The Successful Failures-Ichor of Nettle.

Wrap him for shroud in a petal. / Embalm him with ichor of nettle.

— Robert Frost, Departmental, 1936

With a name drawn from a Jack London short story and an album whose title refers to the Robert Frost passage above, New Jersey's The Successful Failures do have a literary bent. And on their latest, they manage to work up another collection of three-chord pop-and-roll that plays as well in intellectual circles as it does on the car radio with the top rolled down. For the higher-minded, you have the album title, and tracks such as "The Ballad of Julio Cuellar", which draws on this real-life story and a paean to legendary Texan Sam Houston. Then you have the philosophical musings of "When Did Everybody Grow Up?" and "The Shit That Weighs You Down", the former being a power popping rocker and the latter a rootsy stomp. And finally you have the regular guys from the Northeast who know there's "No Good Way" to travel from Boston to Philly so they can sing their "PA Fight Song". It's all here from power pop to classic rock to Americana to roots rock. They're The Successful Failures, and they'd have it no other way.

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Friday Roundup.

A couple of our favorite bands from the Northeast make welcome returns today:

Smash Palace-Do it Again. These Philly power pop icons really need no introduction, and album #8 finds them once again in top form. In fact it takes about three seconds to come to this conclusion, as the jangly guitars that open "Living it Lonely" let you know that you're at home.
"It's Easy" is a melodic rocker that compares to their 80s compatriots The Smithereens, and the title track manages to be both bluesy and Beatlesque. They're also effective when they take things down a notch, on the plaintive "21st Century Boy" and the mellow but menacing "Sympathy Runs Deep". Stephen Butler and company Do It Again, and by "it" I mean deliver the power pop goods.

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The Successful Failures-Here I Am! This Jersey band has always been a favorite, mainly because they're not afraid to eschew the familiar power pop song topics of girls and cars in favor of stuff they just find interesting, and they usually do so with a skewed, humorous bent. This time around, subjects of their whimsy include "How People Start Sentences", "The Rise of China", "Mickey Mantle's Knees" and "Viking Heroes", among others. But while their choice of material might be goofy, they take their melodies and musicianship seriously so they don't come across as cute or precious. The common thread here is no-nonsense, straight-ahead rocking power pop in the tradition of their label (FDR), and this might be their best and most consistent release.

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Two for Thursday, 4/8/10

The Successful Failures-Three Nights. Exactly one year ago to the date, I wrote of the New Jersey power pop label FDR: "There's an 'FDR Sound': no-nonsense, straight-up, rock-oriented, garage-style powerpop that draws on bands like The Replacements and The Who". Well FDR's latest release is from the redoubtable Successful Failures, and it's emblematic of the "FDR sound". The Failures have always had a humorous edge (as their name itself implies) and we find it here on track titles like "Houston, We Have a Drinking Problem", "Armadillo Boy" and "Leave Me in the Coma". But they're not one-note jokesters; "Waiting for a Ride" does the quiet/loud thing quite nice and quite melodically, "College Scholarship Blues" and "Any Ol' Thing" find them in Americana mode, and "Sinkhole" is an engaging rocker. Fun and melodic, you can't ask for anything more from Three Nights.

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Wild Bores-We Think Alike. The Bores are back in town, as John Whildin remains prolific with two full-lengths and an EP under his belt in little over two years. While his previous releases were quite good, he takes a great leap here with an engaging, tuneful followup. Whildin knows how to open an album, as "In Front of Me" is a wonderfully catch track in the Wilco/Wallflowers vein. "I Still Think She's Mine", complete with horns and a quirky pop melody, recalls Warren Zanes, and "Same Routine" is bright pop. Elsewhere, "Sight of Gold" has a Del-Amitri-with-big-guitars feel, and "Sunshine Lady" is as languid and melodic as its title would indicate. If you like Heartland pop with a kick, well then I guess We Think Alike.

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