Showing posts with label Wanderlust. Show all posts
Showing posts with label Wanderlust. Show all posts

Friday, June 08, 2018

A Wanderlust reunion (of sorts)

Wanderlust was one of my favorite power pop bands from the 90s and they did in fact reunite in 2012 but who knows if they will ever again. So instead we have the next best thing - brand new solo albums from their primary singer/songwriters Scot Sax and Rob Bonfiglio, released within weeks of each other.

Scot Sax-Drawing from Memory. Sax has been the consummate music professional over the years, from fronting Wanderlust and Feel to a wide-ranging body of solo work that's included everything from pop to rock to funk to country as well as being a songwriter-for-hire who's penned hits for the likes of Faith Hill and Tim McGraw. Drawing from Memory is his return to the pop/rock idiom with the emphasis on the "pop". It kicks off with "Where Do You Go to Cry?", a midtempo number that sounds like a pop standard, and continues with "I Never Loved You", a Bacarachian ballad sung with Judy Blank, followed by "Am I Still Living?", a Lennon-esque number that's classic Sax. Highlights elsewhere are the string-laden "Parade of No's" which sounds co-written by Neil Finn, the ukulele-strummed "Addicted to the Needle" (which is about his love for vinyl, not drugs) and the wistful "Used to the Idea". It's the kind of album that Harry Nilsson used to make, a type not seen much these days.

iTunes




Rob Bonfiglio-Trouble Again. If it's straight-ahead power pop that you prefer to singer-songwriter stuff, then Sax's former bandmate Bonfiglio delivers for you with his latest solo album. I once wrote that Bonfiglio has a power pop sound that's big - big choruses, big hooks, big melodies. It's kind of a cross between indie power poppers like The Meadows and Velvet Crush and big name artists like Matthew Sweet, Collective Soul and Oasis, and the one-two punch to open the album of "Passenger Seat" and the title track makes that clear, as does "Spread This Feeling". But Bonfiglio can take things down a notch as well, with the wonderful "Gone" incorporating some Philly soul into the mix while "There Goes My Heart" sound like a top ten hit that charted sometime between 1975-1985. In fact, the whole album almost plays as a greatest hits from an alternate universe where Bonfiglio ruled the charts during that era and might be his best, most consistent album yet as well as one of 2018's.

iTunes




Monday, August 06, 2012

Summer of Sax.

Over the last 18 years or so, Scot Sax has been a big deal in the power pop community whether it be his solo material or band efforts with Wanderlust, Feel and Queen Electric. So it's noteworthy to have two Scot Sax-related releases out this summer, one of which features a Wanderlust reunion.

Wanderlust-Record Time. It's been a year of power pop reunions (Shoes and dBs among others), and none is more welcome than Wanderlust's. With bandmates Rob Bonfiglio (a fine solo artist in his on right), Mark Getten and Jim Cavanaugh back in tow, Sax led them in recording a "live in the studio" record of new material. Instant classics abound, from the opening rocker "Lou Reed" to the melodic and soulful "Blow Away" to classic rock sound of "Fork in the Road". It's been 12 years since their last album, but it doesn't sound like a day has passed.

Kool Kat



Scot Sax-The Los Angeles Years. Also newly out via Bandcamp is a 15-song collection of unreleased "songs written and recorded in the fun-loving, sushi eatin', sunny songwriting days from the Warner/Chappell years in Los Angeles 1999-2005", as Sax himself puts it. While Sax was penning tunes for megastars like Faith Hill and Tim McGraw, he continued to record his own material and some of these tunes stand among his best. "Cell Phone Again" recalls his slightly-mellower sound in Feel, "Busy Being Free" is a charming, bouncy, piano-based number, and "OK, You're Beautiful" sounds like it had to have been a hit for somebody at sometime. This must-have for Sax fans is a digital-only release at Bandcamp.