Summer's Over...

...but in the land of power pop, it always sounds like summer. Here are three new releases to get you by as the calendar changes to September (plus you can still celebrate like it's summer through next week's Labor Day).

The Ravines-Everything's Fine. This UK power pop band led by Chris Corney (who's put some fine solo albums out in the last few years) had one of the genre's lost classics in 2005's Manifesto of a Broken Heart, and they've regrouped in 2015 to give us one of the year's best releases. The title track is bright, catchy power pop that falls somewhere between Gin Blossoms and Fountains of Wayne, the jangly "Blue Eyes" and "Dead Letters" could have been hits in the 90s, and what "Tambareen" lacks in accurate spelling it more than makes up for in tunefulness. Plus, the acoustic "Queen Bee" makes a lovely closer. Everything's fine, indeed.

iTunes



The Allrightniks-Two Places at One Time. Our favorite Virginia rockers are back with their first full-length, having released 3 EPs over the past few years. So this time around you get twice as much of their Spongetones/Janglemen-styled pop. Opener "Nice to Know" has a bit of Rockpile in its DNA as well, "I Can't Wait" has an early Beatles feel, and "200 Milligrams" is just the right dose of power pop. Elsewhere, they even add horns to the mix on "Today is the Day" to fine effect, and the title track would fit right in on a Red Button album.

iTunes



Jeff Litman-Primetime EP. Primetime is something NYC singer-songwriter Jeff Litman is ready for, as his latest EP is another compact collection of quality tunes. "That's on You" is a killer opening track, sounding like a lost 80s hit with its insistent beat and relentless guitar hook (which later becomes a great guitar solo), while the cynical-yet-tuneful "Debutante" allows Litman to get his Elvis Costello on, and "Nothing" (previously released as a single) finds him in his mid-tempo element. Just have a listen below and you'll be hooked.

iTunes

Mid-August Roundup.

Caddy-The Better End. Swede Tomas Dohl is back for his first album in several years as Caddy, and it's another glorious collection of Teenage Fanclub-by-way-of-Brian-Wilson-inspired power pop. Choice cuts: "Here it Comes Again", "Something About Carina".

Kool Kat | iTunes



The Labradors-Hate Summer EP. Italy has been the home of some power pop we've featured here before, most notably Radio Days, and here are Milan's The Labradors with a rocking 4-song EP that recalls Superdrag as well as their aforementioned compatriots. The whole thing's only 12 minutes so instead of reading me writing about, just give it a listen below.

iTunes



The Key Frames-Monophone Heart EP. This Toronto band is known for its Big Star-meets-Blue Rodeo sound, and most of the tracks on this EP are quality rootsy tunes. But then there's "Tidal Wave", one of my favorite songs of the year and a dead ringer for a lost Sloan track from Patrick Murphy.

iTunes



Andy Bopp-21213 EP. The erstwhile frontman of Myracle Brah returns with another solo EP, which unlike some of his previous EPs that delved in genres like 50s rockabilly, is more in line with his former's band contemporary power pop sound. The rollicking "Broken Ties" is a standout, as is the bright pop of "Hello". Bopp til you drop with this one.

iTunes

They're back!

Two power pop artists who were big in the previous decade but haven't been heard from in ages are back this week.

Cloud Eleven-Record Collection. Rick Gallego returns for his first record as Cloud Eleven since 2006's Sweet Happy Life. And listening to Record Collection, you'll never know nine years passed by as it's another collection of Gallego's diverse pop stylings. In fact, the title is apt as it sounds like Gallego mined his record collection for inspiration here, from the Beatlesque title track (with a "Penny Lane"-style horn opening) to "The Mystic's Mistake" and "As You Are" (the kind of dreamy pop found on Sweet Happy Life) as well as Bacarach-ian "Too Soon Was Yesterday" and the more traditional power pop of "High as the Rising Sun". And there's a track titled "Indian Guru" that sounds exactly like you think it would. You'll definitely want to add this to your, um, record collection.

iTunes | CD Baby



The Small Square-The Small Square. While Cloud Eleven may be a recognizable name in the power pop community, you may not know The Small Square. But you probably do know the guys who make up the band, Paul Chastain, the primary creative force behind Velvet Crush, and John L. Richardson who's played and worked with Tommy Keene, Gin Blossoms, and Joey Molland/Badfinger. It's been over a decade since the last Velvet Crush album but this album will fill the VC-sized hole in your collection, if not your heart. There's plenty to enjoy here: The melodic midtempo opener "So Low", the Velvet Crush-like power pop of "Dream Faker (Open Your Heart)" and "Otherwhile", and the dreamy psych-pop of "Enough to Know". An excellent collection, and another power popper back in the fold.

iTunes | Bandcamp

Weekend Roundup.

Zugzwang Netural-The Faded Promise of a Rise and Rally. A "zugzwang" is a situation in a game (typically chess) in which you're put at a disadvantage regardless of which available move you make. In the case of the new EP from Zugzwang Neutral, the only zugzwang move would be NOT giving their sophisticated pop a listen. The sound here is a blend of Michael Penn, Rob Laufer and a less-British-sounding Pugwash, from the graceful opener "Broken Wings" to the midtempo gem "Less to Say" through the standout closing track "Ghost Town".

iTunes | Stream EP here

Mark Pountney-Mark II. Liverpudlian Mark Pountney's second album is his first that caught my attention, and it's a fine, tuneful collection of various Britpop styles. Leadoff track "Tell Me Why" isn't a cover of the Beatles classic, but embodies their sound and spirit, as does "Time to Find Her" which channels the mid-period Fab Four with a subtle "I Feel Fine" guitar lick. "Just Can't Seem to Get You Off My Mind" is a piano ballad that's Hollies-esque, and the also-piano-based "Love in the Morning" has a solo Lennon feel while the trippy closer "Dream" owes a debt to Oasis.

iTunes | Listen at Spotify

July 4 Roundup.

Some quick hitters on this Independence Day (ironically they're mostly Britpop):

Michael Collins-Last Laugh. He hails from NYC, but Collins sounds like he's from London with this album of bouyant Britpop, and "What Does it Take to Walk Away?" might be the catchiest, most joyous song I've heard this year. Definitely summer-appropriate. iTunes



Chris Cole & The Circus-Still Rolling With the Times. Speaking of Britpop, here's Britpop from an actual Brit. Cole's sound here belongs in a mix with the latest Noel Gallagher album, and highlights include the anthemic "To Find Peace in This Place", the fine "Got to Let Her Go" and the title track which recalls Oasis' epic "All Around the World" if it hadn't been stretched out to seven minutes. CD Baby

Gordon Weiss-It's About Time. After a 7-year absence (perhaps referenced in the album title), Gordon Weiss is back with the followup to Sum of its Parts, another collection of sophisticated, intelligent pop in the vein of Elvis Costello and Wilco. The standout tracks here are "The Ugly Inside", the theatrical "The Great Imitator" and the rocking "Thanks I Get". Bandcamp



Zach Vinson-How We Spend Our Days EP. Nashvillian Zach Vinson's sound is high energy piano pop in the vein of Bens Folds and Kweller, while vocally he resembles fun's Nate Ruess but without that Ruess's bombast. Or in other words, it's very reminiscent of Ruess's old band, The Format, especially on tracks like "You're the One", "Home" and "Something About the Way". iTunes

CD of the Day, 6/25/15: Reno Bo-Lessons from a Shooting Star.

Reno Bo returns with his first album since 2009's Happenings and Other Things, and it's a gem. While Happenings just made the top half of my best of 2009 list at #47, Lessons from a Shooting Star will easily eclipse that ranking come the end of the year as the ex-Mooney Suzuki and Albert Hammond Jr. guitarist has crafted one ringing power pop anthem after another this time around. "Sweetheart Deal", the first single (as singles go in 2015), is a shoo-in for a best-tracks-of-2015 list, coming off like Brendan Benson fronting Cheap Trick. "How Do You Do" follows with no letup in quality as Bo throws some keyboards in the mix and some excellent slide guitar work from Sadler Veden for a track that reminds me of the ones Jeff Lynne once produced for Dave Edmunds, and the driving melodic rocker "Just Say Go" lives up to its title. Next up, the midtempo "Strange Maps" gives the listener a chance to catch his/her breath without sacrificing any melody, and the melancholy "And I Know She Did" captures the classic Big Star sound. These five tracks would be worth the price of admission alone, but then you have "The Brighter Side" (co-written with the aforementioned Benson) which is another melodic marvel, the Beatlesque rocker "Sleeping Sun", the classic rock of the title track and the Oasis-like closer "Somewhere There's Something". Power pop doesn't get much better than this.

iTunes

Two for Thursday, 6/18/15

Wade Jackson-Whiskey Alpha Delta Echo. Both a nod to Wilco's famous album as well as the spelling of the artist's first name in the phonetic alphabet, Whiskey Alpha Delta Echo is the second album from Aussie musician Wade Jackson, and it's quite simply one of 2015's best so far. The allusion in the title is apt, as the sound here is Big Star-meets-Wilco with its melodic minor-key rockers with a twinge of Americana (Austrliana?). After the moody opener "Dark Mirror" (which answers the question "What would The Smithereens sound like as a folk-rock band?"), we're treated to the jangly "Valentine's Day" and the trio of "Catch My Eye", "Coming Back" and "Carolina", all of which invoke #1 Record-era Big Star, with "Coming Back" perhaps my favorite track of the year. This album really hits the sweet spot between power pop and Americana, and my next step is checking out Jackson's back catalog.

iTunes



Brian Jay Cline-Trick Photography. Trad-rock-popper Brian Jay Cline is back with his first album since 2009's Nashville Tracks, and fans of Marshall Crenshaw, Walter Clevenger and Bill Lloyd are going to want to check this one out. Leadoff track "Zoo York City" is Cline's tribute to the Big Apple and sounds like a lost Willie Nile track, while "New Tattoo" has the pub-rock feel of a Nick Lowe or Graham Parker. Elsewhere tracks like "High Horse" and "Counterclockwise" are classic Cline and if you have any of his other albums in your collection, this one's a must-add. (Incidentally, the ReverbNation playlist embedded below includes Cline's entire catalog as the first ten songs are from Trick Photography and the rest are his other songs in alphabetical order)

iTunes

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What I've been enjoying lately.

A quick look at some of my favorite releases over the last month or so:

Steve Robinson & Ed Woltil-Cycle. Tampa Bay's premier folk-poppers team up for one of 2015's best, a graceful and melodic collection of tunes that bring the pastoral side of XTC to mind. ["Love Somebody"; "Hello, Hello (We're Back Again)]. iTunes



Phil Yates & The Affiliates-No Need to Beg. Top-notch power pop that reminds me of Ken Stringfellow ("Burn it Down, Bernadette; "The Grass is Always Greener") (P.S. That's Lizzie Borden on the cover) iTunes



Stereo Tiger-Two Weeks. More great power pop from Michigan, like Mike Viola fronting Rooney. ("Magic Balloon", "Runaway")



The Weightlifers-St. Paul EP. Adam McLaughlin & Co's third EP (and first in seven years), and it's of a piece with the first two - thoughtful, moody, and melodic. ("High Drama"; "Man of Constant Sorrow"). iTunes | Spotify

Supraluxe-Morphine Creek. This is their best since the 2006 debut, the record which helped inspire me to start this blog. Lives up to their self-description of Elliott-Smith-meets-Big-Star. ("Circles"; "La La L.A.") iTunes



Jimmy Haber-Joy Acid Pact. Orlando rocker Haber delivers the goods with his shiny, vaguely psych power pop with a populist edge to it. ("Once I Strung 'em Up"; "Bad Day to Be Me") iTunes

Learn how to get your song on itunes at ReverbNation.com

We have (a) new Pope!

Greg Pope-Fanboy. The Pope of Power Pop is back! I'm speaking of course of Greg Pope, one of the genre's best and most prolific artists of the last decade-plus, be it in Edmund's Crown or as a solo artist (Popmonster was my #1 album of 2008). And for those who remember Edmund's Crown, you might be interested in knowing drummer David Sprouse joined Pope on the most of the tracks here, and the opener "New Beginning" wouldn't have sounded out of place on their last release, Regrets of a Company Man. Pope also takes a page from Jeff Tweedy, involving his sons in the album as 17-year-old Asher Pope co-wrote "Pretend it's Yesterday" (a lovely acoustic ballad) and plays acoustic guitar on several tracks, while 15-year-old Noah plays drums on "How it Ends". Meanwhile, quality numbers like the title track (which speaks to us obsessives of all stripes) and "Greater Threat" will end up on that best of Greg Pope playlist you'll undoubtedly compile someday soon. When it comes to Greg Pope, I can't help but be a bit of a "fanboy" myself here, and at his site he's offering up a 23-track deluxe edition of the album that includes acoustic work tapes, demos and the like of the main tracks.

Deluxe Edition | iTunes



Johnny Stanec-No Horizon. Speaking of prolific, Johnny Stanec seems determined to stay on your music player of choice, with his third solo disc out now hot on the heels of last fall's First in Space album. When solo, Stanec trades in the Replacements-style rock of his band for more of a singer-songwriter vibe in the vein of Jesse Malin or Ryan Adams. "Let it Slip Away" starts off slowly and acoustically, and then builds into a full-band anthem, while "The Trouble With Spies" sounds like a track that could have been heard on the radio in the late-90s heyday of the likes of Semisonic and Third Eye Blind. The standout for me, though, is the folk-rockish "Winter's Song", which recalls peak-era Blue Rodeo. A solid effort.

CD Baby | iTunes

Just a Tad of Honeywagen.

Honeywagen-Jamboree. Mike Penner, Scott Christensen & Co. are back with their followup to 2012's Atomic Cafe and their Midwestern jangle pop/roots rock is better than ever this time around. After starting with the rocking "Angel", they bring us the groovy "She Wants" (which shares some melodic DNA with "I Feel Fine"), while other highlights include the Plimsouls-like "Lose My Mind" and jangly "Another Hour". This one's available exclusively from Kool Kat at the link below.

Kool Kat




Tad Overbaugh-Beauty & Barbed Wire. If the name Tad Overbaugh seems vaguely familiar to you, it's because he was the frontman of roots rockers The Kickbacks, featured on this site back in the day. Beauty & Barbed Wire is Overbaugh's solo debut, and it's one of 2015's best to date. Although Overbaugh hails from the Boston area, he sounds more like heartland rockers Paul Westerberg and Tom Petty, and leadoff track "Lethal Charm" wouldn't have sounded out of place on Full Moon Fever. "Done With This Town" is a infectious alt-country tune that demands to be a theme to a TV show about someone moving to a new city, "End of the Decade" and "Scars Along the Way" show Overbaugh's way with a melody, while "Tip My Girl" laments the fate of being a stripper's boyfriend in classic country-rock fashion. With his tunes mixing the bitter with the sweet, Beauty & Barbed Wire stands as an aptly-named album.

Bandcamp | iTunes

Don't forget the Motor City.

Nick Piunti-Bayond the Static. The premier hotbed for power pop lately has become the Detroit area, with the likes of Chris Richards, Andy Reed, Andy Klingensmith, The Romeo Flynns (and you can go back to bands like The Romantics and The Knack) and the two artists featured today. First up is Nick Piunti (formerly of The Respectables) who returns with the followup to his brilliant 2013 release 13 in My Head, which came in at #2 on my list that year. Beyond the Static is a more-than-worthy successor, as Piunti knocks out the hooks and melodies one after the other in the most classic of power pop styles. "It's a Trap" (Admiral Ackbar finally gets a theme song) and "Heart Stops Beating" draw you in from the start, while "Time Machine" and "Seven Days a Week" (the latter featuring vocals from Richards) are two of the more melodic rockers you'll hear all year. Elsewhere, "Head in the Clouds" incorporates a bouncy Beatle-y melody and "Quicksand" could have been a hit in the 80s. There isn't one "off" track here among the 11, and Piunti might just meet or exceed that #2 ranking this year when it comes to my 2015 list.

Bandcamp



Ryan Allen & His Extra Arms-Heart String Soul. Another member of the Detroit power pop mafia I listed above is Ryan Allen, and he plays on the Piunti album as well. But it's his own second release with the Extra Arms that stands on its own, another collection of top-shelf power pop. "Should Be Me" is a brilliant opener, frenetic and melodic with the refrain "the song on the radio/should be me", and I would not quarrel with that notion one bit. "Born Radical" sounds like Gin Blossoms if they really rocked (and was also the title of an album he released with his previous band The Friendly Foes, although that one had no title track), "Angela '97" traces a relationship over 17 years with rocking aplomb, and "Not Hanging Out" could have fit snugly on Big Star's #1 Record if it weren't for a reference to texting. If albums like Piunti's and Allen's keep coming out I may need a separate "non-Detroit" category to give other releases a fair shake at year's end.

CD Baby | Bandcamp

Best of 2014 Power Pop Lists, Combined

I've been meaning to do this since early January when David Bash's lists came out, and now I've finally gotten around to it. I wanted to combine the top lists of Bash, myself, and Powerpopaholic into one consensus power pop ranking for 2014. As Powerpopaholic only went with a top 50, I limited myself to my own and Bash's top 50, and to be ranked here a disc had to be in at least two of the three lists. There were two discs that all three of us had almost eerie agreement on. One was at the top (Linus of Hollywood where we all went top six) and one was at the bottom (Rick Hromdaka's Trippin' Dinosuars came in at 40-39-40). There was a lot of diversity with only 11 releases appearing in all three lists, although part of that might be due to David Bash's refusal to rank download-only releases. I had 23 in common with Powerpopaholic and 12 in common with Bash (The Pearlfishers was the only one Bash & I had that Powerpopaholic didn't), while Powerpopaholic had 18 in common with Bash.

To compile the combined list, I averaged the rankings with the lower averages the better. I took a screenshot of my Word doc since I stink at creating tables (click to embiggen). (Legend: PP-Powerpopaholic, DB-David Bash, AP-Absolute Powerpop)

Some quick hitters.

A quick look at several releases I've been enjoying recently:

DC Cardwell-Pop Art. Aussie DC Cardwell returns with the follow-up to 2011's Some Hope, and brings us another round of mild-mannered, Beatlesque pop. Favorites: "In the Cloud" (where you can get this release), "Magic for Everybody" (a piano-pop gem) and "Record Store Day" (an ode to the old-school way of buying music).

CD Baby | iTunes



Greg Hoy-The 21 Day Myth. Greg Hoy has been a pop chameleon throughout the last decade, releasing numerous albums with styles as varied as straight-up power pop, Sun Records-style rockabilly, and near-heavy metal. This time around he's gone with groove, with the results resembling the minimalist-yet-melodic beats of Spoon. "The Talk Goes Stiff" and "Fiend 4 Your Soul" are the standouts here.

CD Baby | iTunes



Antony Plain-Continuing on My Plan. I don't know much about England's Antony Plain, but his newest release caught my ear. It also caught my eye, as Plain looks a bit like John Lennon on his album cover but it's songs that warrant mention here, a mix of 60s and 70s power pop styles from the groovy rocking opener "Invisible Man" to the midtempo "Truth is Closer" to the string-laden "Boy". (Note: the album is streaming in full at the CD Baby link below)

CD Baby

Steve Baskin-Dead Rock Star. This Atlanta-based singer-songwriter is back with his third album, and this one is the best of the lot. It has a "big" sound, with big hooks and big melodies that remind me of fellow Atlantan Butch Walker. The opening 1-2 punch of "Single Thing About You (Chinchilla)" will leap out of your speakers, and Baskin has some facility with a ballad too ("Nobody Died Today"). Plus there's a pretty good cover of "Killer Queen" thrown in the mix. One of 2015's early best.

CD Baby | iTunes

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Back to 2014.

A couple of excellent releases from 2014 that either came out very late in the year or got by me:

Smith & Hayes-People All Over the World. Every four years we have the Olympics, the World Cup and U.S. Presidential Elections to look forward to. OK, maybe not that last one. But the latest four-year tradition seems to be a new Smith & Hayes album. Debuting in 2007 with the great Changed by a Song (my #5 disc of that year), and then following up with Volume II in 2011, they're back again with People All Over the World as 2014 changes to 2015. (I snuck this in at #8 in my 2014 list but I'd have no argument with you if you wanted to view at as a 2015 release especially as it's only gone to CD this week). Once again, the veteran Oregon pair deliver the Beatlesque/Wilburyesque goods with a collection of tunes that rivals their debut. The opening title track even borrows a bit from the similar Oasis tune "All Around the World" (but is mercifully about half that song's length) while "Slow Down" is a real gem with its harmonica and minor-key melody, sounding like a lost George Harrison track. "Waiting for the Wheel" pulls out the Beatle bells and whistles, and the piano-based "Didn't Want to Fall" has McCartney written all over it. And the majestic "Don't Let Your Heart Break" recalls some of Jeff Lynne's classic ballads. I'd say this was a top 10 candidate, but I already put it there, so pick it up if you've missed it especially now that it's available on CD.

CD Baby | iTunes

The Fraidies-Try it Again. Melding indie rock with a power pop sensibility, this Seattle band has produced an auspicious debut that also came out late last year. Produced by a name some of you may be familiar with (Gary Reynolds of The Brides of Obscurity), Try it Again combines the sound of indie rockers with pop leanings like Portastatic and Dr. Dog with the more straight-up power pop sounds of bands like The Shazam and Cheap Trick. The brilliant "Xs on Your Eyes" opens up in grand melodic fashion, catchy and rocking both. "You've Got a Brand New Calculator" comes off as an off-kilter Badfinger tune, and "The Powers That Be" has that famous stacatto beat that stretches back to the Beatles' "Getting Better" while taking off on a carnival-like bridge. And "Your Mouth is a Radio" just straight-up rocks. So don't be a fraidy cat - give it a listen.

CD Baby | iTunes

First new music of 2015.

Time for the first reviews of 2015, and a couple of familiar names are back.

One Like Son-New American Gothic. This Alabama band made a splash in 2012 with its raucous debut Start the Show, notable because they recorded it on an iPhone. This time around, the boys took part in the 52 Weeks Songwriting Project, and each track was written and recorded within a week. Interesting back stories aside, they've served up another high-energy rocking collection of tunes with some lyrical punch. The opening title track tells the story of a lifelong love with a spin on the classic piece of American art, while "Little Valentine" is a Replacements-style rocker depicting an obsession that comes to a happy end. Elsewhere, we follow a "Punk Rock Prom Queen" while "Sister Mary (Got Her Gun)". And it's all capped off with "A Galaxy Far Away", a 7-minute track that recaps the original Star Wars trilogy, demonstrating that The Force is with them on this disc.

Bandcamp | iTunes



Baby Scream-Fan, Fan, Fan. Juan Pablo Mazolla, our favorite South American power popper, returns with an all-new collection of tunes that are a must if you've enjoyed his music before. This time around, he takes a more sardonic look at the world to accompany his always melodic sound. So we come to learn that "Everybody Sucks", he's "Back to Douche" and of course "Haters Will Hate". All three of these tracks are catchy of course, and he channels the spirit (if not the sound) of Beck in the raved-up "Loner". And the standout track here is the majestic "Human Being on Mars", a midtempo marvel that encapsulates his Lennon-esque sound. Oh and by the way, he also put out another album simultaneous to this, an odds-and-sods collection called the "The Worst of Baby Scream", with 22 more new tracks and five covers that frankly I haven't had a chance to dive into but I'll let you do so by embedding the player for it along with this one.

Bandcamp | iTunes

The Absolute Powerpop Top 10 EPs of 2014.

1. Peter Buzzelle-Sea of White
2. Matthew Shacallis-Reach the Stars
3. Cliff Hillis-Song Machine
4. Myracle Brah-The Peach
5. Smash Palace-Extended Play
6. Evil Arrows-EP 1
7. The Foreign Films-Record Collector
8. Ryan VanDordrecht-Beast of Love
9. Fallon Cush-Tell Me Once
10. Sir Video-Light Years

The Absolute Powerpop Top 75 of 2014.

I was originally set to do a top 100 as I usually do, but as in 2011 I've pared down down the list to 75, as my first run-through of what I listened to last year only yielded 86 titles, and rather than pad it with 14 that I didn't deem "top 100 worthy", I scaled it back to 75. And it's a good thing that the last 3-4 months of the year brought us quite a few excellent discs because this would have been a top 50 around September 1. The top EP list will run tomorrow. Anyway, here's the list - I will annotate it with links as the day goes on:

1. The Tripwires-Get Young
2. Secret Powers-Secret Powers 6
3. Edward O'Connell-Vanishing Act
4. Adrian Bourgeois-Pop/Art
5. Sloan-Commonwealth
6. Linus of Hollywood-Something Good
7. Phonograph (UK)-Phonograph Vol. 1
8. Smith & Hayes-People All Over the World
9. The Well Wishers-A Shattering Sky
10. Latvian Radio-For Love & Spite
11. Marble Party-Plush Up
12. Greg Ieronimo-Bipolar Love
13. Joe Sullivan-Schlock Star
14. Old 97s-Most Messed Up
15. Marshall Holland & The Etceteras-S/T
16. The Ships-The Summer of Our Lives
17. The Dowling Poole-Bleak Strategies
18. Jeremy Messmersmith-Heart Murmurs
19. The Legal Matters-S/T
20. The New Pornographers-Brill Bruisers
21. The Jeanies-S/T
22. The Die Youngs-Nothing's Broken
23. Shake Some Action!-Catch the Sun
24. The Autumn Defense-Fifth
25. The Deathray Saints-S/T
26. Rob Bonfiglio-Freeway
27. The Pearlfishers-Open Up Your Colouring Book
28. First in Space-In the Red
29. The Sleepwalkers-Lost My Mind in Stereo
30. The Orange Opera-Land of Tall
31. Dropkick-Homeward
32. Ransom & The Subset-No Time to Lose
33. David Grahame-Toy Plane II
34. Aerial-Why Don't They Teach Heartbreak at School?
35. The Great Affairs-Dream in Stereo
36. The Rip Off Artists-The Intercontinental
37. The Jellybricks-Youngstown Tune-Up
38. J Scott Bergman-Beautifulordinary
39. Static in Verona-Everything You Knew Before You Knew Everything
40. Rick Hromdaka-Trippin Dinosaurs
41. The Baseball Project-3rd
42. The Tangerines-Turn on the Light
43. Nude Beach-77
44. Goodman-Isn't it Sad
45. Mitch Gettman-Stop Living Like it's the End of the World
46. Damp-S/T
47. The New Mendicants-Into the Lime
48. Sunday Sun-We Let Go
49. The Nines-Nine Lives
50. Jeff Larson-Close Circle
51. Mothboxer-Sand and the Rain
52. Doug Gillard-Parade On
53. Mike Barnett-Everybody Gets to Dream
54. Bubble Gum Orchestra-Beyond Time
55. Eugene Benjamin-Photograph
56. Andy Klingensmith-Bright Again
57. Watts-Flash of White Light
58. Chris Koza-In Real Time
59. The Blood Rush Hour-And Then...The Unthinkable Happened!
60. Wilder Embry-Smolderolderingpictureaid
61. Paul Starling-Suit of Armor
62. Pill Hill-It Tastes a Little Sweeter
63. Magic Eight Ball-Last of the Old Romantics
64. Fernando Perdomo-Girl With a Record Collection (no link, he discontinued this as an album)
65. The Paul & John-Inner Sunset
66. The Mike Benign Compulsion-Here's How it Works
67. Jeffrey Dean Foster-The Arrow
68. The Safes-Record Heat
69. Glenn Case-This Album Has 12 Songs on It
70. Fauna Flora-S/T
71. High on Stress-Leaving MPLS
72. Fremont-Trees to Stone
73. Sunrise Highway-Windows
74. Andy Kentler-No Love Lost
75. Kinematic-Kinecism

Year-end list update.

I had hoped to have the year-end lists up starting yesterday, but they will be delayed to between Christmas and New Year's.

Three Great Debuts.

Matthew Shacallis-Reach the Stars. Aussie power popper Matthew Shacallis has crafted an impressive debut EP, recalling another power popper with the name Matthew S., Mr. Sweet. "Summer Sun" is melodic bliss, buoyed by Shacallis' Brendan Benson-esque vocals, "Tell Me Girl" recalls his "Sweet" namesake as it wouldn't have sounded out of place on Girlfriend, and "Do You Love Me" has a Zombies vibe. Easily one of the top EPs of 2014, and you can count on seeing this in next week's year-end lists.

Bandcamp



The Ships-The Summer of Our Lives. From Australia we travel to Spain, from The Ships sail with another impressive debut. This full-length evokes The Posies and Teenage Fanclub. Standout tracks include the jangly "Want", the uptempo "Second Hand Store" "Hipster"(in which they don't want of any them at their shows) and the relentless "Julia". Spain has always had a healthy power pop scene, and these guys are making it proud.

Amazon | iTunes



The Jeanies-The Jeanies. Rounding out our trio of top-notch debuts is Brooklyn's The Jeanies, who traffic in a more old-school power pop sound reminiscent of Dwight Twilley and The Plimsouls. "I Seen Her Dance" is a rocking gem that will get you in the mood right off the bat, "It's For You" could have been an AM radio hit from the 70s, and "Believe Me Jenny" sounds a decade earlier, almost like a lost La's track. As long as artists like the three featured today keep emerging, power pop will continue to be in good hands.

Bandcamp

Weekend Roundup.

Various Artists-A Kool Kat Kristmas Vol. 2. Kool Kat's 2010 A Kool Kat Kristmas was the best power pop Christmas compilation in recent years, so Ray Gianchetti & company decided to greenlight a sequel. And while it may not be as consistently great as the original, Volume 2 is another fine collection of power poppers giving us original holiday-themed tunes. The Pencils' "Christmas is Coming Again" starts things off in majestic fashion, sounding like an outtake from Phil Spector's A Christmas Gift for You, and the Honeymoon Stallions (f/k/a The Goldbergs) follow with the suitably jaunty "Snowbirds". Other standouts include the Tor Guides wishing for "Beatles Vinyl", The Geniune Fakes with the Christmas power ballad "You Always Come Back Home", Shake Some Action's typically jangly "Christmas in the Sun", and Stephen Lawrenson's unmistakeable Jeff Lynne-influenced psych-pop sound on "Glad it's Christmas". As with the first volume, proceeds from the disc will benefit the Susan Giblin Foundation for Animal Wellness and Welfare. Good music for a good cause - you can't beat that.

Listen at Soundcloud | Kool Kat

Secret Powers-Secret Powers 6. Another early Christmas present for power poppers is the return of Secret Powers. I have to admit, I was getting a bit worried about them; after releasing an album a year from 2008 to 2012, Ryan "Schmed" Maynes & the boys from Missoula, Montana had gone dark for 2 1/2 years. But they're back, and what they lacked in imagination in naming the disc they more than made up for with the new tunes. For those joining us in that time frame, what makes Secret Powers great is their heavy ELO/Jellyfish influence and knack for the great melody. The epic ballad "Bitter Sun" serves doubly well as an album opener and a re-introduction, and that leads us into the frantic and hyper-catchy "Palarium" (the most Jellyfish-esque of tracks) and the ELO homage "Spare Parts", which is half "Mr. Blue Sky" and half "Yours Truly, 2095" in its story of an android. Elsewhere, "She's Electrical" glides along on a sweet melody with all the band's attendant bells and whistles, and the closing ballad "Ready to Get Old and Die" evokes McCartney. Great to have these guys back.

CD Baby | iTunes | Listen at Spotify

Weekend Roundup.

First in Space-In the Red. Johnny Stanec and the boys from Youngstown are back with their fourth full-length, and it just might be their best, trading in the Replacements-style rock of the last album for a purer pop sound. Although you wouldn't tell from the driving opener "Letters from Hell", it becomes evident on tracks like the bouncy "Forward Progress" and the midtempo, Gin Blossoms-like "The Other Side", and "Now or Never" is straight-up power pop reminiscent of Cliff Hillis or Michael Carpenter. And you only have to in the red for $5 for a digital copy at Bandcamp.

CD Baby | iTunes



VA-Here Comes the Reign Again: The Second British Invasion. Andrew Curry has done it again. After last year's compilation of contemporary power poppers covering the lite rock classics of the late 70s, Curry has gotten another all-star cast together to tackle the next decade when all those British bands came out of nowhere thanks to the emergence of MTV. Now while last year's comp was my favorite album of the year, this one - while executed just as well - may not achieve those heights due to my own personal preference for those late-70s tracks versus some of the synth-heavy sounds of the early 80s. Still there's plenty here to enjoy (and even geek out over if you're a bigger fan of the era than I) and like on the last compilation, the best covers here are those that sound like natural extensions of the artists covering them. So the suburban milieu of "Life in a Northern Town" is a perfect fit for Fountains of Wayne's Chris Collingwood, and "Everytime You Go Away" sounds so much like a typical Linus of Hollywood track that I forgot it was a cover when listening to it alongside his most recent release. Also in this category are "Save a Prayer", which is in David Mead's ballad wheelhouse, and the pure midetempo pop of "Wouldn't it Be Good" in Cliff Hillis's hands. Then you have the reinterpretations, and the ones that work here best are Mike Viola slowing down "Everybody Wants to Rule the World" and Graham Alexander doing likewise with Tracey Ullman's "They Don't Know". This is another must for power pop fans.

CD Baby | iTunes

Halloween roundup.

Latvian Radio-For Love & Spite. These New Yorkers return with their latest full-length, another collection of their joyous power pop that will appeal to fans of indie poppers like The Shins as well as traditional power poppers like Brendan Benson. There's plenty to love here, from the jangle pop of "To Find You There" and "On Display" to more reflective numbers like "North of the Keys" and "Stand Clear of the Closing Doors". And with the uptempo melodies of the title track and "Oh No", For Love & Spite is like an instant party you can attend whenever you put on the album. With autumn in full swing, this is perfect record to listen to while enduring the drudgery of raking leaves.

CD Baby | iTunes

The Well Wishers-A Shattering Sky. Consistency, even when at a high level, can sometimes be a curse. This comes to mind whenever it's time to review a new Well Wishers disc because Jeff Shelton is so good at what he does that it's hard to say anything that hasn't be said over the previous five albums and an EP he's released since I started this blog in 2006. And to a large extent A Shattering Sky, Shelton's latest, is "more of the same". But to paraphrase Animal Farm, some Well Wishers album are more equal than others, and I'd say this is his best release since 2005's Under the Arrows. What made that album my favorite of his were the slower, midtempo numbers like "Only Sky" and "Before the Race Was Run". While all of the WW albums in the interim had the top-notch, driving jangle pop tunes, A Shattering Sky stands out for me with the quality of the slower tracks like "The Last to Fall in Love" and "Right Here at Last". Of course there's plenty of the "full-bodied power pop" (as Shelton describes it) to go around here too, and those tunes are great as well, including the jangly "Bring it Back" and "Goodbye" and the rocking "I Believe". This is the Well Wishers album to get if you only have one (and you should have them all).

CD Baby | iTunes

Back in the saddle.

Back after an extended hospital stay but everything is fine now and I've recovered completely. Thanks for all the well wishes, and now back to the power pop:

Rick Hromadka-Trippin Dinosaurs. It's been several years since the last Maple Mars album, but frontman Rick Hromadka has kept busy. In 2012, he teamed up with his wife for the excellent Ruby Free album, and now he's completely solo (and I mean COMPLETELY solo as he played all the instruments on the album) with Trippin Dinosaurs. Like Ruby Free, this isn't a replication of his Maple Mars sound but a different type of genre exercise as he goes the psych-pop route with debts to Pink Floyd and The Move. Opener "Conversation" with its "I Am The Walrus"-type vibe sounds straight outta 1968, while Hromadka puts the "pop" in psych-pop with "It's All in Your Head" and "Dreams of a Hippy Summer", the latter which would have been right at home on the Ruby Free album. And "Twice a Sunny Day Tomorrow" will transport you in your head to coastal California. I can safely say that this album has done everything it can to bring back "groovy" as an adjective of favor.

CD Baby | iTunes | Listen at Spotify

The Rip Off Artists-The Intercontinental. Nick Pipitone and Peter Batchelder are back for the first time since 2008's Esque with another round of sophisticated pop. Befitting its title, The Intercontinental is a tale of billionaires' daughters, failed actors, tennis instructors, college professors on the make, and miserable commuters among others. The result is an Elvis Costello-meets-Fountains of Wayne sensibility. So we get "Commuter's Blues", a song to hum along to while stuck in traffic, "Inside the Actor's Studio Apartment" (great title), a (lack of) character study set to a power pop beat, the Beatlesque "Mr. Right and Mrs. Right", where Pipitone and Batchelder trade vocals a la John and Paul, and the bouncy "Bachelor of Arts", in which we meet our sleazy professor. And as we approach the holidays, even "Christmas Eve" isn't safe from their cynical gaze. Nevertheless, The Intercontinental is a breath of fresh air in the power pop genre with lyrics that go beyond the usual staples of girls and cars.

As best as I can tell, at the moment this is a digital-only release on Bandcamp at the bargain price of $5, money you'd otherwise blow on an overpriced cup of coffee.

On the sick list.

Currently hospitalized, having surgery shortly, so no new posts until late next week at the earliest. Nothing life-threatening.