CD of the Day, 5/25/11: Shout With Grass-Will of Man

If you're a big fan of Sloan you know that the Canadian band has four singer/songwriters of nearly equal ability, a key to their greatness. I've always thought they should each release solo albums (maybe simultaneously a la KISS), and among the four my favorite has been keyboardist Jay Ferguson, who seems to write the purest pop songs of the bunch. But until that day comes, the closest thing we're going to get to a Jay Ferguson solo album is the full-length debut of countryman Max Sensini, who records as Shout With Grass.

Will of Man builds on the promise of his 2009 EP And Then Again and is a pop delight. Like Ferguson (whom Sensini also resembles vocally), his songs are piano-based but not overly showy as many other piano-based poppers tend to be. "Hey Bird" opens things in a low-key Lennonesque fashion, reminiscent of "Imagine" or his solo piano version of "Free as a Bird", while "With the Queen" is a bouncy slice of pop that swings to the McCartney side. The lightly orchestrated "Think of Me" is another standout, as is "Walk the Tightrope" a carryover from the EP that earns its encore on the full-length.

The best thing I can say about this disc, though, is the uniformity of quality among its 10 tracks, and it closes as strongly as it finishes with the catchy "Woman", the dreamy "Hole in the Sky" and the majestic title track. Sensini has emerged as a real pop talent here, and if I leave this one off this year's top 20 feel free to shoot me an email reminding me to listen to it again.

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Friday Finds.

Chase Hamblin-A Fine Time. The cover gives it away. Chase Hamblin's debut EP, A Fine Time, is steeped in 60s/70s trippy pop. At one end of the spectrum it channels 60s revivalists like El Goodo, but at the other end it recalls more modern artists such as Elliott Smith and Grandaddy. The title track is a tour-de-force, melodic in a Beatlesque way but with enough twists and turns and bells and whistles to reward mutliple listens. "Think of the Good Times" starts out with some bossanova and then segues into what sounds like the soundtrack to a hip late 60's film. "Never Let You Go" sounds like a Zombies/Animals hybrid, and the joyous pop of "We're Gonna Make It" and the "Hey Jude"-like "Bye Bye" close this extraordinary debut EP out. "Chase" this one down.

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Shout With Grass-And Then Again. And the Year of the EP just keeps asserting itself. Yet another quality debut EP comes from British Columbia's Max Sensini, who calls himself Shout With Grass. This EP will resonate with fans of Crowded House and the aforementioned Elliott Smith. "Walk the Tightrope" finds Sensini in fine voice, sounding not unlike Ken Stringfellow, and features a piano-based melody reminiscent of McCartney's "1985", while "Hole in the Sky" closes out the four-song EP with a dreamy feel. Another higlight is "Softly in Your Ear", which recalls fellow Canadian Jay Ferguson of Sloan.

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Gidgets Ga Ga-The Big Bong Fiasco. One listen to this disc and you won't have any problem identifying this band as being from Minneapolis, as they capture the classic Replacements/Soul Asylum sound with a 60s power pop sheen. The disc clocks in at a generous 18 tracks, but doesn't wear out its welcome. Since there are so many to choose from, I'll highlight "Beki", "Baby, You're a Star", "The Bomb", the jangly "Hit by a Train", "Offer You Can't Refuse", and "Lullaby", which is anything but. If you like this kind of driving melodic rock, you'll go "Ga Ga" over this one.

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