Things always get a little sentimental at Absolute Powerpop when Supraluxe is concerned, since they were the first band reviewed on the site and had an impact on the the creation of the site as well, all of which is well-chronicled here if you want to check out the archives. More pertinent to you the reader is the fact they've released their third disc, The Super Sounds of Supraluxe. While their first album was a pop masterpiece, they made their AOR move with the followup, Wake Leave Home Sleep, which had its moments but didn't sound very much like the debut. The message here for those who loved the first album is "come on in, the water's fine" as Super Sounds marks a return to the Elliott Smith meets Brendan Benson sound we've known them for.
Things start off strongly with the gentle "Every Little Piece", which namechecks Fleetwood Mac and has a feel of solo Lindsay Buckingham, and the catchy mid-tempo rocker "Setting Sun". But they really hit their stride with "Lester Bangs", not quite a paean to the legendary rock critic but a celebration of the love of playing music that hews to his spirit. The song may be a bit meta, but it's a gem and captures that "Supraluxe sound" we all came to appreciate on the debut.
There are plenty of other quality tracks here as well: "Go Nowhere" has a loose-limbed vaguely-country vibe that makes it sound like came off Wilco's Summerteeth; "Sunday's Not So Bad", a leftover from the sessions for the debut, has that E.Smith feel, and "New York City's Not Alright" finds them in rock-noir mode. And not to be overlooked are the 70s SoCal-sound homage "Back to the Land" and the strange but lovely "Nail Biter" which runs with its title metaphor and some spry synths. All in all, a welcome return to form for this Minneapolis band and a must for those who fell for the debut.
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