Mid-April Roundup.

Conrad Korsch-On the Threshold. Conrad Korsch, the bassist in Rod Stewart's touring band for the last 10+ years, steps out on his own with a top-notch collection of power pop. Opener "1+1+U" recalls Matthew Sweet circa 100% Fun, "Earthlings" sounds like a lost hit from the 80s, and "We Write Our Own Eulogies" has more hooks than a tackle box. If your taste in power pop runs in the glossier-sounding side of things, this one's for you. Plus it's Rod-endorsed:

Fantastic musicianship from my bass player Conrad Korsch on his new album On The Threshold. Highly recommend! x Rod https://t.co/3e6f4Qg8xU

— Rod Stewart (@rodstewart) March 31, 2016

CD Baby (for samples)

Swedish Polarbears-The Great Northern. Swedish Polarbears are back! You can be forgiven for not being excited as me, but these guys had an EP of sorts back in 2007 that I wrote about here, and were never really heard from again until recently when they released a couple of singles in advance of their long-awaited (by me at least) full-length debut. To say these guys (who are in fact Swedish) are influenced by Teenage Fanclub might be an understatement as one of those 2007 tracks was titled "Norman Blake", and they also tip their sonic hat to countrymen The Tangerines and The Merrymakers. So you get melodic gems like "Sleeping/Dancing", the jangly "Sun of a Gun" and "Rewinder". And "Stay Young" does indeed sound like a lost Teenage Fanclub track. How Swede it is.

iTunes | Listen at Spotify



Mark Roebuck-The World and All Within. Virginia's Mark Roebuck has been kicking around the power pop scene since the 1980s, in bands such as The Deal and Big Cirle, and releasing some solo albums. (He also recorded an acoustic folk-rock album with fellow-at-the-time bartender Dave Matthews in 1989 as Tribe of Heaven) His latest finally brings him to my pages, and it's a wonderful collection of Byrds/Big Star/Badfinger-styled pop. "One More Fall" opens the album in fine fashion with some Byrdsian flair, and "Billboard Blue" follows in the same vein. Other tracks of note include "King William County's the Place" which has a British-sounding rustic-era Kinks feel, the lovely ballad "Holden", and the rocking "God is a Gun". So if you haven't caught up with Mark Roebuck in his many musical incarnations over the years, this is as good a time as any.

iTunes

Late March Roundup.

Broken Promise Keeper-Broken Promise Keeper. Georgia's Rob Stuart is back for the first time in six years as Broken Promise Keeper, and BPK doesn't break the promise of prime power pop this time around with Stuart's best effort to date. The sound here is similar to fellow southern power poppers The dBs and Scott's Garage, with the standout tracks being the effervescent "She's So Cool", the Merseyside-influenced "Sasquatch Love" and the jangly "Get My Message". Don't miss out on the bouncy "Play Ball" either.

iTunes



Latvian Radio-Until Tomorrow Gets in the Way. One of my favorites, this New York Band which I've compared in the past to Brendan-Benson-meets-The-Shins is back with another collection of bubbly pop tunes. The indefatigable "Power Lines and Bedroom Blinds" is an instant favorite, while "From the Top of a Building" and "Weight of the World" are shining exemplars of their signature frenetic pop sound. They even use the Bo Diddley beat on "Letter to the National Enquirer", and close out the album with the lovely, reflective title tune. Don't let tomorrow get in the way of adding this one to your collection, get it today.

iTunes



Dropkick-Balance the Light. Speaking of bands that release consistently excellent albums, perhaps none are more consistent than the Scottish roots-poppers Dropkick, who with Balance the Light release their 12th or 13th (I've lost count and am just guessing) full-length album. This one's another fine addition to their canon and if you've liked their Teenage Fanclub-style pop in the past, you'll love this one. Tracks to go on your Dropkick best-of: the breezy "Slow Down", the pensive opener "Save Myself", and the brilliant "Out of Love Again", which perfectly distills their sound.

iTunes

Mid-March Roundup

VA-If it Feels Good Do It-A Sloan Tribute. Keith Klingensmith & co at Futureman Records have put together one of the best power pop tribute albums I've heard, and given how long Sloan's been out there I'm kind of surprised it took until 2016 to get one. What makes Sloan such a great band for this kind of compilation is that they're the rare band that has four legitimate singer-songwriters. Specifically, you have the 70s AM radio pop of Jay Ferguson, the traditional Shoes-style power pop of Chris Murphy, Patrick Pentland's classic/hard rock-influenced tunes, and the Pink Floyd-esque art-pop of Andrew Scott. So that gives the contributors some extremely fertile ground to draw from, and the results here are pretty great. I'm personally partial to Ferguson's tunes, and here Stereo Tiger and Klingensmith open and close the comp with fine covers of "C'mon, C'mon (Let's Get it Started)" and "I Wanna Thank You" respectively (both from Sloan's career-great Navy Blues album). Another Ferguson track that finds the perfect match of artist and material is The Well Wishers' version of "The Lines You Amend", which sounds like one of Jeff Shelton's creations to begin with. Nick Piunti rescues "Right or Wrong" off Sloan's somewhat forgettable Action Pact and also makes it his own, while other standouts include The Anderson Council's take on Pentland's great rocker "Iggy & Angus" and Andy Reed's fine reading of Murphy's "I Love a Long Goodbye" from the underrated Pretty Together. The only misstep here is an odd version of Ferguson's "Don't You Believe a Word" which Hidden Pictures chose to cover with processed, synthesized vocals (I'm hoping there's a version of that track where they sang it straight as they looked a good match on paper for the tune). The only omission that disappointed me here is that nobody covered Murphy's brilliant and complex "Fading into Obscurity" from the song-medley album Never Hear the End of It. I make rare exceptions for compilations on my year-end lists (like 2013's #1 Drink a Toast to Innocence), but I just might be doing so again in 2016.

Bandcamp



Cheap Star-Songs for the Farrelly Brothers. The French band with my favorite power pop legend-based hybrid name is back with their first full-length since 2009's Speaking Like an Elephant, and it's an excellent return. They're kind of an auxiliary Posies, as they've toured with them and Jon Auer and Ken Stringfellow play on all their records (including this one) and have produced them as well. So yes, there's an obvious Posies influence here, as well as bands like Nada Surf and Teenage Fanclub. Just about all the tracks here as equally as good, with the moody, driving "Memories", the very Posies-like "Separated from You" and the rocking "What's the Point" more equal than others. (NOTE: I was too lazy to reach out to them to see if these were tracks actually written for a Farrelly Brothers movie, but if not it's a helluva random title).

iTunes



Propeller-Fall Off the World. First of all, let's talk about that cover. It's an homage to the classic K-Tel album covers from the mid-70s, specifically Music Express, which I once owned and you can see here, so they grabbed my attention there. And the San Francisco band has backed it up with ten seriously power-poppin' tunes, any of which would have proudly found their way onto one of those K-Tel albums. Their sound is kind of a more rocking Teenage Fanclub or a poppier Replacements, and tracks like "Can You Hear Us Now" and "Mismatched Shoes" will have your head bobbing and toes tapping right along, while "Wish I Had Your Picture" channels The Raspberries to great effect. No gooey ballads here, just one kick-ass track after another that can serve as the soundtrack to summer 2016. And it's "name your price" at Bandcamp.

Bandcamp

Mid-February Roundup.

Today's a bit different as we feature one brand new album, one from last year, and a gem from six years ago that I just recently discovered.

Scott Warren-Good Love. Between his stellar work with Signal Hill Transmission and his solo output to date, Scott Warren has gone down in my book as an underrated pop genius. Good Love is his first album since 2012's brilliant Dyed in the Wool (my #3 album that year) and a bit of a throwback to his Signal Hill Transmission days in that's more of a straight-ahead rock album. "Good Love" and "Cold Feet" offer a melodic 1-2 punch that puts the "power" in "power pop", "Why Won't You Come Around?" finds Warren more reflective, and "I Love You, I Love You" has a rollicking, vaguely honky-tonk feel to it. Elsewhere, the lovely country-tinged ballad "Fall in Line", and the gentle McCartney-esque "Life" are standouts, and Warren closes with a nice cover of Lindsey Buckingham's "Trouble". While there's nothing here as mind-blowing as "A Sinking Feeling" and "Tongue-Tied" from his last album, Good Love is a great collection of pop/rock tunes and an early best-of-2016 contender.

Bandcamp



Eugene Benjamin-Life. Eugene Benjamin's Photograph was of 2014's nice surprises for me, and late last year he followed that up with Life, another fine collection of roots-influenced rock in the style of Tom Petty, George Harrison and John Hiatt. Tracks like "His Town", "She Got Soul" and "Reunion" go down smooth and easy as well as the louder rockers like "Baby Grace". You can slot this in somewhere around the middle of my 2015 year-end list had I heard it in time.

iTunes



Ray Pearen-Everything is Spinning. I don't normally seek out albums from six years ago, but I stumbled across this album after a track from 2007's The Holy Fields EP came up on shuffle and got me to wondering if they'd released anything since. Typically, bands I don't hear from in many years have broken up, so I'll Google the frontman and see if he's released anything under his own name or with a new band. This led me to finding out The Holy Fields' Mike Gennaro played on this 2010 release from Ray Pearen, a Canadian musician who happens to based out of my home area in Tampa. So I gave it a listen and it's one of the best power pop-meets-Americana albums I've heard in recent years and easily would have made my top 10 of that year. The opening track "Drive" has fast become my new favorite song, one of the best songs Tom Petty never wrote, while the title track rocks in the same vein and "Waiting" has a kind of timeless pop pedigree in which I hear traces of Buddy Holly and The Beatles. "Run Away With Me" is another dazzling rocker, and while the album closes with three ballads, they're all of top quality. It's a shame this got overlooked in 2010.

iTunes

Early February Roundup.

Joey Sykes-Classic New Rock. Those of us in the power pop community have known Joey Sykes over the years for his former band New English and his fine 2010 solo album Human, Being Human (which placed #27 on my year-end list then). Lately, though, he's been getting more exposure as the new guitarist for 70s/80s hitmakers The Babys, and with new fans on board he's released another solo album. The title both sums up Sykes' sound and his career and this is top shelf power pop that recalls the likes of Badfinger and Wanderlust (as well as solo Rob Bonfiglio). Not a bad track here, but "That's American Life", the piano-backed "When Life Goes Right" and the midtempo "Finish Line" are the standouts. One of 2016's best out of the gate.

Kool Kat



Johnny Stanec-Farewell, Sadness. Johnny Stanec is no stranger to this site, staying prolific over the last 6-7 years with numerous releases from his band First in Space, which broke up in 2014, and as a solo artist. His latest is another fine collection of Heartland pop/rock, somewhere in the sweet spot between Ryan Adams and The Gin Blossoms. So at one end you get singer-songwriter-styled tracks like the opener "Tired of Today" and the other there are quality rockers like "The Sky is Falling" and "Find Your Place". And "In Conclusion" is a perfect album closer, a wonderful track about finding humility in life.

iTunes



The Four Chords-The Four Chords. I haven't been able to find out a whole lot about this band after finding them on Bandcamp, so I'll just let their music speak for themselves: Straight-ahead classic power pop that's implied by their one-chord-too-many name. Or as they put it, "The Four Chords have a keen pop sense and combine multi-part vocal harmonies with a large dose of over the top rock n' roll--power chords, big guitar solos and guilty pleasure arena rock." Just stream it below, and if you like you can name your price at Bandcamp.

Bandcamp

Cleanup time.

Time to get in the 2016 swing with a quick look at some late 2015 releases I didn't get to in time and a few from the new year.

The Modulators-Try Try Try. Kool Kat released this one late in 2015, and it did manage to squeeze onto my year-end list. These guys have been around since 1980, and this is their second album after re-forming in 2009. Their sound is classic 70s/80s power pop with a bit of the "skinny tie" element. Standout tracks here include "Upper Hand" (with its recurring riff that reminds me of "Picture Book"), the jangly "What's on Your Mind", and "Lucky Stars", which would have been a hit in 1971. Get it a Kool Kat with a bonus EP.

Kool Kat



Hector & The Leaves-Little Bee EP. London's Tom Hector and his Leaves have given us 2016's first standout EP with four tracks of sunshine-y pop that I'd describe as Brian Wilson meets Badly Drawn Boy. Matt Williams (known to readers of this site as The Brigadier) helps out, and the best part is that EP is free to download on Bandcamp.

Bandcamp



The Matt Truman Ego Trip-AM 1670 EP. And the second standout EP of 2016 comes from Ohio's Matt Truman. He says the EP is inspired by 1970's AM Radio, and that will be obvious once you take a listen. "Starry Eyes" and "Hard to Get" just the right mix of rock and melody a la Badfinger/The Raspberries, while "First Kiss" is just the right kind of mellow. And I swear I once had a receiver that looks just like the one on the cover.

Bandcamp



One Like Son-Ugly. And finally we have the incredibly prolific One Like Son, who put out two albums in 2015 (New American Gothic and Classic) or four, if you count this one and Leftovers (an odds-and-ends collection) which were released to Bandcamp on December 31. This one's going on my 2016 ledger, and it's a bit of a departure for the boys who normally go the high-energy route with their sound. In fact you could say the title's ironic as this might be the prettiest collection of tunes they've released, from the father-and-son-themed opener "Crimes and Misdemeanors", to the nearly folky "Stella" to the power balladry of "Midwest Summer Nights". When most artists go years between releases, these guys keep cranking them out and so far the quality has kept pace with the quantity. Guess I'll be writing about them again in six months.

iTunes

The Absolute Powerpop Top 15 EPs of 2015.

1. Jeff Litman-Primetime
2. Jay Gonzalez-The Bitter Suite
3. Zugzwang Neutral-The Faded Promise of a Rise and Rally
4. Evil Arrows-EP 5
5. Andy Reed-Relay Vol. 1
6. Labradors-Hate Summer
7. Torbjorn Petterson-EP1-Summerbound (name-your-price download at this link)
8. The Weightlifers-St. Paul
9. Nick Capaldi-Lovers Leap
10. Steve Eggers-Illumination
11. The Key Frames-Monophone Heart
12. LaFleur Fatale-When Darkness Fall
13. True Stories-Pop
14. Wesley Who-17 Minutes in Heaven
15. The Hope Trust-Silver & Lead

The Absolute Powerpop Top 100 of 2015, #1-50

So here it is, the top 50 of 2015. 51-100 can be found here, and the year's top EPs are coming tomorrow. One special mention that I didn't include in the list was Jon Latham's Real Bad News. It's an Americana/alt-country album that probably didn't fit in on a power pop list (although it's a fine line involved in leaving it off, given some other selections). Had I included it, it would have been in the middle of the top 10. Some other random thoughts: If this really is Michael Carpenter's last album, he's going out on top; if someone told me at the beginning of the year that Bryan Adams would make my top 10 I would have laughed, but I enjoyed his new Jeff Lynne-produced album more than the one from the man himself; Mitch Gettman is an artist I haven't written about, but I've really enjoyed his last few albums, so I'll advise you to check him out; and it didn't get much buzz, but warhorse singer-songwriter Freedy Johnston came back with his best album since his early-mid 90s heyday. Finally, you probably already have, but if you haven't check out Powerpopaholic's top 25 of the year as well. Our top two are the same (albeit in different order), along with 3 others that both make our top 10. And then we each have some the other doesn't list at all, proving that there's a ton of great music out there from 2015. Here's hoping 2016 lives up to its predecessor.

1. Michael Carpenter-The Big Radio
2. Reno Bo-Lessons from a Shooting Star
3. Mooner-Masterpiece
4. Wade Jackson-Whiskey Alpha Delta Echo
5. Elvyn-Valley of the Kilowatt Hour
6. Nick Piunti-Beyond the Static
7. Sam Vicari-Giving Up
8. Bryan Adams-Get Up
9. Martin Courtney-Many Moons
10. Coke Belda-Nummer Zwei
11. Tobias Jesso Jr-Goon
12. Pop4-Summer
13. Steve Robinson & Ed Woltil-Cycles
14. Three Hour Tour-Action and Heroes
15. Tad Overbaugh-Beauty & Barbed Wire
16. Marco Rea-Wallpaper Music
17. The Nines-Night Surfer & The Cassette Kids
18. Mitch Gettman-Dichotomy
19. Michael Collins-Last Laugh
20. Freedy Johnston-Neon Repairman
21. Jeff Lynne's ELO-Alone in the Universe
22. Minky Starshine-Pop Jewelry
23. Greg Pope-Fanboy
24. The Orange Humble Band-Depressing Beauty
25. The Ravines-Everything's Fine
26. Stereo Tiger-Two Weeks
27. The Junior League-Also Rans
28. Sports Fan-Minor Hits in Major Keys
29. Ryan Allen & His Extra Arms-Heart String Soul
30. Yorktown Lads-Songs About Girls and Other Disasters
31. Tommy Keene-Laugh in the Dark
32. Cloud Eleven-Record Collection
33. Zombies of the Stratosphere-In Technicolor
34. Kontiki Suite-The Greatest Show on Earth
35. The Roseline-Townie
36. Mark Pountney-Mark Two
37. The Small Square-S/T
38. Taylor Locke-Time Stands Still
39. Hidden Pictures-Ottomans
40. People on Vacation-The Chronicles of Tim Powers
41. Ocean Carolina-Maudlin Days
42. Brandon Schott-Crayons & Angels
43. Scot Sax & Suzie Brown-Our Album Doesn't Like You Either
44. Kevin Martin-Future Friends
45. Wilder Embry-Smolderoldingpictureaid
46. Kyle Vincent-Detour
47. Dan Israel-Dan
48. Billy Shaddox-I Melt, I Howl
49. Tom Rich-American Fantasy
50. Ryan Hamilton-Hell of a Day

The Absolute Powerpop Top 100 of 2015, #51-100.

Another year in the books, and it was an excellent one for power pop. Whereas last year I had to scrape up a top 75 instead of the full 100 for the first time in site history, this year I had to drop about 10-15 to make the cut for 100. The year-end list plan is as follows:

Today (12/28): #51-100
Tomorrow (12/29): #1-50
Wednesday (12/30): The top 15 EP list.

So here's #51-100:

51. John Faye-Meddling Kid
52. Mikal Cronin-MCIII
53. Caddy-The Better End
54. Steve Baskin-Dead Rock Star
55. The Supernaturals-360
56. Pugwash-Play This Intimately
57. Saul Zonana-Devolving
58. Chris Murphy-Ghost Town
59. Big Talk-Straight in No Kissin'
60. The Stereo Twins-Good News
61. Supraluxe-Morphine Creek
62. The Sylvia Platters-Make Glad the Day
63. The Grip Weeds-How I Won the War
64. Kurt Baker-Play it Cool
65. Noel Gallagher's High-Flying Birds-Chasing Yesterday
66. Jared Rabin-Something Left to Say
67. Daniel Wylie's Cosmic Rough Riders-Chrome Cassettes
68. Jonathan Rundman-Look Up
69. Timmy Sean-Songs of the Week
70. The Saucy Jacks-You Make Your Own World
71. Pasadena 68/Dakota Showdown-S/T
72. The Pollocks-Johnny Sunshine and the Rainbows
73. Nic Hessler-Soft Connections
74. Static in Verona-Odd Anthem
75. The Turnback-Are We There Yet?
76. The Fraidies-Try Again
77. Junebug-Pongo vs The Corporate Vampires
78. Benton Leachman-Bury the Hatchet
79. Summer Fiction-Himalaya
80. Honeywagen-Jamboree
81. Plastic Macca-Sensation
82. Blindswitch-S/T
83. Dragmatic-At Least We're Not Dead Yet
84. The Allrightniks-Two Places at One Time
85. All Day Sucker-Denim Days
86. Salim Nourallah-Skeleton Closet
87. Brian Jay Cline-Trick Photography
88. Justin Avery-Careless
89. Phil Yates & The Affiliates-No Need to Beg
90. Travel Lanes-Let's Begin to Start Again
91. The Modulators-Try Try Try
92. Jesse Valenzuela-Hotel Defeated
93. One Like Son-New American Gothic
94. Dave Rave & The Governors-Sweet American Music
95. Chris Cole & The Circus-Still Rolling With the Times
96. Baby Scream-Fan, Fan, Fan
97. William Bradford-S/T
98. Anthony Plain-Continuing on My Plan
99. Rob DeLion-Rolling Thunder
100. John Dunbar-From Expectation to Surrender

Mid-December Roundup.

Zombies of the Stratosphere-In Technicolor. Back with their third album and first since 2010's Ordinary People, NYC's Zombies of the Stratosphere (named after a 50s sci-fi serial) regale us again with another fine collection of Hollies/Kinks/Zombies-styled late-60s Britpop. "Poor Gallahad" is a great opener that you'd believe Ray Davies wrote, "Emily Lies" is first-rate psych-pop, and the title track is jangle heaven. Meanwhile "She's Counting the Days" might be a lost Left Banke track, and "Mr. Fairfax" would fit right in on a Nuggets compilation. So until a real time machine is invented, listening to this album is going to be the closest thing to traveling back to 1969.

iTunes



Andy Reed-Relay Vol. 1. Longtime favorite Andy Reed returns with a new EP released under his own name (after the last few as An American Underdog) and it's full of the quality pop we've come to expect from him. "Dreaming of the West Coast" is a mid-tempo gem that has a dreamy quality, and the same can be said for "Love is Gone". The EP also features "Darlin, Don't You Know", released earlier as a single, and a cover of Sloan's "I Love a Long Goodbye" from their underrated album Pretty Together. Based on the fact the title of the EP says "Volume 1", I'm now looking forward to Volume 2.

Bandcamp | Kool Kat



Pasadena 68/Dakota Shakedown-Pasadena 68/Dakota Shakedown. We were wondering what Nick Leet's next move would be after the breakup of High on Stress, and now we know - a split full-length with his new band Pasadena 68 and his friend and former 90's bandmate Mike Hjelden's Dakota Shakedown, who share the same musical sensibility. In this case, that sensibility is classic Midwestern power pop/rock a la The Replacements and Gin Blossoms. Melodic rockers "This Day is Your Life and "Pardon the Mess" should dispel any concern about no new High on Stress music, and Dakota Shakedown's "Shut Out the Night" and "Slow Burn" are cut from the same cloth. Twice the rock, twice the fun.

iTunes

Mid-November Roundup

Elvyn-Valley of the Kilowatt Hour. After releasing The Decline in early 2010, an album that so impressed me it ended up at #4 on my year-end list, Elvyn is finally back after 5 1/2 long years with Valley of the Kilowatt Hour, a followup that they had been teasing for over a couple of years now. They released the single "AM" in September 2013, and since then Valley has been one of my most anticipated albums. So was it worth the wait? The answer is pretty much yes. Following on with more of their sound which finds the sweet spot between power pop, classic rock and Americana, there are a number of excellent tracks to be found here. Opening single "Ellie" recalls Teenage Fanclub, "This is the End" is the kind of jangly power pop you'll hear from Tom Petty or Paul Westerberg, and "Here We Surrender" has a "Things We Said Today" Beatlesque feel to it. Elsewhere, "Landslide Cities" channels Sloan circa Navy Blues, "Turning Me Down" finds them going alt-country, and the poppy "True Luv Can't Hide" finds them at their melodic and harmonic best. Plus, "AM" still rocks two years later in its vaguely Smithereens-ish way. The bottom line: another top 10 finish this year seems assured.

iTunes



Michael Carpenter-The Big Radio. And oh yeah, Michael Carpenter has a new album out too, his first release of all originals since 2009's Redemption #39. That's the good news. The bad news is he has said this will be his last solo album of new material. This would be a disappointment of course, but he's given us so much wonderful music over the last 15 years of so that I can't begrudge him moving to other endeavors. And if The Big Radio is his swan song, it's a helluva finale. Distilling everything we've come to love about his music (which would have made him a superstar in 1975), The Big Radio has one killer track after another, from the catchy opener "Don't Open the Door" to "She's in Love With Herself" and "I Kissed That Girl" (which put the power in "power pop") to "Chrissie Hynde", a tribute that honors her lyrically and musically. And "Run Away" might be my new favorite track of his. Most Michael Carpenter albums sound like a greatest hits album of songs you haven't heard yet, and The Big Radio is no exception, finding him at his best. Currently, it's only available as download from Bandcamp but will be on CD in January.

Bandcamp

Early November Roundup.

Three Hour Tour-Action and Heroes. Darren Cooper graces our music devices again with another Three Hour Tour album, his first since 2010's Looking for Tomorrow. As with his past releases, Action and Heroes is first-rate power pop that sounds like Matthew Sweet meets The Replacements, and Cooper has some top-notch help on hand including Adam Schmitt and Brad Elvis. From opener "March of the Fakers" (which recalls Guided by Voices) to melodic, rocking "Afterlife" to the jangly "Nowhere Bound", there's plenty to love here on a disc that should make my year-end top 20.

Kool Kat | iTunes

Kevin Martin-Future Friends. San Diego's Kevin Martin thrilled us a few years back with Throwback Pop, a bracing collection of Jellyfish/Queen-inspired pop, and now he's back with the long-awaited and much-delayed (the release date on Bandcamp was pushed back several times) followup. Those expecting Throwback Pop 2 may be slightly disappointed, but this is still a fine collection of pop tunes with a few twists. "Julia" and "Loaded Gun" are a couple of 1980s-sounding tracks, heavy on the synths and drum machines, while "Not Gonna Let it Go" and "I'm Doing Fine" are quality piano pop. Martin does have a few tracks that are, er, throwbacks to the previous disc - "The Unknown" has that Jellyfish/Queen vibe, and the lilting "Diamonds" is first-rate balladry. (Interestingly, an early version of disc had "Problems", a track that featured a rap interlude, and a cover of the Motown classic "I Just Want to Celebrate".)

iTunes



Dan Israel-Dan. Minnesotan singer/songwriter Dan Israel has been one of those artists I've enjoyed over the last ten years or so but not to the point where I got motivated to write about him here. Well for me the 13th time around (this is Israel's 13th full-length, although I've only heard about 4 or 5 of them) is lucky as his first-name-titled record has become my favorite of the lot. Israel's sound falls into the roots rock territory, with hints of Tom Petty, The Jayhawks and Paul Westerberg. This is a poppier, more straight-ahead collection and tracks like "Be With Me", "Can't Believe It" and "You Don't Love Me Anymore" boast excellent melodies and hooks. If you're new to Dan, start here and the dive back into his vast catalog.

iTunes

Mid-Late October Roundup.

Mooner-Masterpiece. I enjoyed Mooner's previous release, 2012's Unpronounceable Name EP, well enough to feature it on the site. But it didn't prepare me for the big leap in quality they've taken for their first full-length, the not-too-inaccurately titled Masterpiece. They reprise the two best songs from the EP (the angular, Spoon-style rocker "Shapeshifter" and the anthemic, epic "Never Alone") but it's the new material that really shines, from the melodic rocker "Anytime" to the mid-70s-style pop of "Dream", the Sloan-like "I Don't Believe You", and the hyper-catchy Cheap Trick-influenced first single "Alison", possibly the best track written about meeting a girl at church camp. This one's a top ten contender.

iTunes



Sports Fan-Minor Hits in Major Keys. Dion Read and the boys are back again, this time with their full-length followup to 2013's Shallow Water EP. Read has become a master of piano power pop, between his releases with The Afterthoughts and now Sports Fan, and Minor Hits in Major Keys might be the best piano pop album of the year (and this year includes a new Ben Folds release). "This is Goodbye" nails the kind of big-sounding relationship song that Folds regularly knocks out, but without the juvenile rancor, while "Wake Up" is excellent driving pop. Other highlights include the Beatlesque "Shallow Water" and the grand ballad "Social Butterfly", which adds a bit of Queen/Jellyfish to the mix.

iTunes



Tom Rich-American Fantasy. Nova Scotian Tom Rich provides an impressive debut with his American Fantasy (which may or may not involve pouring green paint over a naked woman), a collection of winning power pop tunes. Rich sounds a lot like another artist I've featured often on this site, Justin Kline, and the standouts here are the opener "The Gentleman's Lament", the midtempo synth-aided "American Girl" (not a Tom Petty cover), the lovely "The Circus", and "Over & Over", which reminds me of bit of Robbie Dupree's soft-rock classic "Steal Away". Rich has the pop chops to spare here, so check this one out.

iTunes

Early October Roundup.

Brandon Schott-Crayons & Angels. This introspective SoCal singer/songwriter is back with another collection of pop gems, featuring a sound that's a blend of Joe Pernice, Elliott Smith and Jon Brion. There's a lot to like here, from the bouncy, Beatlesque "Henry" (which first appeared on a split EP with Andy Reed's An American Underdog) to the baroque "Verdugo Park" to the lovely "Every Little Song", a duet with Kelly Jones. Also of note are the power-popping "Seeing You in Stereo" and a cover of Elvis Costello's "Riot Act". So in what may be my worst pun yet, I'd recommend you give this one a Schott.

iTunes



Marco Rea-Wallpaper Music. Italian (by way of Glasgow) singer-songwriter Marco Rea is one of my favorite finds this year, as his debut album is a McCartney-esque delight. The catchy "Someone's Picture" is pure piano pop, while "Time" is the kind of ballad Macca would have put on Side 2 of the White Album. "Sunday" is another uptempo piano pop pleaser, and the epic ballad "To" recalls a lower-key "Maybe I'm Amazed". Impressive stuff. This is available on limited-edition cassette (together with digital download) from Bandcamp.

Bandcamp



William Bradford-William Bradford. William Bradford might be the first artist from Arizona I've featured in all my years here (although power pop luminaries Gin Blossoms hail from the state as well), and his debut disc is a fine collection of Wilco/Tom Petty-influenced pop/rock. Standouts include the jangly "Hear Your Heart", the 70s-styled singalong pop of "The Pier", and the Lennonesque "Just Like Yesterday". Don't overlook this one.

iTunes

Mid-September Roundup.

The Junior League-Also Rans. Joe Adragna is back as The Junior League with his latest opus, but the title is false advertising (or false modesty) as these tracks are anything but "also-rans". Like last time out (2013's You Should Be Happy), Scott McCaughey helps out, and this time Sloan's Jay Ferguson contributes keyboards and vocals on "On Off", one of the album's top tracks. Other standouts include "A Dagger and a Kiss" with its insistent guitar hook, and the bright power pop of "Before You Go". You can pre-order the CD from Kool Kat as well.

Kool Kat | iTunes



Static in Verona-Odd Anthem. Another returnee to this pages is Rob Merz's Static in Verona. With each passing release, Merz has gone with a more ethereal, dream-pop sound, and Odd Anthem continues the progression. Still, opener "Anyone Anymore" could pass for traditional power pop while tracks like "Future Ghosts" and "Blink" marry Merz' experimentalism and traditional pop structures. The highlight here is "Then a Hush", which melds psychedelia and shoegaze pop into an intoxicating mix.

iTunes



John Dunbar-From Expectation to Surrender. Despite being a New Yorker, John Dunbar always registers in my mind as a Brit, no doubt thanks to his British-sounding pop which recalls Ray Davies, Glenn Tilbrook and the like (in fact, Dunbar even released a Rutles-like parody of The Kinks as "The Kunks" back in 2007). His latest (and to my surprise, the first I've featured on this site) is another example of his sardonic, wry look at life and its many characters, and titles like "Two is the Second Loneliest Number", "I Love the Girl You Won't Leave Your Life For" and "The Charlie Brown of Love" should give you an idea of Dunbar's perspective. Of course being wry and clever is all well and good, but the tunes need to keep up with the wordplay and here they do. So make sure to check out Mr. Dunbar if you haven't already.

iTunes

Summer's Over...

...but in the land of power pop, it always sounds like summer. Here are three new releases to get you by as the calendar changes to September (plus you can still celebrate like it's summer through next week's Labor Day).

The Ravines-Everything's Fine. This UK power pop band led by Chris Corney (who's put some fine solo albums out in the last few years) had one of the genre's lost classics in 2005's Manifesto of a Broken Heart, and they've regrouped in 2015 to give us one of the year's best releases. The title track is bright, catchy power pop that falls somewhere between Gin Blossoms and Fountains of Wayne, the jangly "Blue Eyes" and "Dead Letters" could have been hits in the 90s, and what "Tambareen" lacks in accurate spelling it more than makes up for in tunefulness. Plus, the acoustic "Queen Bee" makes a lovely closer. Everything's fine, indeed.

iTunes



The Allrightniks-Two Places at One Time. Our favorite Virginia rockers are back with their first full-length, having released 3 EPs over the past few years. So this time around you get twice as much of their Spongetones/Janglemen-styled pop. Opener "Nice to Know" has a bit of Rockpile in its DNA as well, "I Can't Wait" has an early Beatles feel, and "200 Milligrams" is just the right dose of power pop. Elsewhere, they even add horns to the mix on "Today is the Day" to fine effect, and the title track would fit right in on a Red Button album.

iTunes



Jeff Litman-Primetime EP. Primetime is something NYC singer-songwriter Jeff Litman is ready for, as his latest EP is another compact collection of quality tunes. "That's on You" is a killer opening track, sounding like a lost 80s hit with its insistent beat and relentless guitar hook (which later becomes a great guitar solo), while the cynical-yet-tuneful "Debutante" allows Litman to get his Elvis Costello on, and "Nothing" (previously released as a single) finds him in his mid-tempo element. Just have a listen below and you'll be hooked.

iTunes

Mid-August Roundup.

Caddy-The Better End. Swede Tomas Dohl is back for his first album in several years as Caddy, and it's another glorious collection of Teenage Fanclub-by-way-of-Brian-Wilson-inspired power pop. Choice cuts: "Here it Comes Again", "Something About Carina".

Kool Kat | iTunes



The Labradors-Hate Summer EP. Italy has been the home of some power pop we've featured here before, most notably Radio Days, and here are Milan's The Labradors with a rocking 4-song EP that recalls Superdrag as well as their aforementioned compatriots. The whole thing's only 12 minutes so instead of reading me writing about, just give it a listen below.

iTunes



The Key Frames-Monophone Heart EP. This Toronto band is known for its Big Star-meets-Blue Rodeo sound, and most of the tracks on this EP are quality rootsy tunes. But then there's "Tidal Wave", one of my favorite songs of the year and a dead ringer for a lost Sloan track from Patrick Murphy.

iTunes



Andy Bopp-21213 EP. The erstwhile frontman of Myracle Brah returns with another solo EP, which unlike some of his previous EPs that delved in genres like 50s rockabilly, is more in line with his former's band contemporary power pop sound. The rollicking "Broken Ties" is a standout, as is the bright pop of "Hello". Bopp til you drop with this one.

iTunes

They're back!

Two power pop artists who were big in the previous decade but haven't been heard from in ages are back this week.

Cloud Eleven-Record Collection. Rick Gallego returns for his first record as Cloud Eleven since 2006's Sweet Happy Life. And listening to Record Collection, you'll never know nine years passed by as it's another collection of Gallego's diverse pop stylings. In fact, the title is apt as it sounds like Gallego mined his record collection for inspiration here, from the Beatlesque title track (with a "Penny Lane"-style horn opening) to "The Mystic's Mistake" and "As You Are" (the kind of dreamy pop found on Sweet Happy Life) as well as Bacarach-ian "Too Soon Was Yesterday" and the more traditional power pop of "High as the Rising Sun". And there's a track titled "Indian Guru" that sounds exactly like you think it would. You'll definitely want to add this to your, um, record collection.

iTunes | CD Baby



The Small Square-The Small Square. While Cloud Eleven may be a recognizable name in the power pop community, you may not know The Small Square. But you probably do know the guys who make up the band, Paul Chastain, the primary creative force behind Velvet Crush, and John L. Richardson who's played and worked with Tommy Keene, Gin Blossoms, and Joey Molland/Badfinger. It's been over a decade since the last Velvet Crush album but this album will fill the VC-sized hole in your collection, if not your heart. There's plenty to enjoy here: The melodic midtempo opener "So Low", the Velvet Crush-like power pop of "Dream Faker (Open Your Heart)" and "Otherwhile", and the dreamy psych-pop of "Enough to Know". An excellent collection, and another power popper back in the fold.

iTunes | Bandcamp

Weekend Roundup.

Zugzwang Netural-The Faded Promise of a Rise and Rally. A "zugzwang" is a situation in a game (typically chess) in which you're put at a disadvantage regardless of which available move you make. In the case of the new EP from Zugzwang Neutral, the only zugzwang move would be NOT giving their sophisticated pop a listen. The sound here is a blend of Michael Penn, Rob Laufer and a less-British-sounding Pugwash, from the graceful opener "Broken Wings" to the midtempo gem "Less to Say" through the standout closing track "Ghost Town".

iTunes | Stream EP here

Mark Pountney-Mark II. Liverpudlian Mark Pountney's second album is his first that caught my attention, and it's a fine, tuneful collection of various Britpop styles. Leadoff track "Tell Me Why" isn't a cover of the Beatles classic, but embodies their sound and spirit, as does "Time to Find Her" which channels the mid-period Fab Four with a subtle "I Feel Fine" guitar lick. "Just Can't Seem to Get You Off My Mind" is a piano ballad that's Hollies-esque, and the also-piano-based "Love in the Morning" has a solo Lennon feel while the trippy closer "Dream" owes a debt to Oasis.

iTunes | Listen at Spotify

July 4 Roundup.

Some quick hitters on this Independence Day (ironically they're mostly Britpop):

Michael Collins-Last Laugh. He hails from NYC, but Collins sounds like he's from London with this album of bouyant Britpop, and "What Does it Take to Walk Away?" might be the catchiest, most joyous song I've heard this year. Definitely summer-appropriate. iTunes



Chris Cole & The Circus-Still Rolling With the Times. Speaking of Britpop, here's Britpop from an actual Brit. Cole's sound here belongs in a mix with the latest Noel Gallagher album, and highlights include the anthemic "To Find Peace in This Place", the fine "Got to Let Her Go" and the title track which recalls Oasis' epic "All Around the World" if it hadn't been stretched out to seven minutes. CD Baby

Gordon Weiss-It's About Time. After a 7-year absence (perhaps referenced in the album title), Gordon Weiss is back with the followup to Sum of its Parts, another collection of sophisticated, intelligent pop in the vein of Elvis Costello and Wilco. The standout tracks here are "The Ugly Inside", the theatrical "The Great Imitator" and the rocking "Thanks I Get". Bandcamp



Zach Vinson-How We Spend Our Days EP. Nashvillian Zach Vinson's sound is high energy piano pop in the vein of Bens Folds and Kweller, while vocally he resembles fun's Nate Ruess but without that Ruess's bombast. Or in other words, it's very reminiscent of Ruess's old band, The Format, especially on tracks like "You're the One", "Home" and "Something About the Way". iTunes