Showing posts with label An American Underdog. Show all posts
Showing posts with label An American Underdog. Show all posts

Friday, December 11, 2015

Mid-December Roundup.

Zombies of the Stratosphere-In Technicolor. Back with their third album and first since 2010's Ordinary People, NYC's Zombies of the Stratosphere (named after a 50s sci-fi serial) regale us again with another fine collection of Hollies/Kinks/Zombies-styled late-60s Britpop. "Poor Gallahad" is a great opener that you'd believe Ray Davies wrote, "Emily Lies" is first-rate psych-pop, and the title track is jangle heaven. Meanwhile "She's Counting the Days" might be a lost Left Banke track, and "Mr. Fairfax" would fit right in on a Nuggets compilation. So until a real time machine is invented, listening to this album is going to be the closest thing to traveling back to 1969.

iTunes



Andy Reed-Relay Vol. 1. Longtime favorite Andy Reed returns with a new EP released under his own name (after the last few as An American Underdog) and it's full of the quality pop we've come to expect from him. "Dreaming of the West Coast" is a mid-tempo gem that has a dreamy quality, and the same can be said for "Love is Gone". The EP also features "Darlin, Don't You Know", released earlier as a single, and a cover of Sloan's "I Love a Long Goodbye" from their underrated album Pretty Together. Based on the fact the title of the EP says "Volume 1", I'm now looking forward to Volume 2.

Bandcamp | Kool Kat



Pasadena 68/Dakota Shakedown-Pasadena 68/Dakota Shakedown. We were wondering what Nick Leet's next move would be after the breakup of High on Stress, and now we know - a split full-length with his new band Pasadena 68 and his friend and former 90's bandmate Mike Hjelden's Dakota Shakedown, who share the same musical sensibility. In this case, that sensibility is classic Midwestern power pop/rock a la The Replacements and Gin Blossoms. Melodic rockers "This Day is Your Life and "Pardon the Mess" should dispel any concern about no new High on Stress music, and Dakota Shakedown's "Shut Out the Night" and "Slow Burn" are cut from the same cloth. Twice the rock, twice the fun.

iTunes




Wednesday, October 12, 2011

Midweek Roundup.

An American Underdog-Always on the Run. While you may not recognize the band name, you should recognize the man behind the band - in this case, Michigan's Andy Reed, who has followed up his excellent 2008 release Fast Forward with a backing band this time around. So while the circumstances may be different, the general sound isn't as Reed & Co. continue to mine the Jon Brion/David Grahame/Emmit Rhodes/Elliott Smith pop territory. The bright power pop of "Your Reign is Over" channels Brendan Benson, "Portland" makes nice use of keyboards in a poppy Elvis Costello-meets-Jason Falkner track, and the whimsical title track is a tour de force, sprinkling bits of McCartney, Jellyfish and Jon Brion into a pure pop confection. Reed keeps getting better with each release, and might be ready to take his place among the David Grahames and Michael Carpenters of the genre. This one's a must for my regular readers.

CD Baby | SoundCloud | iTunes

Buttonjaw-Things You Should Know. It was a pleasant surprise stumbling upon this Portland band, who have given us a fine debut disc that brings to mind The Posies and The Gin Blossoms. "Polly Nearly" is nearly a perfect album opener, a catchy, guitar-driven number with hooks to spare, "One-Track Mind" has a twisting melody and some great guitar work, and the midtempo "Breakdown" sounds like it just came off a rock-radio station from the 90s. These guys know their way around a tune, and the best part is that the proceeds from the album are going to help build a safe house in Ghana for trafficking victims. Good music and a good cause, can't argue with that.

CD Baby | iTunes



Mike Barnett-Bigger Than This. Have no fear - your FDA-required minimum daily supplement of jangle is about to be filled once again by Missouri's Mike Barnett, who's back to the solo path after his excellent 2009 album with Dennis Gurley. In case you're not familiar, the touchstone for Barnett's sound is Wilbury-era George Harrison, and opener "The Love I Have for You" is a catchy, jangly gem. "Motorcycle" treads somehwere between the 60s and 70s and recalls Bobby Sutliff, and "Life's Better" sounds like a lost Roy Orbison classic. Jangleheads, this one's for you.

CD Baby | iTunes