes



Goodman-The Era of Buckets. It's been over 2 1/2 years since we last heard from Michael Goodman, but it was worth the wait. His latest collection of tuneful and insistent indie pop is another keeper, with the highlights being the opener "Don't", "Watch Your Mouth" (both reminiscent of AC Newman's work in The New Pornographers), and the heavy power pop of "Shallow (Completely Shallow)".

iTunes



Fallon Cush-Stranger Things Have Happened. Fallon Cush (a/k/a Australia's Steve Smith) is another returnee to these pages as he continues to mine a consistent career threading the needle between indie rock and alt-country, or as I've said before, Teenage Fanclub meets the Gary Louris-led Jayhawks. "Sleep Her Away" might be the quintessential Fallon Cush song with its sweet chorus, and "The Key" finds the alt-country side of things emphasized a bit more. Also of note are the lovely acoustic guitar ballad "Yaraman" and the Band-esque "Tempo over Time".

iTunes



Slumberjet-World of Sound. After a 9-year hiatus from their first collaboration, Barry O'Brien & Duncan Matiland team up again as Slumberjet. Both have had fine solo careers (with Maitland's Lullabies for the 21st Century clocking in at #2 on my 2010 year-end list), and here the whole is even better than the sum of the parts with tracks such as the Beatlesque "Round x 2", the infectious and rocking "(Theme from) Our Street", the could-have-been-an-80s-hit-with-its-synths "Across the Divide" and the McCartney-influenced "The Big Snow". A welcome return and a year-end list contender for me.

iTunes



Saul Glennon-North on Broadway. Saul Glennon is not a solo artist, but rather the name of an Ohio band derived from a Batman comic which riffed on the whole "Paul is Dead" rumor with Saul standing in for Paul and Glennon for Lennon. With that kind of background story, you won't be surprised to see the band draws from 60s and 70s British rock and pop and North on Broadway is a love letter to the area of Cleveland in which they grew up during the 70s. It's also one of the more pleasant surprises I've come across this year with one catchy guitar pop tune after another. From the Todd Rundgren-esque "Hello '76" to the Merseyside sounds of "Meet Me at Morgana" (with shout-outs to McDonald's and the old "special orders don't upset us" Burger King theme) to the whimsy of "Cause I was 15" it works as well as a concept album as it does a collection of cool tunes.

iTunes



The Inside Passenger (Cliff Hillis)-The Inside Passenger. The Inside Passenger is the alter-ego of the great Cliff Hillis, and this short (12 minutes and change) EP is a departure for him, hence the different name. Instead of the pristine power pop he's know for, Hillis has branched out into a more atmospheric sound which he compares to the likes of Grizzly Bear, Fleet Foxes, Elliott Smith, Sparklehorse and Nick Drake. While this aren't his usual toe-tappers, songs like "Truth Be Told", "Listen to Your Mother" and "If I Swam the Seven Seas" see Hillis's melodic gifts put to use in the context of some beautiful, haunting music. Listen for yourself below.

iTunes



Friday, October 29, 2010

CD of the Day, 10/29/10: Slumberjet-Slumberjet


The latest entrant into the subgenre of British power pop that started with XTC and continues to this day with the likes of Pugwash, Captain Wilberforce and Duncan Maitland is Slumberjet. Although technically they're not British (they hail from Dublin), Barry O'Brien and the lads have given us an impressive debut album and yet another best-of-2010 contender. O'Brien may be familiar to a select few of you thanks to his excellent 2004 EP, Spark, and here he and his band build on Spark's promise.

"The Strangest Game" starts off the festivities, a propulsive pop tune that features some fine keyboard work from the aforementioned Mr. Maitland. "The Letter" follows, a catchy midtempo treat, and on its heels is the album's most ambitious track, the excellent ballad "Sisters in the Sky". Eric Matthews contributes the brass & strings, and Maitland's piano gives "Sisters" the feel of one of XTC's classic ballads like "Chalkhills & Children". "C Song" is a busy power pop number that has a Jason Falkner feel, and the melancholy "Cut Me Out" boasts more hooks than a coat rack.

The buoyant "Under the Waves" kicks off the second half of this disc, helped along by Matthews' horns, and "Gone" is a power pop pastiche of styles, showing off O'Brien's songwriting skill. "You Stole" is plainly the prettiest thing on the disc, another XTC-style ballad that features Matthews' fine work again (as well as his backing vocals). Closing things out, "Breakfast Time" is a punchy popper that reminds me of David Doll/Automat, "Truth" channels Pugwash (not surprising since two of his sidemen help make up Slumberjet), and "Thanks" is a trippy psychedelic tour de force with backwards guitars that sums up the album's strengths in four minutes even. It seems as though with every disc I review lately the competition for the year-end list gets fiercer and fiercer, and Slumberjet have certainly staked their claim.

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