Showing posts with label Rob Bonfiglio. Show all posts
Showing posts with label Rob Bonfiglio. Show all posts

Friday, June 08, 2018

A Wanderlust reunion (of sorts)

Wanderlust was one of my favorite power pop bands from the 90s and they did in fact reunite in 2012 but who knows if they will ever again. So instead we have the next best thing - brand new solo albums from their primary singer/songwriters Scot Sax and Rob Bonfiglio, released within weeks of each other.

Scot Sax-Drawing from Memory. Sax has been the consummate music professional over the years, from fronting Wanderlust and Feel to a wide-ranging body of solo work that's included everything from pop to rock to funk to country as well as being a songwriter-for-hire who's penned hits for the likes of Faith Hill and Tim McGraw. Drawing from Memory is his return to the pop/rock idiom with the emphasis on the "pop". It kicks off with "Where Do You Go to Cry?", a midtempo number that sounds like a pop standard, and continues with "I Never Loved You", a Bacarachian ballad sung with Judy Blank, followed by "Am I Still Living?", a Lennon-esque number that's classic Sax. Highlights elsewhere are the string-laden "Parade of No's" which sounds co-written by Neil Finn, the ukulele-strummed "Addicted to the Needle" (which is about his love for vinyl, not drugs) and the wistful "Used to the Idea". It's the kind of album that Harry Nilsson used to make, a type not seen much these days.

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Rob Bonfiglio-Trouble Again. If it's straight-ahead power pop that you prefer to singer-songwriter stuff, then Sax's former bandmate Bonfiglio delivers for you with his latest solo album. I once wrote that Bonfiglio has a power pop sound that's big - big choruses, big hooks, big melodies. It's kind of a cross between indie power poppers like The Meadows and Velvet Crush and big name artists like Matthew Sweet, Collective Soul and Oasis, and the one-two punch to open the album of "Passenger Seat" and the title track makes that clear, as does "Spread This Feeling". But Bonfiglio can take things down a notch as well, with the wonderful "Gone" incorporating some Philly soul into the mix while "There Goes My Heart" sound like a top ten hit that charted sometime between 1975-1985. In fact, the whole album almost plays as a greatest hits from an alternate universe where Bonfiglio ruled the charts during that era and might be his best, most consistent album yet as well as one of 2018's.

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Wednesday, December 10, 2008

CD of the Day, 12/10/08: Rob Bonfiglio-Bring on the Happy


Rob Bonfiglio might not be a household name (at least in power pop households), but the bands he's been in are. A longtime member of Wanderlust and most recently in charge of The Skies of America (whose Shine was one of 2006's best), he now has his first proper solo disc out and he's going to Bring on the Happy for power pop fans everywhere.

Much as he did in The Skies, Bonfiglio has a power pop sound that's big - big choruses, big hooks, big melodies. It's kind of a cross between indie power poppers like The Meadows and Velvet Crush and big name artists like Matthew Sweet, Collective Soul and Oasis. "Nothing Will Hold You Down" jumps out of your speakers right away, with hints of poppy funk/R&B in the verses matched with a big rock chorus. "That's Alright" is a hooky rocker in the Matthew Sweet vein, while the midtempo piano-based "How to Mend a Heart" brings to mind artists such as David Mead and Randy & The Bloody Lovelies.

Meanwhile, "React" brings to mind an old test I've had for albums over the years. If the fourth song is right up with the first three, the odds are very strong that the album as a whole will be outstanding. By track #4, really good albums will hit a groove and develop a momentum of their own. By bringing this up, it should be no surprise that the rocking "React" passes this "fourth track test" with flying colors. The hooks continue relentlessly on "What You Need", which doesn't wear out its welcome at 5:41. Bonfiglio does a good job of mixing it up as "Straight From the Heart" follows, a wonderful Brian Wilson/Bacarachian number. The rest of the disc is sublime as well: the Rundgrenesque "The Best Is Yet to Come", the good time Stonesish rock of "Blow Me Away", and the wonderful closing ballad "Some Days are Better".

If I could boil this review down to one word, it would be "quality". Nothing even close to resembling a bad track, a professional sound, and just one hook after another. Power poppers everywhere can't ask for much more than this, and Bring on the Happy may be bringing on my top 10 (which reminds me, I need to get cracking on the year-end list).

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ROB BONFIGLIO - Bring On the Happy