David Bash's Best of 2016.

Mr. International Pop Overthrow, David Bash, asked me to share his best-of-2016 lists with the Absolute Powerpop readership so again I'm happy to bring you his lists as well, which are even more comprehensive than my own. He's gone 125 deep with his main list, plus you get reissues, compilations, etc. You'll see quite a few differences from my list as David is much more into psych-pop and 60s-style/garage rock than I am so if you ever felt I neglected those subgenres here's you're chance to see what's what there. Anyway, it's time to give David the floor:

Here are my lists of favorite albums of 2016. As is my usual custom, I've broken this down into several categories, as I'm just not comfortable ranking unlike entities on one list.

Those marked with an * are vinyl-only releases.
Those marked with an ** are cassette-only releases.

Contemporary Categories

I. Top 125 Albums

Disclaimer alert: I heard A LOT of fine albums this year, perhaps even more than 2015, which surprised me…but even paring it down to 125 was a daunting task. If your album doesn’t appear on this list, please trust me when I say that it in no way means I didn’t think it was good, so please don’t be hurt (assuming you even care what I think) if your album isn’t listed here (or, for that matter, if it received a lower ranking than you were hoping for/expecting). There were at least 50 more albums I could have included and still felt as if I enjoyed listening to everything on the list, but I wanted to keep it at no more than 125 so as not to overwhelm; with all the other lists I have here, there’s enough sensory overload happening!

There may be a handful of albums on this list which appear to be from 2015, or in fact were “released” at the tail end of last year. As anal as I am about my lists and about the year in which releases should be placed, I also try to be sensible about it and take into account the fact that one needs a bit of lag time to become aware of several releases, especially those indie releases which take up most of my list. If you have any complaints about this, please keep them to yourself-I’ve heard ‘em all. ;-)

Lastly, I did not include download-only releases on any of my lists. I know this might seem a bit churlish, but there’s something about download-only releases that just doesn’t quite seem “legitimate” to me. While I like several of those I heard in 2016, and even love some of them, I’m still old school and still believe in physical product. Don’t get me wrong: I have nothing against download releases, but I believe that there should also be options to obtain physical product. Yes, I understand that printing up CDs and (especially) vinyl is costly, but these days it really is doable for every band because manufacturing houses are all willing to do limited runs of product, particularly CDs, so that a band can do as few as 100, which should be easy to sell out of at shows, via boutique sites like Kool Kat and Jam, CD Baby, etc…I am very troubled by the possibility (some might say inevitability) of the CD going by way of the dinosaur, but I feel like I need to do my part, as little as that might be, to keep them alive. I will say I am encouraged by the number of bands who did release physical product in 2015, so hopefully all will continue to be well with the world.  Note: if any download-only releases I’ve heard see physical release in a future year, they will be eligible for ranking in that year. There you are, bands: a little incentive to keep the physical release alive and well. 

Ok, without further ado, here you go!

1. Trolley-Caught In The Darkness (Easter)
2. Seth Swirsky-Circles and Squares (Self-Released)
3. The Explorers Club-Together (Goldstar)
4. The Nines-Alejandro’s Visions (TAS Gold)
5. The Junipers-Red Bouquet Fair (Self-Released)
6. Michael Collins-Last Laugh (Self-Released)
7. Ulysses-Law and Order (Black Glove)
8. Erik Voeks-So The Wind Won’t Blow It All Away (Hanky Panky)
9. Mimi Betinis-Music Sounds (Self-Released)
10. Rocket Bureau-Phantoms Ringing 67-73 (Kool Kat)
11. Coke Belda-Nummer Zwei (Rock Indiana)
12. The Jayhawks-Paging Mr. Proust (Sham)
13. Miracle Glass Company-Miracle Glass Company (Self-Released)
14. The Vow-Ghost Writer (Slug)
15. The Fast Camels-Tales of The Expected (Magic Optician)
16. The Monkees-Good Times! (Rhino)
17. Ken Sharp-New Mourning (Jet Fighter)
18. Diamond Hands-Diamond Hands (You Are The Cosmos
19. The Well Wishers-Comes and Goes (ThatWasMySkull)
20. Champagne-Beach Closed (Rock Indiana)
21. Faux Know-Tactics (Sonorous Conglomorous)
22. The Legal Matters-Conrad (Omnivore)
23. Michael Carpenter-The Big Radio (Big Radio)
24. Pacific Soul LTD.-The Dance Divine (Karma Frog)
25. Ebbot Lundberg & The Indigo Children-For The Ages To Come (Akashic)
26. Somerdale-Shake It Maggie (FDR)
27. The Chemistry Set-The Endless More and More (Cindi)
28. Nada Surf-You Know Who You Are (Barsuk)
29. Wade Jackson-Whiskey Alpha Delta Echo (Half A Cow)
30. Cotton Mather-Death of The Cool (Star Apple Kingdom)
31. John Macom-Unforseen Circumstances (American Nostril)
32. Octubre-Mouseland (Self-Released)
33. Greg Pope-Guiding Star (Octoberville)
34. Tommy and The Rockets-Beer and Fun and Rock ‘n’ Roll (Kool Kat)
35. Brian Curtis-Brain Circus (Electric Bozo)
36. Gothic Chicken-Lift The Cobweb Veil (Pink Hedgehog)
37. Men of North Country-This City (Acid Jazz)
38. The Dowling Poole-[One] Hyde Park (Self-Released)
39. The Flat Five-It’s A World of Love and Hope (Augiedisc)
40. The Mergers-With A Carrot and A Stick (Soundflat)
41. Cupid’s Carnival-Everything Is Love (Cherry)
42. Death By Unga Bunga-Pineapple Pizza (Jansen)
43. Dressy Bessy-Kingsize (Yep Roc)
44. The Hanging Stars-Over The Silvery Lake (Self-Released)
45. The Lemon Twigs-Do Hollywood (Self-Released)
46. Jeffrey Foskett-Classic Harmony (Vivid Sound)
47. Charlie Faye & The Fayettes-Charlie Faye & The Fayettes (Self-Released)
48. Green Day-Revolution Radio (Reprise)
49. David Brookings and The Average Lookings-David Brookings and The Average Lookings (Byar)
50. Stay-The Mean Solar Times (Rock Indiana)
51. Emitt Rhodes-Rainbow Ends (Omnivore)
52. Tuns-Tuns (Royal Mountain)
53. Gerry Beckley-Carousel (Blue Elan)
54. Arvidson & Butterflies-Arvidson & Butterflies (Kool Kat)
55. The Nobility-Ashford Castle (Self-Released)
56. The Jangle Band-Edge of A Dream (Off The Hip)
57. Ex Norwegian-Glazer/Hazerr (Dippy)
58. Paul Iwan-Reveal (Self-Released)
59. Garden Gate-Dark Harvest (Golden Brown)**
60. Cullen Omori-New Misery (Sub Pop)
61. The Lazy Lies-The Lazy Lies (Bird With Vertigo)
62. Those Pretty Wrongs-Those Pretty Wrongs (Ardent/Burger)
63. Stephen Steinbrink-Anagrams (Melodic)
64. Swedish Polarbears-The Great Northern (Sound Asleep)*
65. Ray Paul-Whimsicality (Permanent Press)
66. The Luck of Eden Hall-The Acceleration of Time (Headspin)*
67. Automat-Turn The Music Up (Self-Released)
68. Simon Felton-Return To Easton Square (Pink Hedgehog)
69. The I Don’t Cares-Wild Stab (Self-Released)
70. Nick Piunti-Trust Your Instincts (Jem)
71. Warm Morning Brothers-A Bunch of Weeds (Other Eyes)
72. Winterpills-Love Sounds (Signature Sounds)
73. EZTV-High In Place (Captured Tracks)
74. The Claypool Lennon Delirium-Monolith of Phobos (Prawn Song)
75. The Weeklings-Studio 2 (Jem)
76. Ryan Allen & His Extra Arms-Basement Punk (Save Your Generation)
77. Radio Days-Back In The Day (Rock Indiana)
78. The Honeydogs-Love & Cannibalism (Simon)
79. Jon Lindsay-Cities & Schools (File 13)
80. Kurt Baker Combo-In Orbit (Wicked Cool)
81. Mystic Braves-Days of Yesteryear (Lollipop)*
82. The Expected-One (Self-Released)
83. The Rebels of Tijuana-The Rebels of Tijuana (Le Pop Club)
84. Mari Wilson-Pop Deluxe (WG)
85. Joel Sarakula-The Imposter (Self-Released)
86. Jason Berk-Everything Old Is New Again (Self-Released)
87. Fernando Perdomo-Voyeurs (Self-Released)
88. Dodgy-What Are We Fighting For (Cherry Red)
89. John Howard-Across The Door Sill (Occultation)
90. Clockwise-This Is Now and…Then (Self-Released)
91. Latvian Radio-Until Tomorrow Gets In The Way (Belpid)
92. Propeller-Fall Off The World (Moving Wall)
93. The Minus 5-Of Monkees and Men (Yep Roc)
94. Quilt-Plaza (Kemodo)
95. Tommy Who-Love Fades Away (Lonesome Whippoorwhill)
96. Soft Hearted Scientists-Golden Omens (The Hip Replacement)
97. Gleeson-Curse My Lucky Stars (Almost There)*
98. The Armoires-Incidental Lightshow (Black Market Glamour)
99. Teenage Fanclub-Here (Merge)
100. Butch Young-Mercury Man (Little Christmas)
101. Cait Brennan-Debutante (Black Market Glamour)
102. Kirk Adams-Undertown (Sattelites Group)
103. French Boutik-Front Pop (CopaseDisques)
104. The Ratkellers-Beat & Roll Mit The Ratkellers (Marlowe)
105. Chris Bolger-No Promises (Self-Released)
106. Tommy Sistak-A Good Hat Indeed (Self-Released)
107. Michael Macrone-Icicles and Sand (Fiesta Red)
108. Michael Carpenter & The Cuban Heels-Ain’t Nothing Left To Say (Big Radio)
109. Cheap Trick-Bang Zoom Crazy…Hello (Big Machine)
110. M. Ross Perkins-M. Ross Perkins (Sofaburn)
111. Pauw-Macrocosm Microcosm (Caroline)
112. The Pynnacles-My Oblivion (Whomp!)*
113. The Jeremy Band-Hit You With A Flower (Jam)
114. Metropolitan Farms-Oafish Twist (Braxeling)
115. The Forz-Running From The Past (Self-Released)
116. The Urges-Time Will Pass (Self-Released)
117. Spygenius-‘Pacephale (Whammo Whammo Whammo Excellent)
118. The Reverberations-Mess Up Your Mind (Screaming Apple)*
119. Gretchen’s Wheel-Behind The Curtain (Futureman)
120. The Ace-Riot of Sound (We Dig This)
121. Dropkick-Balance The Light (Rock Indiana)
122. Speed The Plough-Now (Self-Released)
123. Twins-Square America (Maximum Ames)
124. Shennon and Lotton-PM Songs (Rock Indiana)
125. Peter Buzzelle and The Academy-Devil Love (Self-Released)

II. Top 5 EPs

Disclaimer alert: I’m not a big fan of EPs, as they always seem to leave me wanting more. For this reason, I never seek them out the way I do full-length albums, and 2016 was no exception. A few of them came my way, regardless, and I will list those I particularly enjoyed.

1. Cabinessence-A Place For Playing Games (Self-Released)
2. Pezband-Women & Politics (Frodis)*
3. General Mojo’s-How Hollow A Heart (Self-Released)
4. Steve Ramone-Snowballs In The Summer (Blast O Matic)
5. B Leaguers-Death Of A Western Heart (Kool Kat)

III. Top 4 Compilations-Single Artist

1. The Anderson Council-Assorted Colours (Jem)
2. Bill Lloyd-Lloydering (SpyderPop)
3. Greg Pope-Favorites (Octoberville)
4. Fernando Perdomo-Picks (Self-Released)
5. Blame The Bishop-New & Used Collected Recordings: 2009-2015 (Self-Released)

IV. Top 5 Compilations-Various Artists

1. International Pop Overthrow Vol. 19 (Pop Geek Heaven)
2. Twelve String High: A New Jingle Jangle Adventure (You Are The Cosmos)
3. Pop Parade Vol. 7 (Rock Indiana)
4. Big Stir- Power Pop and More at CIA: The First Year (Minco)
5. Unsigned, Sealed & Delivered-No. 9 The Songwriters Notebook (Bullseye)

V. Top Tribute Disc

If It Feels Good Do It-A Sloan Tribute (Futureman)

VI. Biggest Disappointment

Look Park-Look Park (Yep Roc). It’s not that I don’t like this album, but I expect more than a late ‘70s James Taylor sound-a-like from Chris Collingwood.

VII. 2017 Releases I’ve Heard And Like (In Alphabetical Order)

Brent Cash-The New High
The Flywheels-I’m For The Flowers
Pseudonym-Pack of Lies

Reissue Categories

I. Top 50 Proper Albums

For this category, at least one of the following criteria must be met for the album to qualify:

a. those that are on CD for the first time
b. those that had been previously issued, but are now out of print or difficult to find
c. those in whose current issue have lots of bonus tracks, or some other unique feature
d. those reissued on LP where they never had been
e. those which were previously unreleased but are “old” enough to where they should be considered reissues.

What I did NOT include were “garden variety” reissues of popular albums (i.e. the ELO reissues on colored vinyl)

A CD or LP which contains exclusively previously unrelesed material which is not from current times is still considered a “reissue” in my ranking structure.

With the above in mind, while quality is the major factor in determining the rankings, other factors such as number and type of bonus tracks, liner notes, sound quality, etc…do come into play. So, if you see a classic album ranking lower than one with less of a rep (or one you know I like a bit less), it’s because of the other factors.

1. The Hollies-Evolution: Mono/Stereo (Parlophone)*
2. XTC-Skylarking: The Surround Sound Series (Ape House)
3. R.E.M.-Out Of Time: 25th Anniversary Deluxe Edition (Universal)
4. Game Theory-The Big Shot Chronicles (Omnivore)
5. The Move-The Move (Esoteric)
6. Anthony Phillips-Wise After The Event: Deluxe Edition (Esoteric)
7. The Go-Go’s-Talk Show: Deluxe Edition (Edsel)
8. Barclay James Harvest-Gone To Earth (Esoteric)
9. Paul Revere & The Raiders-The Spirit of ’67: Deluxe Mono/Stereo Edition (Now Sounds)
10. The Hollies-Butterfly: Mono/Stereo (Parlophone)*
11. Crowded House-Woodface: Deluxe Edition (Universal)
12. Game Theory-Lolita Nation (Omnivore)
13. Soft Hearted Scientists-Uncanny Tales From The Everyday Undergrowth (Self-Released)
14. Milk ‘N Cookies-Milk ‘N Cookies (Captured Tracks)
15. Status Quo-On The Level: Deluxe Edition (Universal)
16. Crowded House-Crowded House: Deluxe Edition (Universal)
17. The Go-Go’s-Beauty and The Beat: Deluxe Edition (Edsel)
18. The Move-Shazam (Esoteric)
19. The Toms-The Toms (Burger/Frodis)**
20. Pugwash-Almond Tea (Sugarbush)*
21. Nelson Bragg-Day Into Night: 10th Anniversary Edition (Steel Derrick)
22. Spanky & Our Gang-Anything You Choose b/w Without Rhyme Or Reason (Universal Japan)
23. Crowded House-Time On Earth: Deluxe Edition (Lester)
24. Idle Race-Idle Race (Parlophone)*
25. Brinsley Schwarz-The New Favourites Of…Brinsley Schwarz (Parlophone Japan)
26. The Move-Looking On (Esoteric)
27. Barclay James Harvest-Everyone Is Everybody Else (Esoteric)
28. Otis Redding-Complete & Unbelievable: The Otis Redding Dictionary of Soul (Rhino)
29. Hudson Ford-Nickelodeon (Big Pink)
30. Crowded House-Temple of Low Men: Deluxe Edition (Universal)
31. Klaatu-347 E.S.T.(Conveyer)
32. Cotton Mather-Kontiki (Star Apple Kingdom)*
33. Eclection-Eclection (Esoteric)
34. Clear Light-Clear Light (Big Beat)
35. Benny Hester-Benny… (Moraine Music Group)
36. Spanky & Our Gang-Spanky & Our Gang (Universal Japan)
37. The Easybeats-Good Friday (Varese Sarabande)*
38. The Move-Something Else (Esoteric)
39. Crowded House-Together Alone: Deluxe Edition (Universal)
40. Status Quo-If You Can’t Stand The Heat: Deluxe Edition (Universal)
41. Hudson Ford-Free Spirit (Big Pink)
42. Anthony Phillips-Sides: Deluxe Edition (Esoteric)
43. Gary Wright and Wonderwheel-Ring of Changes (Esoteric)
44. The Remains-The Remains: Mono Edition (Sony)*
45. Madrigal-Sunshine (Axe)
46. The Kinks-Everybody’s In Show Biz: Legacy Edition (Legacy)
47. Paul Roland-House of Dark Shadown (Klang)
48. Judy Henske & Jerry Yester-Farewell Aldebaran (Omnivore)
49. Spanky & Our Gang-Like To Get To Know You (Universal Japan)
50. Tommy Roe-Dizzy (Universal Japan)

II. Top 30 Compilations, Single Artist

1. The Fifth Dimension-The Complete Soul City/Bell Singles 1966-1975 (Real Gone)
2. The Mamas and The Papas-The Complete Singles 50th Anniversary Collection (Real Gone)
3. The Turtles-All The Singles (Manifesto)
4. Grapefruit-Yesterday’s Sunshine: The Complete 1967-1968 London Sessions (RPM)
5. The Korgis-Everybody’s Got To Learn Sometime: The Complete Rialto Recordings 1979-1982 (Cherry Red)
6. The Lee Kings-Bingo!! For The Lee Kings: Expanded Edition (RPM)
7. Cloud Eleven-Garden of Obscure Delights: A Retrospective 1996-2015 (West Coast)
8. Velvet Crush-Pre Teen Symphony (Omnivore)
9. The Beach Boys-Becoming The Beach Boys: The Complete Hite & Dorinda Morgan Sessions (Omnivore)
10. The Avengers-Everyone’s Gonna Wonder (RPM)
11. Andy Partridge-The Fuzzy Warbles Collection: Volumes 7-8 and Hinges (Ape House)
12. Jeffrey Foskett-The Best Of Jeffrey Foskett (Vivid Sound)
13. The Brotherhood of Lizards-Lizardland: The Complete Works (Captured Tracks)
14. Crowded House-Afterglow: Deluxe Edition (Univeral)
15. Steve & The Board-The Complete Steve & The Board (Playback)
16. The Ashes-Selective Amnesia: A Warmfuzz Compilation (Warmfuzz)
17. Andy Partridge-The Fuzzy Warbles Collection: Volumes 4-6 (Ape House)
18. The Bangles-Ladies and Gentlemen…The Bangles! (Omnivore)
19. Syreeta-The Rita Wright Years: Rare Motown 1967-1970 (Kent)
20. Harpers Bizarre-The Complete Singles Collection 1965-1970 (Now Sounds)
21. The Valentines-The Sound of The Valentines: The Complete Recordings 1966-1970 (RPM)
22. John Howard-These Fifty Years: The Best of John Howard Vol. 1 (Kid In A Big World)
23. George Usher-The End and The Beginning 1990-2009
24. Chad & Jeremy-Yesterday’s Gone: The Complete Ember/World Artist Recordings (RPM)
25. The Cats-The Golden Years of Dutch Pop Music (Universal)
26. Andy Partridge-The Fuzzy Warbles Collection: Volumes 1-3 (Ape House)
27. The Quick-Untold Rock Stories (Burger)*
28. Prix-Historix 1975-76 Ardent Studios (Hozac)
29. Ray Columbus-Now You Shake: The Definitive Beat R’N’B Pop Fever Recordings 1963-1969 (RPM)
30. Justine-Tales of Justine: Petals From A Sunflower Complete Recordings 1967-79 (Grapefruit)

III. Top 20 Compilations, Various Artists: Individual

I tried something new this year: separating the various artist comps into “Best Individual” and “Best Series”, as this year it was just too difficult to rank volumes in many of the series. If this seems a bit vague, it will become clear when you see the lists.

1. The Girls Want The Boys!: Sweden’s Beat Girls 1964-1970 (Ace)
2. Svenska Shakers-R & B Crunchers, Mod Grooves, Freakbeat and Psych/Pop From Sweden 1964-1968 (RPM)
3. This Is Fame: 1964-1968 (Kent)*
4. Let It Be-Black America Sings Lennon, McCartney and Harrison (Ace)
5. Move On Up Volume Two: The Very Best of Northern Soul (Universal)
6. Hallucinations: Psychedelic Pop Nuggets From The WEA Vaults (Rhino)*
7. Scratch My Back!-Pye Beat Girls 1963-1968 (Ace)
8. Kinked!: Kings Songs & Sessions 1964-1971 (Ace)
9. Girls On 45 Vol. 4: A Selection of Girl Group, Girlie Pop and Soulful Ladies 1962-1967 (Teensville)
10. Curiousity Shop Volume Three: A Rare Collection of Aural Antiquities and Objets D’art 1968-1971 (Particles)
11. One Track Mind-More Motown Guys (Kent)
12. Curiousity Shop Volume Four: A Rare Collection of Aural Antiquities and Objets D’art 1966-1969 (Particles)
13. Where The Girls Are-Volume 9 (Ace)
14. Love Hit Me!: Decca Beat Girls 1962-1970 (Ace)
15. Mixed Up Minds-Obscure Rock & Pop From The British Isles 1970-1974 (Particles)
16. Classical Gassers-Pop Gems Inspired By The Great Composers (Ace)
17. California Soul-Funk & Soul From The Golden State 1967-1976 (BGP)
18. Upside Down Volume Five: 1966-1971 Coloured Dreams From The Underworld (Particles)
19. Super Duper Love: Mainstream Hits & Rarities 1973-76 (Kent)
20. Northern Soul Weekender: Russ Winstanley Presents The Ultimate Weekender (Charly)

IV. Top 5 Compilations-Various Artists: Series

1. Cornflake Zoo (Particles)
2. Beatfreak! (Particles)
3. Warner Pop Rock Nuggets (Warner Japan)
4. Loma: A Soul Music Love Affair (Future Days)
5. Warner Girl Group Nuggets (Warner Japan)

V. Top 2 Soundtracks

1. The Beatles-Live At The Hollywood Bowl: A Ron Howard Film: Eight Days A Week The Touring Years (Universal)
2. Harry Nilsson’s The Point (Varese Sarabande)

VI. Top 30 Box Sets: Single Artist

1. Pink Floyd-The Early Years 1965-1972 (Legacy)
2. The Kinks-The Mono Collection (Sanctuary)*
3. The Rolling Stones-In Mono (ABCKO)
4. The Who-My Generation: Super Deluxe (Universal)
5. David Bowie-Who Can I Be Now?: 1974-1976 (Rhino/Parlophone)
6. The Beach Boys-Pet Sounds 50th Anniversary (Universal)
7. Elvis Presley-The Album Collection (Sony/RCA/Legacy)
8. The Monkees-The Monkees 50 Classic Albums Collection (Rhino)
9. Marvin Gaye-Volume Two 1966-1970 (Universal)
10. The Turtles-The Complete Original Album Collection (Manifesto)
11. Paul McCartney-Pure (Concord Music Group)
12. Lush-Origami (4 AD)*
13. Fleetwood Mac-Mirage: Super Deluxe (Rhino)
14. Todd Rundgren-The Complete Bearsville Albums Collection (Rhino)
15. The Cars-The Elektra Years 1978-1987 (Rhino)
16. The Ramones-The Ramones: 40th Anniversary Deluxe Edition (Rhino)
17. Marvin Gaye-Volume Three 1971-1981 (Universal)
18. Graham Parker-These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2005 (Universal)
19. XTC-Skylarking: Super Deluxe (Ape House)
20. Rubettes-The Albums 1974-1977 (Caroline International)
21. The Lords of The New Church-The Complete I.R.S. Collection (Real Gone)
22. The Archies-Sugar Sugar: The Complete Albums Collection (Goldenlane)
23. Led Zeppelin-The Complete BBC Sessions (Rhino)
24. XTC-English Settlement: Super Deluxe (Ape House)
25. The Long Ryders-Final Wild Songs (Cherry Red)
26. NRBQ-High Noon: A 50 Year Retrospective (Omnivore)
27. Sloan-One Chord To Another: Super Deluxe (Two Minutes For Music)*
28. The Association-Original Album Series (Rhino)
29. Jethro Tull-Stand Up: The Elevated Edition (Warner)
30. The Spencer Davis Group-Taking Out Time: Complete Recordings 1967-1969 (RPM)

VII. Top 5 Box Sets: Various Artists

1. Let’s Go Down and Blow Our Minds-The British Psychedelic Sounds of 1967 (Grapefruit)
2. Still In A Dream-A Story of Shoegaze (Cherry Red)
3. Another Splash of Colour-New Psychedelia In Britain 1980-1985 (RPM)
4. Looking Stateside: 80 Mod, Soul & Garage Nuggets (RPM)
5. C87 (Cherry Red)

VIII. Top 5 Reissue Labels (non-major)

1. RPM
2. Omnivore
3. Kent
4. Ace
5. Real Gone

IX. Top 5 Reissue Labels (Major)

1. Rhino
2. Universal
3. Legacy
4. Warner Japan
5. Parlophone

The Absolute Powerpop Top 15 EPs & Top 20 Americana Albums of 2016

The Top Power Pop EPs of 2016

1. Cliff Hillis-Love Not War
2. The Scheme-All the Time in the World
3. Preston Cochran-Sunshine
4. Fran Smith Jr-Mystic County
5. Mozley-8
6. Hector and the Leaves-Little Bee
7. Mozley-7
8. Eyelids-Slow it Goes
9. Kurt Raburn-Days of Vanity
10. Trip Wire-Seizureville
11. Pop Cult-Cult Classics
12. Ben Helm-S/T
13. The Dreaming Spires-Paisley Overground
14. Sunshine Bloom-Power Pop is Dead
15. The Matt Truman Ego Trip-AM 1670

Something new this year is my Americana list, since I listen to a lot of melodic Americana that really doesn't qualify as power pop. I already push the "power pop" label pretty wide to include a lot of stuff that's not traditional power pop so rather than push it even more, I've opted for this separate list.

1. Farewell Milwaukee-FM
2. Drive-By Truckers-American Band
3. The Jayhawks-Paging Mr. Proust
4. The Candles-Matter + Spirit
5. Jake Jones-From Time to Time
6. Andrew Leahey & The Homestead-Skyline in Central Time
7. BJ Barham-Rockingham
8. Beaver Nelson-Positive
9. Matt Joe Gow-Seven Years
10. Reckless Kelly-Sunset Motel
11. Blake Rainey & His Demons-Helicopter Rose
12. Big Shoals-Hard Lessons
13. Waco Brothers-Going Down in History
14. Faithless Town-Empires
15. Romantica-Shadowlands
16. Brian Irwin-The Fool
17. Chris Maughan & The Missing Ace-Be Happy
18. Nate Leavitt & The Elevation-Someone Send a Signal
19. Mark Huff-Down River
20. Caleb Caudle-Carolina Ghost

The Absolute Powerpop Top 100 Albums of 2016, #1-50.

As those who follow me on Twitter may have noticed, I agonized over picking a clear-cut #1 for the year, since the top 5 (heck, the top 10) were pretty much interchangeable for me. Rather than cop out and go with an unnumbered top five like I did several years back, I decided to honor the band I put at #1 for their lengthy career of quality music, not just quality power pop. It may not have been their greatest career album, but it was excellent and worthy of the top spot even though I can't say I liked it any more than some of the others I had ranked highly. Anyway, here's the top half of the list:

1. The Posies-Solid States
2. Ryan Allen & His Extra Arms-Basement Punk
3. Cheap Star-Songs for the Farrelly Brothers
4. Bryan Estepa-Every Little Thing
5. Seth Swirsky-Circles & Squares
6. Ken Sharp-New Mourning
7. Nick Piunti-Trust Your Instincts
8. John Macom-Unforeseen Circumstances
9. The Legal Matters-Conrad
10. Timothy Nelson-Words Like Young
11. Whitney-Light Upon the Lake
12. Tuns-S/T
13. Propeller-Fall Off the World
14. Sadler Vaden-S/T
15. Look Park-S/T
16. The Foreign Films-Record Collector
17. Erik Voeks-So The Wind Won't Blow it All Away
18. King Mixer-Hang On
19. Greg Pope-Guiding Star
20. Goodo-Better Than Millions
21. Hurry-Guided Meditation
22. Scott Warren-Good Love
23. Michael Carpenter & The Cuban Heels-Ain't Nothing Left to Say
24. Wesley Fuller-Melvista
25. Cupid's Carnival-Everything is Love
26. The Nines-Alejandro's Visions
27. Cotton Mather-Death of the Cool
28. Joey Sykes-Classic New Rock
29. Brett Harris-Up in the Air
30. The 88-Close to You
31. Carey Ott-Nocona
32. Kevin Devine-Instigator
33. Latvian Radio-Until Tomorrow Gets in the Way
34. Mark Crozer & The Rels-Sunny Side Down
35. Andy Bopp-Blisters & Thorns
36. Nada Surf-You Know Who You Are
37. Title Tracks-Long Dream
38. Dropkick-Balance the Light
39. Joe Giddings-Better from Here
40. Justin Levinson-Yes Man
41. Arvidson & Butterflies-S/T
42. The Well Wishers-Comes and Goes
43. Denny Smith-An Overnight Low
44. Michael Roberts-Suspended in This Space
45. The Person & The People-Dark & Low
46. Mark Crozer-Broken Bones
47. Swedish Polarbears-The Great Northern
48. Fallon Cush-Bee in Your Bonnet
49. Stay-The Mean Solar Times
50. Bob Evans-Car Boot Sale

The Absolute Powerpop Top 100 Albums of 2016, #51-100

It's the end of the year, so that means list time again. Here is the schedule for the year-end lists:

Today: Albums #51-100
Wednesday: Albums #1-50
Thursday: Top EPs of 2016 & my 20 favorite Americana albums of 2016.

There will be links for each of the albums added throughout/later today.

51. Sam Vicari-Blunt
52. The Dots-Island in the Sun
53. Labradors-The Great Maybe
54. The Dowling Poole-One Hyde Park
55. The I Don't Cares-Wild Stab
56. Radio Days-Back in the Day
57. Butch Walker-Stay Gold
58. Gabe Dixon-Turns to Gold
59. California-S/T
60. The Penny Auction-Last Call
61. D Generation-Nothing is Anywhere
62. Val Emmich-Whatever's Chasing You
63. The Needy Sons-Vis-a-Vis
64. Gillwire-Silver Streak
65. Butch Young-Mercury Man
66. James Starflower-Pet Your Stereo
67. Armchair Oracles-In Machina
68. The Figgs-On the Slide
69. Happiless-S/T
70. Bubble Gum Orchestra-Sticky Love Songs
71. The Villas-Long Player
72. Colman Gota-Tape
73. Brian Jay Cline-Solid State
74. Automat-Turn the Music Up
75. The Nobility-Ashford Castle
76. Trapper Schoepp-Rangers & Valentines
77. Aspinall-Little Things
78. Will Johnson-Burning Neon
79. Clockwise-This is Now...and Then
80. Javier Escovedo-Kicked Out of Eden
81. The Stereotypes-Round After Round
82. Biltmore-Revolutions & Romantics
83. The Weeklings-Studio 2
84. Ebbott Lundberg & The Indigo Children-For the Ages to Come
85. Dum Dog Run-DDR2: Still Dum After All These Years
86. Johnny Chastain-Plot Points to Nowhere
87. The Roomsounds-Elm St.
88. Magic Eight Ball-Richest Men in the Graveyard
89. The Twilight Hours-Black Beauty
90. Baby Scream-Life's a Trap
91. The Favorite Things-Coming Clean
92. David Brookings-David Brookings & The Average Lookings
93. Champagne-Beach Closed
94. Gladiola-This Year's Storm
95. Dave Keener-Like an Animal
96. Johnny Stanec-Farewell, Sadness
97. The Spectacular Fantastic-Circling the Sun
98. Valenzuela/Wilde-Prairie Wind
99. Watts-The Black Heart of Rock'n'Roll
100. The Honeydogs-Love & Cannibalism

Early December Roundup

Timothy Nelson-Words Like Young. Aussie Timothy Nelson has been recording for a while as the frontman of The Infidels, who put out a couple of fine rocking records in recent years. On his solo debut Nelson trades in the sometimes raucous rock of his previous band for a more midtempo style that mixes power pop and alt-country to wonderful effect and recalls the likes of countrymen Michael Carpenter, Bob Evans and Bryan Estepa. The opener "Explain" is the perfect encapsulation of this sound, mixing a hooky melody, some pedal steel and a bridge that evokes Big Star. "Living Saloon" gallops along nicely and melodically, while the dreamy "It's a Shame" brings Teenage Fanclub to mind. In a recent review, I mentioned the sub-sub-genre of odes to New York City and Nelson adds one to the canon here with "New York (You'll Never Be Mine)", a country-tinged piano ballad that would make Ryan Adams proud. Throw in the catchy pop of "Darling No" and the anthemic closer "We Never Change", and you have one of 2016's best albums.

iTunes



Kevin Devine-Instigator. Instigator is Brooklyn alt-rocker Kevin Devine's ninth album (!) but the first that crossed my radar and it's a power pop delight. Produced by John Agnello who's worked with Sonic Youth and Dinosaur Jr., you'd expect the album to rock - and it does - but it's also melodic in the style of Matthew Sweet or Brendan Benson. "No Why" blasts out of your speakers to start things off (recalling Benson's "Good to Me" minus that song's distinctive riff), and the crunchy title track follows to keep the momentum going. Other standouts include "Magic Magnet" and "Daydrunk" both of which put the "power" in power pop, and of note is the acoustic ballad "Freddie Gray Blues", which looks at last year's famous Baltimore police custody death with sensitivity to the police (Devine's family is in law enforcement) but doesn't let them off the hook.

iTunes



The Unswept-Fake It EP. Could have sworn I wrote about one of this 60s-influenced Chicago band's previous releases earlier this decade but my archives tell me not. So it's time to remedy this oversight by bringing to your attention their new EP, the first new music from the band in a couple of years due to what they term "circumstances far too tedious (and oftentimes ridiculous) to go into" that prohibited them from releasing anything. But with their difficulties behind them, it's great to hear them back with Fake It, a 4-song EP that's actually 8 as it tacks on mono mixes of the 4 new tracks. The title track borrows the riff from "I Feel Fine" and transports you back to Merseyside with its groovy melody while "The Boy Who Wakes You Up" has it roots in the more contemporary, recalling Belle & Sebastian in a way. "She Just Knows it's Over" would fit right in on a Red Button album, and "SALLY" (in all caps for some reason) is 2:26 of catchy. Good to have these guys back.

iTunes

New playlist (and new look).

First of all, I have a new Spotify playlist over on the right. It's about half stuff I've reviewed here lately and half stuff I haven't, so of note from the latter are fine new singles from Reno Bo and Shake Some Action! as well as tracks from Kyf Brewer, Pop Cult, Matt Joe Gow and Kevin Devine, whose full-length albums I would recommend checking out.

And more obviously, I changed the template on the blog. Nothing fancy (one of Blogger's generic options), but I grew tired of the old look (as I'm sure you have), and now it looks a little less 2006 and a little more 2009 at least.

Mid-November Roundup.

The Nines-Alejandro's Visions And now for something completely different. OK maybe not completely different, but Steve Eggers & Co. (with help from The Foreign Films' Bill Majoros) have returned in the space of a year with the "soundtrack" to Alejandro's Visions, a fictional 50s/early 60s movie that has allowed them to branch into 50s rock-and-roll, doo-wop, early Beach Boys, and other sounds that were the rage among the cool kids of that era. Additionally, many of the songs open with radio jingles or dialogue from the "movie" to add to the mise-en-scène. So from the pre-rock era "I Have Found You" and "My Sweet Marie" to the Beach Boys-ish "Escape from a Small Town" to the Phil Spector-influenced "Operator (Coming Home to You)" the album is a tour-de-force of early rock era pop styles. Throw in a couple of classic Eggers ballads in "And Suddenly" and "When Our Love Was in Bloom" and you have one of 2016's most interesting, if not best, releases.

iTunes



Denny Smith-An Overnight Low. The frontman of The Great Affairs and fORMER finally put his own name on the cover with his solo debut. Unlike the harder-edged pop of fORMER, his solo excursion is more a piece with his other band; in other words, classic mid-tempo pop/rock that's radio-ready (90s radio that is). "Silver Lining" opens the album in fine fashion with just the right dose of melancholy to go along with a winning melody, while the more uptempo "Hard Stop" finds the golden mean between Butch Walker and The Gin Blossoms. "All in the Livin'" is an upbeat, acoustic number that's quite ingratiating, and the power ballad "Missing You" is another delight. Smith isn't going to reinvent the wheel, but that doesn't mean the ride isn't still smooth.

iTunes



Preston Cochran-Sunshine EP. Preston Cochran's Sunshine is one of the best EPs of 2016, but I have to dock him points for not releasing this until the fall, so what could have been the soundtrack of the summer will instead have to brighten your day as the leaves fall and the temperatures drop. As its name implies, the title track is a jangly delight of 12-string guitars, a pretty melody and a catchy chorus, while the buoyant "Superstars" does nothing to kill the buzz of its predecessor track. Elsewhere "Ocean Drifting" boasts a Beatlesque sheen and the carefree "Sunday Poetry" captures the sunny, pastoral vibe of the album cover.

iTunes

Late October Roundup.

The Legal Matters-Conrad. Power pop's Michigan mafia (Andy Reed, Chris Richards, Keith Klingensmith) reunite as The Legal Matters with Conrad, the followup to their excellent 2014 debut. There is a bit of a shift here to a softer pop (as opposed to the classic power pop seen on their individual releases, especially Richards) but it's all very well done. The mid-tempo "Anything" opens the album with aplomb and is featured on a promotional EP the band released on NoiseTrade last month. It's fitting that that EP contained an unreleased cover of a Teenage Fanclub tune since that's the operative sound on this track. "I'm Sorry Love" follows, a slice of baroque pop out of the Jon Brion playbook. Elsewhere, pop gems "Minor Key" and "Short Term Memory" provide a Beatlesque vibe and the plaintive "More Birds Less Bees" recalls Jellyfish when they dialed things back a few notches. Between this album and recent strong releases from Nick Piunti and Ryan Allen, I may have to establish "Michigan" and "non-Michigan" categories for the year-end best-of list.

iTunes



John Macom-Unforeseen Circumstances. John Macom has been around the music biz for a while now, having been in the band Binge, which contributed tunes to TV shows such as Dawson’s Creek, Party of Five and Felicity. Here, the New Yorker goes solo for the first time, and his experience shines through in an auspicious debut that's as pure and smooth as pop gets. Working off the basic Lennon-McCartney guitar pop template, Macom churns out one catchy tune after another - "Hi and Goodbye" reminds me of Cliff Hillis at his best, the languid "Think About You" find him crooning "youuuuu" to hooky effect, and "It's All Coming Back to Me Now" is great Crowded House-styled mid-tempo (but with momentum) pop. And I defy anyone to get the chorus of "Nadia" out of their head. This might be the best debut album I've heard in 2016, and I've embedded the YouTube playlist of the album below so you can confirm for yourself.

iTunes



Goodo-Better Than Millions. With their Big Star-influenced sound, Sweden's Goodo obviously takes its name from "The Ballad of El Goodo", but I'm guessing they couldn't use the "El" because that name was already taken. This is 70s-styled power pop with shades of Cheap Trick and Matthew Sweet as well, from the rocking opener "Her Love is a River" to the Raspberries-ish "Jenny" (not the one at 867-5309) to "Line of Fire", which would have fit in snugly on #1 Record. You probably know by now without listening to it if it's up your alley, but if you're still not sure, listen below.

iTunes

It's singles time!

Normally I don't write about singles, as often they're just teasers for albums I'll review later or just because I'd rather spend my time on an artist who puts out a full album rather than merely a single. But recently several artists I've featured here before have new singles out, so it's time to round them up in one post in case many of you have missed one or more of them.

David Myhr-Spellbound. While we're still waiting on the full-length followup to 2012's great Soundshine, the ex-Merrymaker regales us with this brilliant ELO-and-70s-pop-inspired single from the soundtrack of Flykten till Framtiden, a Swedish time travel movie likely not coming to a theater near you. If only Myhr himself could master time travel, he could have released this in 1974 and knocked "Hooked on a Feeling" off the top of the charts.

iTunes



The Tories-We Still Shine. Yes, you read that right - it's The Tories, reunited for their first new music in 15 years. While Steve Bertrand and James Guffee have given us some fine solo albums over this time, it's great to see them back together and hopefully this single is the forerunner of a new full-length album. The new song captures the pop style that allowed them to break out of the "power pop ghetto" around the turn of the century and is worth your time.

iTunes



Michael Carpenter and Allan Caswell-Back When I Was Older. For someone who was supposedly retired when he announced that last year's The Big Radio would be his final solo album, Michael Carpenter sure has been busy in 2016. First, he released a new album with The Cuban Heels and now he's teamed with Australian country music legend Allan Caswell for this fine single. The song shares a theme with Dylan's "My Back Pages" ("I was so much older then/I'm younger than that now") and is an enjoyable, catchy country rock tune that's of a piece with Carpenter's Cuban Heels work.

iTunes



Mark Bacino-Not That Guy. NYC popster Mark Bacino re-emerges for the first time since 2010's Queens English with a wonderful new single that finds him at his melodic best. It's a jaunty, McCartney-esque track that reminds us of how much we've missed new music from him.

iTunes



John Faye-Miss America. Ex-Ike guitarist John Faye comes to us just in time for this contentious election season with a track that isn't about a beauty queen but about the state of nation as he small-m miss(es) America. Although the lyrics are social commentary, they're not particularly preachy, and the sound itself is classic Faye - crunchy, loud guitars and a hooky melody. In other words, classic power pop.

iTunes

Late September Roundup.

Bubble Gum Orchestra-Sticky Love Songs Vol. 1 and 2. If it's the classic ELO sound you desire, you had to have been excited last fall when Jeff Lynne released a new album as "Jeff Lynne's ELO". It turned out to be fine, but it sounded more like a latter-day Jeff Lynne solo album than ELO in its heyday. This of course meant your next option was to wait for Michael Hildebrandt to release another Bubble Gum Orchestra album. That wait is over, as not only is there a new BGO album, but there's the equivalent of 2 new albums as Hildebrandt has gone Out of the Blue here with the 20-track Sticky Love Songs Volume 1 and 2. With 20 tracks to play with, Hildebrandt spreads out a bit here. Of course you get the vintage ELO sound in tunes like "You Called to Tell Me" and "My World Blue" (a Jeff Lynne title if there ever was one), but you get the straight-up Beatlesque "Peppermint Smile", the more rocking "You Gave Up on Love" (with guest vocals from Lannie Flowers), and even some acoustic guitar on the acid love song "You're Not the One That Got Away". Closing it all is the self-referential "BGO Motel", a track as catchy as it is clever. You won't find this at the usual sites, so click on the link below to listen and purchase.

Sample and buy here

Greg Pope-Guiding Star. The man I named the Pope of Power Pop is back with his sixth full-length solo release (not counting the Pete EP and his best-of compilation) and once again he's delivered another fine collection of southern-fried power pop. Featuring a Stranger Things-inspired cover, Guiding Star demonstrates why Pope is the one of the more consistent artists in the genre. Opener "Innocent Breakdown", with its nervous, insistent beat shows Pope (a one-man band who can drum with the best) isn't content to sit on his laurels, while "Four Leaf Clover" lashes at the singer's dudebro ex in service of a catchy chorus. Elsewhere, "Sun is Gonna Rise" rocks with gusto, the acoustic guitar-based shuffle "I Think Not" is classic Pope, and "If You Want Answers" may or may not have them, but it's a great listen and could have been a hit in another era. No longer the "company man" he was back in his Edmund's Crown days, Pope is now older and wiser and Guiding Star is as humanistic as power pop gets.

Bandcamp



Ryan Allen & His Extra Arms-Basement Punk. Every time I turned around there's another great new release from the Michigan power pop scene. Last time out it was the latest from Nick Piunti and today it's Ryan Allen and His Extra Arms. (Next time it may be The Legal Matters, who have a new one out in a few weeks). Basement Punk is Allen's third album and builds off the promise of last year's Heart String Soul. "Watch Me Explode" is the kind of frenetic rocker that's perfectly situated as the album opener, and "Chasing a Song" is a brilliant bit of pop in the vein of Big Star. "Mal n' Ange" is another winner, sounding like an early-70s English classic rock track complete with guitar solo between the second and third verses, while "Gimmie Some More" is a fun "In the Street"-style rocker. Between the Greg Pope album above and this one, it's a great time for one-man bands.

iTunes

Early September Roundup.

Nick Piunti-Trust Your Instincts. One of 2016's more anticipated releases in the power pop community is finally out, as Nick Piunti stays on his new album every 18 months schedule with Trust Your Instincts. Piunti, whose last two releases finished #2 and #6 in my year-end lists, bids for the top 10 again with another insanely catchy collection of power pop tunes. There aren't really any ballads here, but the one difference between this one and the last two is that the tempos have slowed just the slightest. The opening title track is a typical Piunti barnburner, and "One Hit Wonder" rocks as well (someone let Piunti have a big hit so he can be the subject of this song), while "Blame in Vain" and "Dumb it Down" are wonderful midtempo tunes. Elsewhere, "Ready for Whatever" and "This Ain't the Movies" would have been spun by Casey Kasem in a Top 40 Countdown in 1978, and the Gin Blossoms-esque "Stay Where You Are" closes the album with some acoustic guitar prominent in the mix. As usual, Piunti is backed by fellow Michiganders Andy Reed and Ryan Allen (who has a new album of his own out in a few weeks) to fine effect. So trust your instincts on this one, and pick up a copy starting tomorrow.

Bandcamp | iTunes



Val Emmich-Whatever's Chasing You. New Jersey's Val Emmich is probably better known to you as an actor, even if you don't know him by name. He was Alex on HBO's Vinyl, Liz Lemon's coffee-boy fling on 30 Rock, and was in four episodes of Ugly Betty. He's also a fine musician with several albums under his belt and it's his latest here that grabbed my attention. With a sound that recalls Pete Yorn, Ben Kweller and even Tom Petty, Emmich's tunes are radio-friendly. While "I Want to Hang Out" and "Nobody Makes it on Their Own" are a fine 1-2 opening punch, it's "Slow Connection" that won me over with country/roots-influenced chorus that reminds me a bit of Chris Isaak. Other standouts include the Americana-tinged ballad "Almost Lost You" and the spare pop of "I Shouldn't Bother". You can check this one out while I dig into his back catalog.

iTunes

Mid-August Roundup.

Seth Swirsky-Circles and Squares. Seth Swirsky is back with his first collection of new music since 2011's Red Button album, and it might just be his best since the first Red Button album from 2007, my #1 album of that particular year. Between his solo and Red Button work, Swirsky has established himself as one of the premier Beatlesque artists, but one who evokes their sound (primarily on the McCartney end) without slavish imitation. And it's not just the Beatles - Swirsky incorporates flourishes that recall Brian Wilson and Burt Bacharach as well and that's apparent on the dreamy opener "Shine". The playful title track follows with some McCartneyesque melodies before its calmer ending, and the midtempo "Old Letter" is as comfortable as an old pair of shoes and features a killer countermelody. Elsewhere, the stately piano ballad "Far Away" would have topped the charts in 1970, "Trying to Keep it Simple" is a gem that includes the line "I don't have to be a Beatle", "Belong" is guitar pop of the first order and "Table" breaks out the Rickenbackers for some top-notch jangle pop. Finally, while "I Don't Have Anything (If I Don't Have You)" treads the familiar ground of songs that state material goods mean nothing without love, here Swirsky gives his status as one of the country's top baseball memorabilia collectors a shout-out. Clocking in at a generous 16 tracks, Circles and Squares pretty much is guaranteed a slot in 2016's top 10, the question being just how high.

iTunes



Gillwire-Silver Streak. Gillwire is Arizonan J.G. Thwaits, and he's crafted an impressive debut album that mixes power pop, classic rock and indie pop with the common thread being his sense of melody (He calls it "retro-alternative pop", which is a good a description as any). The title track (and opener) is a clever tune that's equal parts Beck, Cake and Dean Friedman, the gentle, lilting "Find Me a Movie" finds itself in McCartney/Neil Finn territory, "Big Win" boasts a beats-based melody, and "Sand in My Pockets" is the most power-popping track of the lot. While this is a debut album, Thwaits sounds as though he's been around the melodic block a few times before.

iTunes



The Villas-Long Player. The Villas hail from Austin, TX and have been around since 2011 and I'm wondering how it was just now with this release I'm hearing of them. Better late than never as Long Player - their appropriately-titled full-length debut after some singles and EPs - is a fine example of Britpop-flavored (or should that be "flavoured"?) sound. The opening title track and "Never Had a Morning" go by in a Blur (pun intended), while the languid "Julie" just sounds cool, and "Natural Selection" and "Eva" rock with melodic abandon. A catchy-as-hell summer album if there ever was one for 2016.

iTunes

Early August Roundup.

Today's post features a common theme: Known artists with new releases under a different name.

Look Park-Look Park. Look Park marks the solo debut of sorts for Fountains of Wayne's Chris Collingwood, who teams up here with famed producer Mitchell Froom for a collection that isn't quite a FoW album by another name. So instead of the power pop of "Stacy's Mom" or "Radiation Vibe", Collingwood and Froom employ more of a laid-back, contemplative sound. This doesn't mean the catchy melodies are gone - single "Aeroplane" and the wonderful (and appropriately-titled) "Breezy" display the songcraft we've become familiar with over the years. But where FoW had the guitars front and center, Look Park's signature instruments are the keyboards, primarily piano. In fact, tracks such as "I'm Gonna Haunt This Place" and "Minor is the Lonely Key" bring the bedroom pop of another Froom collaborator - Neil Finn - to mind. So as long as your expectations aren't that this is that latest FoW album, you should have no problem enjoying it on its own pop-friendly terms.

iTunes



Happiless-Happiless. Regular readers will known Mike Benign of the Mike Benign Compulsion, and here he teams up with Allen Keller as Happiless. Benign hails from Milwaukee and Keller Los Angeles, so they collaborated long-distance through email and other electronic means to create the album, and the result is a mix of top-notch power pop and mildly baroque pop. The advance single "Sleepyhead" has a Michael Penn feel to it, "Hopscotch Town" is as bouncy as its title would imply, and "We Let Our Story Tell Itself" and "Stranger to Yourself" sound like classic Mike Benign. So let your goals be life, liberty and the pursuit of Happiless.

iTunes



Biltmore-Revolutions and Romantics. Another familiar name with an unfamiliar new band name is Phil Ayoub, who put out a couple of fine solo albums in 2006 and 2010 and here re-emerges as Biltmore. Those who enjoyed those albums will want to pick this one up as it continues Ayoub's bright, radio-friendly pop/rock stylings. The top examples of such are driving opener "Never Let You Go", the swirling melody of "Neon", the heartland rock of "Las Vegas Blue" and "Going Out" (which sound like lost hits from the heyday of late 90s alt-pop), and the anthemic Brit-pop sounding "Stars in the Attic". A welcome return.

iTunes

Late July Roundup.

King Mixer-Hang On. King Mixer is Chicago's Eric Howell, whom some of you may remember from his Greatest Hitch, Vol. 1 debut in 2008 (which itself was a culmination of a 15-year career in singing/songwriting). This time around, King Mixer may be an appropriate moniker as Howell provides us a mix of pop, rock, power pop and Americana with the common denominator being quality melodies. Standout tracks include "Let it Go", Cheap Trick-styled power pop you'd find on a 45 on your record player in the days gone by; the Beatlesque staccato guitars of the catchy "Back to You"; the 70s-influenced midtempo piano number "Somethin' Else", and the pure pop of "One Too Many". Also seek out the single "45" which can be found at his Bandcamp page.

iTunes



Ryan Krga-A Testament EP. One of 2016's more promising debuts is this 3-song EP (maxi-single?) from another Chicagoan, Ryan Krga. All three songs are top-notch here: "What Makes Me Blue" is fine guitar pop that has a bit of a Guided by Voices feel; the moody "She Gets Results" channels Michael Penn; and the title track wouldn't be out of place on a Teenage Fanclub record. Can't wait to hear more from Mr. Krga.

Bandcamp



Wesley Fuller-Melvista EP. This young Aussie brings the glam and power pop on a rocking 5-track EP. "Change Your Mind" borrows the underlying beat from Gary Glitter's infamous "Rock and Roll Part 2", the title track is unadulterated sunshine pop, "Shock Me" is both guitar pop and dance pop at the same time, and "The Dancer" would sound right at home between "Ballroom Blitz" and "Little Willy" on a Sweet mixtape.

iTunes

Early July Roundup.

Justin Levinson-Yes Man. 10 years. That's how long Absolute Powerpop has been around, and that's also how long it's been since Justin Levinson debuted on the power pop scene with 1175 Boylston. The debut was Ben Folds-styled piano pop and since then he's veered into alt-country and most recently a bit of light soul-inflected singer-songwriter pop with 2012's This Side of Me, This Side of You. Now with Yes Man, Levinson has come full circle with his most straight-up pop album since his debut. Opener "Together Forever" is a bouncy confection that's well-timed for summer; the title track is a Beatlesque romp, and the waltz-time baroque pop of "Safety in the Rain" recalls Jellyfish. Elsewhere, "Broken Heart Running" is the type of piano-based pop found on the debut, and closer "Colleen Compassion" evokes a lost Ben Folds track in both sound and title. In all this is one of 2016's best so far as even the tracks not noted here are worthy of note. The tenth anniversary truly can be the sweetest.

Sample and buy at Amazon

Ken Sharp-New Mourning. Speaking of 10-year anniversaries, it's almost been that long since Ken Sharp's last album, 2007's Sonic Crayons, which at that time was his first album in seven years and which came in at #13 on my best-of-2007 list. So it's a bit of an understatement to say this album was long-awaited, and it doesn't disappoint. Of course Sharp has an excuse for the delays between albums - when he's not recording, he's writing and writing prolifically about music with 18 published books to his credit including a series titled "Play On! Power Pop Heroes" which chronicles the leading lights and forerunners of the genre. And if Sharp's going to keep putting out albums (however infrequently) like New Mourning, he's going to be worthy of a chapter of his own as his latest is his best and most consistent. From the classic power pop of "Dynamite & Kerosene" and "Let's Be Friends" to the Motown-influenced "Solid Ground" through the 70s MOR balladry of "L.A. Can Be Such a Lonely Town" and the string-laden closing power ballad "Loser", New Mourning is 14 tracks of solid gold and also a clear contender for Best of 2016.

iTunes



The Loved-The Loved EP. The Loved are a three-piece band from Portland, Oregon who push all the right retro buttons on their debut EP, right up to the album artwork. Dense guitars and a languid melody make for a great combination on the first single "How Do You Fall in Love", while the midtempo "Sun Moon Stars" features a hypnotic vibe and "Lost at Sea" rocks with "three chords and the truth", as the band described itself in their Facebook bio. Give it a listen below, and it'll be Loved by you as well.

iTunes

Late June Roundup.

Cupid's Carnival-Everything is Love. This London band appears to have sprung up out of nowhere - I can't find a website, Facebook page or anything else for them. Given how Beatlesque they sound, perhaps the Fabs have resurfaced in the lowest-key way possible (remember those Klaatu rumors from the late 70s?). OK I know that's ridiculous but whoever they are, they've dropped the best Beatles-influenced album of 2016 to date on us with Everything is Love. It opens with the McCartney-esque "Girl" complete with Harrison-like slide guitar, "Working Girl" has a driving melody, and "I Was the Boy" drifts into psych-pop territory. There's even a cover of "A Whiter Shade of Pale" here. But the real fun comes at the end with the title track, a Lennon-styled ballad that sounds like a Beatles outtake, and "Sunny Days", the latest variation on "Mr. Blue Sky". Whoever these guys are, they should take a bow.

EDIT: As helpful commenter Rick notes below, some of these tracks were released in 2008 under the band name Cherrystone (which in fact I reviewed on these pages). So before you buy, check the recesses of your mp3 collections - you may have some of these songs already.

iTunes



The Well Wishers-Comes and Goes. I believe this is Jeff Shelton's eight full-length album as The Well Wishers (plus an EP), and they've all been so consistently good that I've just about run out of things to say about them. So in other words this is less a review and more of a notification that there's a new Well Wishers album out there you need to pick up. The differences between this one and the others is slight; it's a bit more consistently rocking than 2014's A Shattering Sky. "Impossible to Blame" opens the album and from the first few notes you know you're listening to The Well Wishers, while "It's On" has a classic AOR sound to it. Only "In Love With" and "Nobody's Dancing Alone" slow things down a bit from the norm, and the closer "Nature's Son" belies its pastoral name with some of the hardest rock Shelton's undertaken. But as I said, it's a new Well Wishers album - you really don't need me to describe it.

Bandcamp



Bill Lloyd-Lloyd-ering. Nashville's Bill Lloyd is essentially one of power pop's elder statesmen, a songwriter's songwriter who's written for some big names over the years, been one-half of the great 80s duo Foster & Lloyd, did a one-off album with The Spongetones' Jamie Hoover, was part of the power pop supergroup Swag and released several outstanding solo albums this century. Many of my readers probably know this already, but somehow this is the first time I've featured one of his releases here so I'll pay him his proper respects. Another thing Lloyd is known for is his penchant for covers, and it seems as if there hasn't been a tribute album in the power pop community that he hasn't contributed a song to. Lloyd-ering is an attempt to collect these scattered covers (many of which are out-of-print) in one collection and even though it misses a few, this is an excellent 12-song sampler. He leads off with the Bobby Fuller Four classic "Let Her Dance" (also memorably covered by Marshall Crenshaw), captures the spirit of the Byrds with "The World Turns All Around Her" and gives John Lennon a run for his money with his version of "Across the Universe", among others. My only quibble is that "When Time Stood Still" from the Jeff Lynne tribute Lynne Me Your Ears was omitted, but maybe that'll be on the Lloyd-ering box set someday.

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Early June Roundup.

Michael Carpenter & The Cuban Heels-Ain't Nothing Left to Say. When we last left Michael Carpenter the previous autumn he had released our album of the year, The Big Radio, which was billed as probably his last solo record. But that doesn't mean we've heard the last of him, and a scant seven months later he's returned with The Cuban Heels, his rotating band of fellow Aussie pop/rockers including Russell Crawford, whom we've featured here in his own right. The difference between a Cuban Heels album and a proper MC solo joint is that he turns to a more alt-country/Australiana sound but his gift for melody and the catchy tune isn't diminished by addition of some twang or pedal steel. In fact, the title track with its "na na, na na na na" backing would fit right at home on one of his pop albums, and "Photo" is more power pop than country. Still you do get some twang here (which in my book is welcome) with "I Should Have Told You" and "Wasted Years, Wasted Time". I could go on, but this is new Michael Carpenter music. I don't need to tell you it's worth a listen.

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The Person & The People-Dark & Low. This Minneapolis band has been kicking around the better part of a decade and Dark & Low is their fourth release in that time so it's long past time I mentioned them on these pages. Their sound is highly melodic indie rock, and although they mention Ryan Adams and Weezer as RIYL artists on their album page, I hear more Teenage Fanclub as covered by Superdrag. Anyway, it's an interesting brew and this album features such gems as the almost-jangly "Hot Summer Nights", the 2:08 burst of "Sleep All Day" and the crisp rock of "Until the Morning". And after you get into this one feel free to dive into their back catalog, which is quite good as well.

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David Brookings & The Average Lookings-David Brookings & The Average Lookings. Also back on our pages again is David Brookings, who this time bills himself with his backup band The Average Lookings. This is his seventh album and another great collection of his jangly, breezy west coast pop. Crediting the backup band here is appropriate as Brookings has a fuller sound here, heard on tracks such as "Time to Go", "The Optimist" and "You're Right, it Went So Wrong", which are Grade-A power pop. Also of note is the alt-countryish "I'm in Love With Your Wife", which considers the famous George Harrison/Patti Harrison/Eric Clapton love triangle, and the shiny pop of "Place We Can Go", perhaps the quintessential David Brookings track. They may consider themselves "average looking" but this is some pretty handsome pop.

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Late May Roundup.

Bryan Estepa & The Tempe Two-Every Little Thing. A new Bryan Estepa record is invariably one of the highlights of the music year and with his new release 2016 is no exception to that rule. This time around Estepa is backed by "Tempe Two" but Every Little Thing is of a piece with his previous records: fine melodic pop/rock that owes as much to power pop as it does to Brian Wilson-styled California pop and roots rock/Americana (Australiana?). So whether it's the catchy first single "Object of My Disaffection" or the mid-tempo opening track "Think of You" or the lovely ballad "Sooner of Later", Estepa's ear for melody is always there. Speaking of Wilson, "Don't Hurry Baby" owes its title to a play on words of one of Wilson's most famous songs but is also an enjoyable pop song in its own right. Easily one of the year's best (again).

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Fallon Cush-Bee in Your Bonnet. Fallon Cush has been on my year-end lists three times since 2011, but somehow I never managed to write a single word about them. That ends today with the latest full-length from Australian Steve Smith, who uses the Fallon Cush moniker. For those unfamiliar with his previous release, Smith's sound here is Teenage Fanclub meets the Gary Louris-led Jayhawks. Leadoff track "There's a Dark Side to That Moon" is a wonderful example of this, roots rock with a pop sensibility. "Less Your Near" and the rocking "Kings Ransom" are standouts, as is "Dorothy", a moody mid-tempo rocker that would sound at home on the new Jayhawks record. While I'd recommend you seek out the previous Fallon Cush releases, this one is clearly Smith's best and the place to start.

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Joe Giddings-Better from Here. Now that you've heard today's Australian roots pop/rockers, it's time for some good old-fashioned American-style power pop and California's Joe Giddings is here to provide it for you. Giddings has been around for the better part of a couple of decades now, originally with Star Collector and with an early-2000s Not Lame album as The JTG Explosion under his belt, and lately he's been recording covers galore for the Theme Music group on Facebook. It was his covers on some recent tribute albums that caught my attention, and when I recognized his name in the new releases on Bandcamp, I jumped all over this straight-ahead power pop collection of original tunes. There's something cheeky about having your leadoff track be a rocker titled "Rock 'n' Roll" and the cheek continues with "Irrelevant", capturing the state of the independent musician trying to get by in an unfashionable genre in 2016 ("Cause 15 likes on Facebook can't be wrong") to a great melody. The title track, "Born Apart" and "Brand New Day" are also tracks that deserve rotation in whatever playlist you're currently working up. Power pop at its most pure.

Bandcamp

Early May Roundup.

Cliff Hillis-Love Not War EP. If there's one word I associate with Cliff Hillis, it's "songcraft". Few artists today have the ability to write pure, perfect-sounding pop songs on a consistent basis, and Hillis always delivers the goods. His latest is an EP of seven pop gems, and the title track and first single might be the third or fourth best track on the EP even thought it could have been a Rupert Holmes-style hit in 1979. But the straight-up power pop of "A Boy Downtown" and "Suicide Doors" shines even brighter, and "Mayor of Midnight" is the kind of mid-tempo track with a smooth, effortless melody that recalls other recent Hillis favorites like "Keep the Blue Skies" and "Elevator". It's going to take something very, very special to keep Love Not War from being my #1 EP of 2016 come year's end.

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Radio Days-Back in the Day. My favorite Italian power pop band is back with their fourth full-length and first since 2013's Get Some Action as Dario Persi & the boys continue to bring us power pop in the vein of the Paul Collins Beat, The Rubinoos (with whom they released a split EP in 2014) and The Knack. Opener "Why Don't You Love Me Anymore" has that late-60s, Nuggets-era feel to it and "Rock'n'Roll Night" sounds just like you think it does while "Your Words" sounds like The Beatles meet The Kinks. And the closer "Betta (Are You Feeling Better)" might even be the best thing here, capturing their 60s influences and perhaps surpassing them for a moment.

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Labradors-The Great Maybe. If Radio Days is my favorite Italian band, these guys just might be my second-favorite. Following up on the promise of last year's Hate Summer EP, The Great Maybe is a fine collection of harder-rocking power pop in the vein of Superdrag, as evidenced by the one-two punch of the title track and "Jasmine". They have a facility with the less-rocking tunes as well, with the lovely opening ballad "I Won't Let Anyone Hurt You" and the midtempo "Terrible Friend" of particular note. And for a band that seems named after a dog breed, they give us an ode to cats on "Paws". Pet sounds, indeed.

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