Tuesday Roundup.

The Slingsby Hornets-Borrowed and Blue. Jon Paul Allen (a/k/a Frank Slingsby) is back with his fourth album of half-covers and half-new material and the results are once again appealing. On the covers side, his rocked-up "Lady in Red" (Chris DeBurgh) and "Yesterday Once More" (The Carpenters) are his most daring reinterpretations to date while David Essex's "Rock On" also succeeds. Meanwhile among the new tracks, the Tommy Keene-like "It's Gonna Rain" is the standout. If you enjoyed the Slingsbys' mix of covers and new tracks before, you'll want this one.

CD Baby | iTunes

Jeff Larson-The World Over. Consistency, thy name is Jeff Larson. He should have a patent on the laid-back, melodic sound of mellow SoCal rock that he cranks out every year or two, and once again he's assisted by Gerry Beckley and Dewey Bunnell of America as well as Jeffrey Foskett. So you know what you're getting here, but if you were to going to update your "Best of Jeff Larson" playlist, you'd want to pick "Monday Clouds, Tuesday Rain", "Approaching Midnight" and "Point of Rising" (which rocks a bit harder than Larson's usual fare).

CD Baby | iTunes

Mark Lane-Something New. Something New is LA singer-songwriter Mark Lane's first release since 2004's Golden State of Mind, and it's a treat for fans of artists like David Mead and Josh Rouse (the pre-move-to-Spain Josh Rouse, that is). Among the highlights, the ornate opener "For Whom it Concerns" brings back memories of Luxury-of-Time-era Mead, "Back in the Swing" and "Please, Lillianne" are lavish piano pop with a hint of the Beatlesque (incidentally, Lane played all the instruments here except strings), and the midtempo rocker "The King of Silence" has a noir feel to it. Fine stuff, and make sure you have a listen below:

iTunes

Monday Roundup.

One Like Son-Start the Show. While most of us with iPhones use them for such illustrious activities as playing Angry Birds or downloading fart apps, the band One Like Son used theirs to make Start the Show. Scattered across the southern USA, the band members recorded their bits wherever they could with an iPhone and put the whole thing together. And the best compliment of all is that from listening to it, you'd have no idea they didn't book weeks of studio time. Of course this would be all be an amusing novelty if the tunes didn't hold up, and here they do. OLS falls into the "Fountains of Weezer" camp as far as their power pop style goes, and they serve this subgenre well with the title track and several others. But they also manage to successfully break from the high-energy, manic pop/rock with the Beatlesque "Buried" and the contemplative "L.A." It's good stuff, and it would be fitting to listen to it on your iPhone.

Kool Kat | iTunes



People on Vacation-The Carry On EP. People on Vacation is the duo of Smile Smile's Ryan Hamilton and Bowling for Soup's Jaret Reddick, who've come together "on vacation" from their regular bands to craft an EP that's poppier and more mature than one might expect from their regular gigs. "Better Off Dead" reminds me of an Americanized Teenage Fanclub, the charming piano-and-guitar "It's Not Love" gets by on its whistle-along "luh-uh-uh-uh-uv" chorus, and "Where Do We Go Now" is quality dream-pop. All in all, it's six tracks of polished pop that should be up there for EP of the Year.

Amazon | iTunes

Two for Thursday, 6/7/12

Kevin Martin-Throwback Pop. Somehow this one got by us (and mos everyone else) when it was released last summer, but this is a stunning gem from San Diego's Kevin "Hair Bear" Martin, who was with the band Get Back Loretta. On Throwback Pop, Martin brings us the piano-pounding pop we associate with artists like Queen and Jellyfish, as well as contemporaries like Josh Fix. The opener "TV News" captures this perfect mix of melody and bombast and will bring an immediate smile to the face of any power popper, "I Need Your Love" and its "whoa-oh-oh-oh" chorus is an instant earworm, and the Beatlesque "I Wanted to Tell You" will have you thinking Secret Powers and The Nines. The back half of the disc is a bit ballad-heavy, but they're top-notch ballads. In this age of the internet and an active power pop community, it still baffles me how something this good went unheard last year but better late than never. (And if you really end up digging this album, Martin has an instrumental version of it available).

CD Baby | Kool Kat | Bandcamp | iTunes



Paul Bohan-For Now & Ever. This one is a tough find, and I can't even link you to samples so you'll have to take my word on it. Bohan is an Englishman with 1969 Records, Pugwash's label, and it's not a stretch to say fans of Thomas Walsh & Co (who contributes here) will want to add this one to their collection. "My Dream Baby" opens the disc with bright, catchy power pop, while "Heads I Win" has a more 60s British pop sheen to it, not unlike Rinaldi Sings. Elsewhere, the prominent guitars of "Inside Out" bring Pugwash to mind, and the title track's reliance on a horn section also has that Swingin' 60s feel. Only available in the US through Kool Kat and in England from the label.

Kool Kat | 1969 Records

Friday Roundup.

A couple of returning solo artists take us into the weekend:

Dan Kibler-Dan Kibler. Back with his first album since 2008 and his debut on the Kool Kat label, Dan Kibler once again regales us with an album of mature power pop. With production from Parallax Project's Mike Giblin and help from longtime collaborator Jeff Murphy of Shoes, Kibler's tunes remain rooted in pop yet have a world-weary tinge of Americana to them, not unlike Bryan Estepa or Ted Lukas. Opening rocker "The Misunderstood" is a great example of this dynamic, as is Tom Pettyesque "Broken Bent and Bound". "45 Seconds More" is straight-ahead power pop, as is his cover of The Zombies' "I Can't Make Up My Mind", and "Another Day" and "Is it True" show he's capable of first-rate roots rock. A welcome return, and Kool Kat is offering up their usual bonus disc including tracks from his fine first two discs.

Kool Kat | Listen at official site

Kevin Bents-The Honors. Also back for the first time since 2008 is Kevin Bents, whose The Means was a pleasant out-of-left-field surprise. But while he isn't surprising us this time around, The Honors is still top-drawer singer-songwriter pop. "Not the Kind" is an excellent mid-tempo track that recalls solo Donald Fagen, the piano-and-guitar number "I Wait" shows off Bents' pop skills, and the spare ballad "Somebody Got a Hold" has staying power. Perhaps the most interesting track here is "Downtown", a busy yet melodic track that starts and ends slowly yet rocks and mixes in some R&B in between. So do I go for the usual punny ending and say that Bents passes here with "honors"? Why yes I do.

CD Baby | iTunes

Two for Thursday, 5/24/12

Drobinko-Drobinko. This band with a Ukranian-sounding name is actually the New York band formerly known as Joe Lies, who had a nice 2005 debut. They gave up the name to avoid confusion with other bands with the "Joe Lies" name and are back as Drobinko. Whatever you want to call them, they've released a fine album of Green Day/Weezer-styled power pop that's a little less bratty and a little more mature than you might expect from this subgenre. Girls are the usual subject here, and the top tracks are "Karina" and "Kelsey Grammer's Daughter" (which may or may not be based on a true story). And the largely acoustic "My Own Way" works as well.

CD Baby | iTunes


Bryan Dunn-Sweetheart of the Music Hall. Austin's Bryan Dunn fancies himself somewhere between George Jones and George Harrison, and on his third disc he hits that mark with a pleasing blend of roots rock, power pop and country. "New Mercedes" opens things with some hard-driving pop/rock in the vein of Tom Petty, while the languid title track has a Wilco feel (except for the melancholy trumpet). Elsewhere, "Marlene" is a playful number replete with accordion and clarinet, "Audio/Stereo/Radio" is pure power pop with its stacatto guitars and sing-along chorus and "Six Black Horses" recalls Gram Parsons. If you're looking for an album where each song doesn't sound like the one that just came before it yet is consistently enjoyable, this is the one.

CD Baby | iTunes

EP Friday.

John Lefler-Shout Fire. Dashboard Confessional's lead guitarist is back with his second solo outing after 2009's excellent Better by Design, which placed at #15 on my 09 year-end list. Shout Fire picks up where the full-length left off in the quality department, beginning with the outstanding title track, a driving slice of power pop with enough commercial sheen to have been a lost 80s hit. "The Good Life" is a beautiful Neil Finn-esque ballad, while "Shelter in Place" recalls The Gin Blossoms. All six tracks in fact have their merits, and Lefler should be near the top my year-end EP list this time around.

CD Baby | iTunes



The Stanleys-Always. This Aussie band makes an impressive debut with this 4-song EP. The title track is a fine example of their Fountains of Wayne/Weezer-inspired power pop, but even better is "What Are We Gonna Do?", which features a 70s bubblegum feel not unlike The Raspberries. Elsewhere, "Kid's Gonna Rock" sounds like you'd expect it to, and "My World" is almost contemplative as it rocks, kind of like an early Smithereens track. Can't wait to hear what these guys do next.

CD Baby | iTunes

Friday Roundup.

The Roseline-Vast as Sky. Colin Halliburton resurrected his alt-country band which released two quality albums in the mid-00s and it's great to have them back. They offer tuneful Americana, somewhere between the Pernice Brothers and Whiskeytown, and the new disc has plenty to offer. Opener "Back of My Mind" has a nice Jayhawks feel to it, and "You'll Be Fine" makes use of female harmony vocals in the tradition of Gram Parsons/Emmylou Harris through Ryan Adams/Caitlin Cary. Elsewhere, the title track is as majestic as its title, "Flowers on the Cheap" rocks a bit, and "Young Things" - my favorite track on the disc - boasts a Wilco/Autumn Defense-like melody with a memorable chorus. This is Grade-A "popicana", so if your interests lie in this genre this one's a must.

iTunes



Jared Lekites-Star Maps. Lekites' 2010 debut EP caught my year with its Brian Wilson-meets-John Lennon sound, and his first full-length builds on that promise while leaning a bit more on the Brian Wilson side of the equation. "Too Far Gone", with some nice harmonies from K.C. Clifford, is a pop delight with that California sound, while "Star Map" wouldn't sound out of place on Wilson's "Smile". "Along the Lines of Love" is a gorgeous piano-based ballad, "For Lack of a Better Heart" reminds me of an old Joe South tune, and "Girl Don't Tell Me" makes nice use of Laurie Biagini on vocals to sound like a lost 60s classic. With the new Explorer's Club album not living up to the promise of their debut, this is the album to get this year for fans of this sound.

CD Baby | iTunes

CD of the Day, 5/4/12: Didn't Planet-We're Going Nowhere

You're reading this site for one reason: to discover new music. But you're not representative of the music-consuming population as a whole. Most people take comfort in the familiar, and when out on the town they'd rather hear covers of known songs than original compositions. This is the dilemma for bands like Boston's Didn't Planet, who have a creative knack but need to make ends meet by playing covers. We're Going Nowhere is their lament, a concept album about a cover band. Like last year's excellent concept album by Meyerman about playing in a power pop band, it's great tunes that hold the concept together and ultimately make it more than the sum of its parts.

Didn't Planet's sound here is somewhere between Fountains of Wayne and Weezer, with the just the right amount of smartass those bands are known for. This becomes readily apparent as the album opens with the band's reworking of the Fat Albert theme as a way of introduction. For those of a certain age, hearing "na na na, gonna have a good time" brings back the memories. The driving "Maryann(e)" recalls the poppier side of Green Day; the title track rocks while detailing their plight, and it's almost obligatory that a power pop album of this kind have a track called "California".

Although its first 40 seconds are a recording of a voicemail, "Bitter" is one of the album's highlights - a power ballad of sorts that asks "have you ruined any new songs recently?". Elsewhere, "Over You" and "Adam" are highly melodic rockers, and the country-inflected "Someday I Might" closes out the album in wistful fashion. It's nice to see ambition meet execution, and these guys have learned enough from playing those covers to make a sound of their own worth covering.

CD Baby | iTunes

Listen at Spotify

Friday Roundup.

A couple of our favorite bands from the Northeast make welcome returns today:

Smash Palace-Do it Again. These Philly power pop icons really need no introduction, and album #8 finds them once again in top form. In fact it takes about three seconds to come to this conclusion, as the jangly guitars that open "Living it Lonely" let you know that you're at home.
"It's Easy" is a melodic rocker that compares to their 80s compatriots The Smithereens, and the title track manages to be both bluesy and Beatlesque. They're also effective when they take things down a notch, on the plaintive "21st Century Boy" and the mellow but menacing "Sympathy Runs Deep". Stephen Butler and company Do It Again, and by "it" I mean deliver the power pop goods.

Buy at official site | iTunes




The Successful Failures-Here I Am! This Jersey band has always been a favorite, mainly because they're not afraid to eschew the familiar power pop song topics of girls and cars in favor of stuff they just find interesting, and they usually do so with a skewed, humorous bent. This time around, subjects of their whimsy include "How People Start Sentences", "The Rise of China", "Mickey Mantle's Knees" and "Viking Heroes", among others. But while their choice of material might be goofy, they take their melodies and musicianship seriously so they don't come across as cute or precious. The common thread here is no-nonsense, straight-ahead rocking power pop in the tradition of their label (FDR), and this might be their best and most consistent release.

CD Baby | iTunes

Old Faces, New Names.

Today it's two releases from artists we've featured before under a different name:

The Buzz-Got Me Runnin' EP. The Buzz is the latest project from Washington DC popper J. Forte, whom we last heard from as The Secret Pop Band a few years back and also has recorded under his own name as well as with Ape House. As The Buzz, Forte gives us an excellent 4-song EP that meshes well with his past work, with the title track a spare yet melodically rocking winner and the "Hey Beatles" finds him calling on the Fab Four for inspiration. And you don't have to be Canadian to enjoy the midtempo "Sweet Manitoba". A release worth buzzing about, and a shoo-in for the top 10 year-end EP list.

CD Baby | iTunes



Hall of Ghosts-A Random Quiet. Hall of Ghosts is the solo debut of the UK's Jim Williams, who is more likely known to you as the frontman of Popicana purveyors Additional Moog, whose Thirty-Three & Third was a real standout several years back. Williams doesn't stray too far from his old sound on this 8-track mini-CD which will appeal to fans of The Jayhawks and Wilco. The opener "Bye Bye, Big Blue", in particular, has a real Gary Louris feel to it, and "Giant Water" recalls Joe Pernice's work in the Scud Mountain Boys. And the upbeat "We Are Finally Happy for Standing Still" has the melodic charm of tracks like "El Guiro" from his Additional Moog days. A definite claimant for the title of melodic Americana album of the year to date.

CD Baby | iTunes

Friday Roundup.

Latvian Radio-Kill the Static. This New York band snuck into my 2009 Top 100 with Seven Layers of Self-Defense, which at the time I didn't actually review. Rest assured they'll place significantly higher at the end of this year, however, as their latest disc Kill the Static is a joyous power pop delight. The best way to describe their sound is a mix of Shins-like indie pop, Brendan Benson and Elvis Costello. The title track is one of the standouts here - catchy, driving and pleasantly agreeable, while "Cigarettes & Soda" combines a new wave beat and sunshine-y pop. Elsewhere, "Dead Weight" could pass for a Replacements-styled rocker, and "Out of Your Mind" is a tasty treat that makes use of horns. A highly enjoyable disc that's perfect for the summer to come.

CD Baby | iTunes



Jonny Scaramanga-Listen EP. An impressive debut EP for this English rocker. Scaramanga fits the classic power pop mold, following the Butch Walker/Cheap Trick template of crunchy guitars and sugary melodies. "It's Good to Be Alive" opens with just the right amount of melody and swagger, and the title track could find its way onto "modern rock" radio. Meanwhile, the power ballad "What If I'm Not Enough?" shows that he has his craft down. Fans of the "power" side of power pop will want to give this a......Listen.

CD Baby | iTunes

Mini-review Tuesday.

Acid-Acid. This Jersey band may be tough to Google, but their hard-driving Cheap Trick-meets-The Replacements melodic rock is easy to enjoy. There's also a touch of glam here as well as Strokes-like vocals, and their frontman goes by the name "Special K". What's not to like? Top tracks: "Dead", "Sheila", "Born to Stay".

CD Baby | iTunes

Dale Murray-Dream Mountain Dream. Murray is the former guitarist for the Canadian folk-rock-Americana band Cuff the Duke, and his return to solo recording is an excellent "Popicana" record chock full of Wilburyesque jangle. Those who enjoyed recent releases from the likes of Mike Barnett and Marco Joachim will want to have a listen. Top tracks: "Dream Mountain Dream", "Assess the Mess", "Now You've Been Warned".

CD Baby | iTunes

Brad Brooks-Harmony of Passing Light. Quirky popster Brad Brooks is back with his followup to 2007's Spill Collateral Love, and it's another effort that doesn't quite exactly sound like anything else in your collection. Brooks mixes various pop styles and puts his own spin on them, making each song a surprise from what came previously. Top tracks: the piano & sitar R&B-based "Calling Everyone", the George Harrisonesque "Steal My Disarray" and the Rufus Wainwright-style balladry of "Farewell to Folderol".

CD Baby | iTunes

The 88-Actors. "Actors" is an appropriate name for an EP by a band whose songs have found their way into numerous films & TV shows (including the wonderful "At Least it Was Here", the theme for NBC's "Community"). Their latest is a bit more subdued than normal but still highly melodic, and a must-have if you count their earlier releases among your collection. Top tracks: "Blue Skies are Black Again", "Do You Love Me", "My Friend John".

CD Baby | iTunes

The Squires of the Subterrain-Sandbox. The Squires are back with more of the XTC/Dukes of Stratosphear-meet-the-Beach Boys sunshine-y psych-pop we've known and loved from them in the past, and Sandbox fits right into their canon, with a bit more of a lean to the Beach Boy sound this time around (hence the title, I suppose). Top tracks: "Idling in the Sun", "Surfin' Indiana", "Woodrow Wilson".

CD Baby | iTunes

EP of the Day, 3/26/12: Richard Cummins-5 Things I Learned from Paul McCartney in Song

British Columbia's Richard Cummins is an unabashed Beatlemaniac, and his latest EP is an enjoyable homage/tribute to Sir Paul McCartney. The EP features two original tracks, "Paul McCartney Taught Me Right"- a jangly Rickenbacker-laden number that cites McCartney as a role model and features an always-welcome timpani in the chorus - and "Paul, He Used to Sing With Me", a trippy mellow number that quotes McCartney lyrics. The rest of the EP is a couple of note-perfect covers of McCartney standards "Mull of Kintyre" and "Back Seat of My Car", along with an Abbey Road Studios mix of "Paul McCartney Taught Me Right". Cummins does sound a lot like McCartney, so if you don't pay close attention, you might think Paul was honoring himself. Still in all, it's a fun little EP and you don't have to be as big a McCartney maniac as Cummins to enjoy it.

CD Baby | iTunes | Bandcamp

Two for Thursday, 3/22/12

The Brixton Riot-Palace Amusements. These Jersey rockers are back with their full-length debut after 2008's fine Sudden Fiction EP, and they serve up more of the Replacements-meet-Smithereens rock that we enjoyed then. "Signal to Noise" lets you know right off the bat that they can seriously rock, and its "keep my head down/'til I hear that sound" refrain will stay in your head. "Canvas Shoes" channels the 'Mats, and "Hipster Turns 30" might be the album's best track with its mix of wry lyrics and a clever melody. With apologies to Nick Lowe, this is pure rock for now people.

CD Baby | Bandcamp | iTunes



The Honey Wilders-Singles for Singles. We keep the amps cranked up to 11 with San Jose's The Honey Wilders, who bring the classic rock on their debut disc. Drawing from Cheap Trick, Tom Petty, Thin Lizzy and other 70s icons they craft some fine tunes here, including the opener "Summertime in the Suburbs" which is catchy as all get-out. "Life in Stereo" has an Exile-era Stones swagger, while "Geneva Ave." comes off as a more rocking Gin Blossoms. Elsewhere, "Sweet Alice" sounds like a lost arena rock classic, and the piano-based "Light of Day" has a Queen-like theatricality to it. So if your local classic rock station actually played new songs, it might sound something like Singles for Singles.

CD Baby | iTunes

Listen to all tracks on YouTube

CD of the Day, 3/16/12: David Myhr-Soundshine

The gauntlet has been thrown down. For the rest of 2012, power pop albums will have to be measured against David Myhr's Soundshine if they want a spot on year-end best-of list as the former Merrymaker has crafted a solo debut that reminds us all again what we love about power pop. About 10-15 years ago, the Merrymakers were the gold standard for power pop and Myhr's solo debut, so long in the making, lives up to that billing. Like the best power pop, his songs are instantly likeable but don't wear out on repeated listens. The piano-based "Never Mine" is a tremendous opener, with its Beatlesque verses and sing-along chorus. "Looking for a Life" recalls his former band with its breezy melody and urgent pace, and the punchy popper "Got You Where He Wanted" is 70s-tastic, featuring female backing vocals in the chorus and a bit of an Andy Kim feel.

Elsewhere, "I Love the Feeling" is pure sunshine pop that reflects its title, replete with a "wooo-oh-oh-wooh" chorus, "Cut to the Chase" is another driving popper that will insert its "come on, come on" refrain into your subconscious and you won't be able to say "no" to "Don't Say No" another pop winner that would have been a guaranteed Billboard #1 in 1976. "Loveblind" is another treat for Merrymakers fans, a buoyant number with another unforgettable chorus. The lovely ballad "The One" gives the listener a chance to catch his/her breath, and then it's back to pop perfection with "Wanderlust" and "Icy Tracks", the latter featuring synths and some fine guitar work. "Ride Along" makes the perfect closer, returning to the piano pop that opened the album and giving the impression of everyone gathering to sing along and waving goodbye as the credits roll.

As you may have figured by now, this one shoots to #1 on my Best of 2012 list to date. Although it will only be released March 29 in Europe and Japan for now, the good news for US-based readers is that it's being made available through Kool Kat and Ray is taking pre-orders for autographed copies. You can also get a free download of an alternate version of "Never Mine" from David Myhr's site (see widget below).

Kool Kat

Midweek Roundup

The Mike Benign Compulsion-Martha. These Milwaukee power poppers are back with the followup to 2010's excellent Rollicking Musical, and the results are once again...compelling. In fact, this time around legendary dB Chris Stamey is on hand to mix, and he lends the proceedings a timeless sheen that places the sound of this disc comfortably in any recent decade. Whether it's the stomping opener "Chemicals to Candy" or the Shoes-like pop of "My Michelle" or the jangly "Valentines and Honeybees", the MBC delivers the pop goods here. And they really hit their stride on "I Won't Let You Down", which wouldn't have sounded out of place on one of Stamey's releases. Album closers "Feed the Family" and "Tattoos of Bruises" find the subject matter getting serious, but without a loss of melodic focus. There's something for every power pop fan here.

CD Baby | iTunes

Your Gracious Host-1UP 2DOWN. Tom Curless has become a regular in these parts, and his fourth album might be his best since his self-titled 2008 double-disc debut. What makes the new one a step in the right direction is Curless' decision to crank up the guitars, a decision that's almost always good in my book (for example, I defiantly cling to Monster as my favorite 90's REM disc). You don't have to wait long to hear for yourself, as "Made to Suffer" rocks harder than anything on his previous two discs, and "Wheels are Turning" marries his trademark melodic sound to a Petty-esque rocker. But the highlight here is "Merry Go Round", perhaps the most Beatles-influenced track Curless has produced to date. It's nice to see an artist shake up the formula a bit, and here it really pays off.

CD Baby | iTunes

Two for Tuesday, 2/28/12

Throwback Suburbia-Shot Glass Souvenir. I often take an expansive view of "power pop" in the choice of releases reviewed on here, but you don't have to stretch the definition of "power pop" very far to include Portland's Throwback Suburbia. These guys have the quintessential power pop sound: crunchy guitars, sweet melodies, hooks galore and songs about girls. Their third full-length builds on the strengths of their previous releases and finds them on top of their game. "Give and Take" fits the template described above with "bah-bah" vocals in the bridge and nice use of piano to back the usual power trio, "Setting Sun" follows the bouncy staccato beat template that goes back to The Beatles' "Getting Better" to fine effect, and "It's You" has a breezy-enough melody that would have found massive radio airplay if the calendar found us wearing bell bottoms and complaining about Richard Nixon. And if smoking weren't considered passe, we'd all be holding up our lighters during the classic power ballad "Here Again". So yes, the "throwback" in their name fits to a T, and we wouldn't have it any other way, would we?

CD Baby




Jay Gonzalez-Mess of Happiness. One of my old-time online power pop buddies (Daniel from Spain) brought this one to my attention, and given the artist's name and his neo-classic power pop sound my first impression was that Gonzalez is the latest in a long line of Spanish power pop revivalists like Damien Lott. But no, Jay's as American as apple pie, hailing from Athens, GA, and he just happens to be the current keyboardist for alt-country icons Drive-By Truckers. But alt-country this is not - Gonzalez has crafted a highly melodic album in the vein of Brendan Benson and Jason Falkner and frankly I'm enjoying it more than the most recent releases from those two. "Punch of Love" is an aptly-named punchy opener, and the absolutely gorgeous and melodically spry "Luisa" is hands-down my favorite track on the album. Elsewhere, the joyous "Turning Me On" is almost like a Gilbert O'Sullivan track brought into the 21st century, "Baby Tusk" wears its 70s influences on its sleeve with a melody ripped from the era, and Gonzalez lets his keyboard prowess come to the fore with the quirky pop of "Sticky Little Fingers". There's nothing like an unexpectedly great album to come from an unexpected source to make one's day, and this one will be hard-pressed to be dislodged from my year-end top 10.

Bandcamp | iTunes

Two for Tuesday, 2/21/12

Jeff Litman-Outside. After bursting onto the power pop scene three years ago with the excellent Postscript NYC's Jeff Litman is back, and with Outside he's crafted another top-shelf singer-songwriter disc. Litman's style is Petty/Westerberg filtered through, say, Jim Boggia, and the result is one pop gem after another. The first three tracks encapsulate his sound: "Over and Over" recalls Pete Droge and features some fine guitar work from Litman; the driving "Runaway" is a cousin of Petty's "Runnin' Down a Dream"; and the title track is a bouncy pop tune wouldn't sound out of place coming from Jon Brion. Other standouts include the rocking "Chasing My Tail" and the catchy "Girl Down I-95" which almost demands radio play (at least in the Northeast along I-95). It's nice to see there isn't a sophomore jinx at play here, and you can listen to the entire album via the Bandcamp embed below.

CD Baby | Bandcamp | iTunes



Prattle On, Rick-Songs of Our Fathers. Another returning artist to this site following up on a debut is Nashville's Prattle On, Rick. Patrick Rickelton & Co. gave us an impressive debut EP in 2010, and their latest EP is another winner. Like the debut, this is catnip for Elliott Smith lovers and anyone else who likes quality acoustic guitar-based pop. "I'll Start Again" is a deceptively simple track a la "I've Just Seen a Face" that opens the EP in fine fashion; "Song of Our Fathers" is taken to another level with its use of cello; and "If You Would Love Me Too" sounds like a lost folk-pop classic. A definite contender for Top EP of 2012.

CD Baby | Bandcamp | iTunes

Two for Tuesday, 2/14/12

Secret Powers-More Songs About Her. The men from Missoula are back with what has become an annual tradition: a new album. More Songs About Her makes five releases in five years and Shmed Manes & Co. never manage to disappoint. But there are some subtle differences here from the previous releases, although they open as usual with a killer track from Schmed: like last year's strong opener "Generation Ship", "Dragon Slide" is Secret Powers at its ELO/Jellyfish best. The differences kick in with John Brownell taking more of the lead vocal duties starting with the melodically frenetic "Impossible Girl" (complete with timpani and bells) that recalls Bryan Scary, and the Jellyfishesque "Post War". In fact, Schmed drops out for three straight tracks before re-appearing with "Drip Drop Drip", which might be the quintessential Secret Powers track with its driving melody, changing time signatures and on-its-sleeve wit. And his piano ballad "Hard to Be Someone" might be his best slower number. All in all, we see Secret Powers functioning more as a democracy this time around, and the results are just as strong. Here's looking forward to their 2013 release.

CD Baby | MySpace | iTunes

The Riffbrokers-The Green Key Will Let You In EP. While on the topic of prolific bands from the US Northwest, the Riffbrokers are back with a brand new EP on the heels of last year's Every Pilot's Blinded by the Sun. Featuring more of the Petty/Replacements-style rock we've come to know and love over the years, the EP features several strong tracks including the opener "Around Too Long" and the closing rave-up "Re-Entry". But its the contemplative middle that makes this a special release; "An Extra in a Cowboy Film" and the title track show that it's not all loud guitars and heartland rock with these guys. And the best part is that this EP, along with apparently the rest of the Riffbrokers' back catalog, is free for download at Bandcamp.

Free download of all Riffbrokers albums from Bandcamp

Two for Tuesday, 2/7/12

Minky Starshine-Womanity. Boston's Minky Starshine is back with the followup to 2009's excellent Unidentified Hit Record, and they may have topped themselves with Womanity. They've worked in the past with Ken Stringfellow and Chris Manning, and there is a Posies-meet-Jellyfish element to their classic power pop sound. The buoyant, ultra-catchy opener "Hard Times" (replete with horns) will shake you of whatever funk you happen to be in at the moment, "Cinematic Mojo" (video below) adds a Motown bass line to their power pop mix, and "Beautiful Girl" is a power ballad done right. Elsewhere, "Straight Hip" channels the aforementioned Posies and "What I Want" makes nice use of its boy-girl vocals in service of a radio-friendly tune. Another example of 2012 being off to a great power pop start, and to paraphrase the famous Hindenburg announcer, "Oh the Womanity!"

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The Backpeddlers-Songs of Guilt & Revenge. Back in 2007, I gave these guys a brief mention when they were known as Mark Norris & The Backpeddlers. Back then, I had alluded to them being described as "The Basement Tapes recorded with Ray Davies instead of Bob Dylan", and on the followup with Norris still in charge but no longer top-billed it's more songs in this vein, with a bit of a harder edge. Opener "Turn the Tables" is a raucous rocker that recalls Guided by Voices, "It's All True" does the Pixies-like quiet/loud thing, and the late 60s Nugget-sounding "We Know (Who We Are)" earns them the Kinks komparisons. While this might not be the sweet-sounding power pop usually featured here, those who want something a bit different and bit crunchier will want to give this one a shot.

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