Showing posts with label The Top Boost. Show all posts
Showing posts with label The Top Boost. Show all posts

Tuesday, June 23, 2020

Summer Singles Roundup.

Cliff Hillis-Seven Sisters. New music from Cliff Hillis is always a treat, and his latest single may not be the upbeat power pop he usually traffics in, it's a beautiful melancholy ballad featuring Louis Clark Jr. (of The Orchestra) on cello.

iTunes



Starbelly-Love Song 26 (feat. Roger Joseph Manning Jr.). And if a new Cliff Hillis single isn't enough, here he is with Starbelly and special guest Roger Joseph Manning Jr. "Love Song 26" is a classic Beatlesque mid-tempo number which features Manning on piano, backing vocals and orchestration.

iTunes



The Top Boost-Tell Me That You're Mine/Early Morning Days. And as we continue to thematically link the current single to the one before it, this Vancouver duo had their 2019 EP produced by Roger Joseph Manning Jr. This time around, the guys trade in their classic pop stylings for Sweetheart of the Rodeo-era Byrds on "Tell Me That You're Mind" while "Early Morning Days" has a more lush countrypolitan sound. An interesting but welcome departure.

iTunes



Dungeon of Skeletons-Valencia. Some of you may remember Justin Kline from earlier last decade. He's been quiet for a while but is back with his band Dungeon of Skeletons. Despite the death metal-sounding name, "Valencia" is more of the bright pop Kline was known for as a solo artist and it's a great summer track.

iTunes



Empty City Squares-Parmenides/History Rhymes. Big Stir Records has been bringing us some great power pop singles the last few years and the latest from Empty City Squares, whose 337 was one of the pleasant surprises of 2019, is a double-sided single which is "thinking man's pop" as it's literally about a thinker, the philosopher Parmendies. But don't worry, these are catchy tunes, not ponderous navel-gazing.

Buy at Big Stir (scroll down)



Bryan Estepa-Weight in Gold/Subject to Change. Like Cliff Hillis above, Bryan Estepa has been one of most consistently excellent power pop artists of the past 15-20 years and fresh off his grabbing of the top spot in 2019's year-end list on this site he has two new tracks that are, uh, worth their weight in gold. "Weight in Gold" is a sweet, subdued track that gets by on charm and melody, while "Subject to Change" is more classic Estepa with its big, catchy chorus.

iTunes



Ryan Allen-Hope and Control/Feeling Alright?. Ryan Allen is back with more of his heavy power pop (but without his Extra Arms this time) on a couple of new tunes. "Hope and Control" is classic Allen while "Feeling Alright?" has a glam sound. Proceeds from this single are going the Black Lives Matter Foundation, so check it out.

Bandcamp




Monday, April 29, 2019

Late April Roundup.

Sofa City Sweetheart-Super(b) Exitos. Since we last checked in on Juan Antonio Lopez's Sofa City Sweetheart (looks at calendar, keeps flipping) in 2008, he's had a couple of sporadic releases in that time but Super(b) Exitos, his latest, is clearly his best and most cohesive effort since the debut EP. The frame of reference for his sound remains to me Elliott Smith at his most Beatlesque, and opener "The Same Old Song (You Were Always on My Mind)" has the kind of bouncy melody and ethereal vocals as Smith circa XO and the "la-la-la" refrain coupled with a nice guitar solo makes this track one of 2019's best to date. "Stanley Waited" is the kind of character miniature that the Kinks specialized in, and "Gwen" is another midtempo number which evokes Smith. Other standouts include lead single "Stop the Thinking" which channels Apples in Stereo, the bright pop of "In This Lifetime" and the lovely "Song for Alex". Lopez says in the release notes that the album is "his life's work" and the overall quality here reflects that and makes it a year-end list contender.

iTunes



The Top Boost-Dreaming EP. These guys from Vancouver caught my ear with their 2016 debut EP, and they've followed that up with three new tracks here that I'm calling an EP since it's not a single from an album (for the pedantic, they call it an EP on their Bandcamp page but iTunes refers to it as a single). The title track is a wonderful, jangly tune that features background vocals from - you guessed it - Roger Joseph Manning Jr, the man who's everywhere these days. "I'll Be There" is an old-school pop tune with a waltz signature, and "She Will Stay" is the most "power pop" of the three tracks. With only seven total tracks released in three years, they apparently value quality over quantity and when the EPs are this good, who am I to argue?

iTunes



Oscar Tango-Choice Morsels EP. No, this isn't a release from a dude named Oscar Tango, nor is it someone with the initials "O.T." using the NATO phonetic alphabet. Instead, it's four rocking tracks from Toronto's Ryan Farley that have a classic power pop sound. "London Station" has a catchy "but you can't get over that" chorus that recalls fellow Canadians Sloan, and "Harbour Lights" has a chorus that reminds me of Jay Ferguson's "Thunder Island" for some reason.

iTunes